This is my take on a classic diatribe from Pulp Fiction.  The first time I heard this speech used in a house song was the infamous Dj Sneak's Ezekial.

Concentration

Modern boom bap beats with pretty, lo-fi pad and strings, and heavy bassline.  

MASTERED NOV 29 2017

Changes MASTERED NOV 29 2017

Modern boom bap beats with trippy space arp synth sound.  I was thinking a lot about Dj Krush when I made this.  I love his beats from his early work.

MASTERED OCT 2017

Step Number One

Boom bap beats and messing with the pitch of the song makes this song think of that south african band that was in chappie.  The vocals were recorded on my phone and dealt with in Acid 7.

FULL SONG MASTERED DEC 2017

We Kill

This song is darker and more industrial than I usually go.  But when the flow starts I just ride the wave and see where it goes.  

It kinda reminds me of NIN or Tool beats.  The vocals are how I truly feel here on earth at times.  

MASTERED JAN 2018

Where I'm From

95 bpm of distorted hip hop beats and bassline.  Made on my Korg ESX, mixed through my Vestax VCI-400, recorded in Audacity and mastered in Acid 7.

November 2018

Blurred Beats

I heard a Jeff Mills interview once where he said he and Rob Hood were getting the best responses during their sets from repetitive tracks with little changes...or something to that effect.


Made using Acid 7 in 2017

Rodney Peterson