Rodrigo Constanzo (amplified strings & electronics), Ray Evanoff (amplified cymbal), and Iain Harrison (saxophone) are about as diverse a trio of musicians as could be. With a collective background ranging from DIY instrument building to Brazilian music to big band, the three bring a lot to bear on the act of making music. This eclectic range of musical influences and experiences gives rise to improvisations which highlight both the unavoidable conflicts and the common ground which emerge as a result of their distinct backgrounds and outlooks. This diversity is acutely documented in their forthcoming album, 16 Figures, which features companion artwork produced specifically for the occasion by Angela Guyton. All three musicians, plus the artist, are currently based in the north of England.

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iminlovewithanothergirl.com explores the use of a condenser microphone as percussive beater, friction actuator, feedback tuner, as well as a dynamically moveable microphone. The sonic world is explored in the context of bounded improvisation with only structural decisions being made at a compositional level.

iminlovewithanothergirl.com

The two etudes I wrote for school. 

Time Etude = Where The Skin Meets The Bone
Space Etude = Six Motherfucking Pitches

Six Motherfucking Pitches

Where The Skin Meets The Bone

Some tasty beats from a recent jam with Paul Bell in Newcastle.

Post-hiphop Mix Tape

A Machine (04:57)
by Rodrigo Constanzo

Alan Turing, and his work as a cryptanalyst and pioneering computer scientist, was the thematic inspiration for A Machine. Using the idea of encryption and decryption as a starting point, I collected files relating to Alan Turing that ranged from academic papers and personal letters, to photographs and biographical texts. The files were processed in a number of ways, including optical character recognition and en-masse concatenation. This was done in order to make them suitable for sonification--the process by which the data within the files was converted in to audio. 

Additionally, some software tools were developed to dynamically and variably compress audio, using psychoacoustic analysis in much the same way mp3 compression works. The compression was used as a processing/sculpting effect as well as a structural and form bearing mechanism. 
 
The use of field recordings is minimal, with the field recordings being used primarily to frame the electronic sounds. They provide a reference point from our reality for the rest of the work to juxtapose against. 

A Machine

A Greater Horror - Semi-simple variations

Rodrigo Constanzo is a performer and composer living in Manchester, England.  He is an avid improviser and performs regularly using home made electro acoustic, and modified electronic instruments. He is currently working towards a PhD in Composition at the University of Huddersfield and co-runs The Noise Upstairs, an improv collective and label which puts on monthly nights and quarterly workshops in Manchester.

He lives in Manchester with his partner, artist Angela Guyton.

Rodrigo Constanzo

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