Huge atmosphere, love the dynamic synth sweeps

MAX - MIN

After presenting the acclaimed special reissue of 'A Midsummer Nice Dream" in 2019, today Christopher Scott Leary aka @ochre returns to Lapsus' Perennial Series with 'Lemodie (15th Anniversary Edition)'.

2021 marks 15 years since the original release of 'Lemodie' on Scottish label Benbecula in 2006, and to celebrate the release’s fifteenth anniversary Lapsus Records is pressing a special collector’s edition of this IDM classic for the first time on vinyl.

'Lemodie (15th Anniversary Edition)' includes a double marbled vinyl, a full-colour print and a brand new artwork redesigned by Portland (Oregon) illustrator Nathaniel Reeves, who has worked alongside Ochre over the last decade. In addition, this special reissue also features six previously unreleased tracks from the 'Lemodie' era –four bonus on its vinyl version and six on its digital version–.

Lemodie (15th Anniversary Edition)

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Ochre - Lemodie (15th Anniversary Edition) | Perennial Series #10

@antilounge 11 release

beatport - http://www.beatport.com/release/engines/1167746
itunes - itunes.apple.com/nl/album/engines/id714034453
juno - http://www.junodownload.com/products/generate-engines/2304362-02/

remixes by @roelfuncken, @loyu, @marsman and @missingsense

mastering by @savastub

Buy on bandcamp

Engines

The sequence starts with a cable connection to the clock output from the Steady State Fate Ultra Random module. This clock output was sent to an intellijel hub mult. From here the clock was sent to first to a 4ms RCD/QCD, Delptronics Trigger Man, and to the MakeNoise Rene. First output gates from 4ms RCD 4 divide output to the trigger input on the Braids module top row, running in "WLIN" mode. The second multi-output was sent to a 4ms QCD output green channel 4, set at a division trigger time of 16. This would trigger single notes on the "Elements" module, that begins at 1:42. The playback mode is running in "Secret Easter Egg Mode" :-) The selected note sequence from the QCV output from Rene. The final output from Elements was sent to the Eventide "Pitch" pedal using the "Crystalizer" algorithm.

Clouds - was processing recorded chunks from the drum percussion, kick used from the top row "Peaks" 808 kick drum synthesis model. Then a snare was created from the "grey" noise output from the SSF Quantum rainbow running through the right side of Streams to make a snare drum, which was running in envelope mode with shape position to the left, short decay. Then a third voice uses the blue noise output from the SSF quantum rainbow for hi-hats. Amplitude triggered/controlled by a HexVCA. The drum sequence was programmed from the Delptronics Triggerman, using all 8 patterns stringed together running in pattern play mode but being CV controlled by the S&H # 1 output from the SSF Ultra Random. Output for all voices was grouped and multiplied into two separate mixers. First three channels of the Intellijel Mutamix, which was then sent to output channel B. From there the summed mix was sent into the "left" side input of Clouds. Then triggered in time with the sequence by an 8th division trigger from the 4ms RCD. The freeze input in Clouds was triggered in time 7th divisions from the 4ms RCD, so that the chunks would process and record then playback in spurts of timed randomness. The mode was set in the pitch-shifter/time stretcher configuration, where the grains were spliced so that created interesting granular pitching repeats and percussive glitch effects, as the rhythmic beats played through. Focused ranges were selected for the "Density/Pitchshifter" and "Timestetcher/Texture" controls. These were being controlled by the S&H #2 output from the SSF Ultra Random. The 1/volt pitch input was controlled by the toggle A/B output from the SSF ultra random. The clean drum outputs were also sent to channels 5, 6, and 7 on the Blue Lantern "Mix 'Em Up" module.

Streams left side processing from the MakeNoise Mysteron output, which was being triggered by the 5th division output, for the metallic ripple delay like sounds, with the mutation knob set to counter-clockwise, low bit mode.
The "Shelves" module was processing the acid-like filter parts that get un-muted at 12 seconds. The sound source running into "Shelves" was the "Braids" module bottom row, running in "CSAW" mode. CV controlled by the CV output from the MakeNoise Rene sent to another intellijel hub mult. From here each CV output was sent to the "Frequency" inputs pink, green, and white jacks on "Shelves". The "Tides" high tide output modulation the CV controlling the top frequency input on "Shelves" Each filter knob was set so the incoming "CSAW" input was being processed like a formant filter effect.

Smooth Sub OSC bassline coming from the MakeNoise STO. This was being CV controlled by an intellijel ￼µScale (B) output. Playing back 8 notes while being triggered from the 2nd division trigger on the 4ms RCD. Triangle wave output from an Intellijel Dixie (synced) to the sequence controlling the input (1V/Oct). Second STO at 55 seconds, alternating high note triggers from the 1 channel output from the 4ms QCD 6th division output. The second STO output was sent to a MakeNoise Optomix for short quick plucks.

Clouds & Streams

Boards of Canada - Echus live (Dn_Fnckn_rmx)09/01/2022
{C} All rights Reserved Boards of Canada / Warp Records 2022
https://www.youtube.com/watch?v=_F9wWq7VjTE

Boards Of Canadn  - Echus (Dn_Fnckn_rmx)

22oct01_ta

Room of Wires - Early Stage Mutation

Europa

Decay

Buy -  

Redeye Records: https://tinyurl.com/ydfok879
Juno Records: https://tinyurl.com/yd9y43s6
Horizon Music: https://tinyurl.com/ybed6u2k
Disc World: https://tinyurl.com/y8f28xzd
hhv: https://tinyurl.com/yb3ebozf
Coldcuts/Hotwax: https://tinyurl.com/yc27xytd
deejay: https://tinyurl.com/ycqm8o22

Fulmar EP

Opaque

Promethean Plunder

Free if you want

Fygon Isk Amb

Roel Funcken officially popped up on the scene in 2010, with his solo debut, titled Vade, out on Ad Noiseam. But fans of electronic music, and IDM in general, have been tracking this Dutch musician for over a decade prior, when, along with his brother, Don, the duo has released some of the genre defining music on labels such as Djak-Up-Bitch, Schematic, Sublight Records, Neo Ouija, n5MD , Arcola (Warp) as the one and only Funckarma. In 2009 the Funcken brothers kicked off their very own, digital-only, Funcken Industry imprint, which hosted a few of their other projects and offshoots, such as Shadow Huntaz, Scone, Quench, Automotive, and the latest from Roel's solo works. Roel continues to influence the evolution of music through numerous releases (Sapper Morton on Analogical Force, Semtinal Convex on Methlab and Prester Hynn on his own imprint to name a few) and active engagement in the community, with music festival curation, mixes on mixlr and soundcloud and weekly playlists on Soundcloud and spotify. Roel's music is advanced in sound design, often incorporating unique experimentation in electronic sound, with cut-up, twisted, atmospheric sonic soundscapes, leaving the cranium always begging for more. His ambient textures maintain a cinematic quality throughout, while his percussive arrangements retain a constantly mutating framework, always reconstructing its rhythm and structure, contradicting complex configurations and minimal design. It's always a pleasure to taste the latest treat from this aural engineer, and find the latest gem in his never-ending arsenal of sound. Definitely check out his music Funck’d subscription on bandcamp to check out his latest tracks and get some exclusive material).

Fygon Isk Amb

Roel Funcken

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