Light Beach

A new one for my loyal Funck'd members

https://roelfuncken.bandcamp.com/community

Funck'd

Goff Mideon

!!! Mike Paradinas first album of new material since 2013, written in some rare downtime in the Gower (Wales) during the summer 2020 lockdown. There’s a strange sense of the old and new in Scurlage, the sentimental and utopia. Dive into Paradinas world, yesterday, today and forever.
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+++ OUT EARLY JUNE +++
PREORDER 2x12" TURQUOISE VINYL + DIGITAL: https://bit.ly/3urgapd
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CAT: AF038LP
ARTIST: µ-Ziq
TITTLE: SCURLAGE  
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A1   BLAKERS LOOP                                  04:32  
A2   PRESTON MELODICS                              04:00
A3   MURKER                                        02:54

B1   SLADE TREACHER                                05:47 
B2   CLEANING                                      05:31

C1   OXWICH & PENRICE                              05:31  
C2   BLAUWASSER                                    04:34

D1   SKETTY                                        04:05 
D2   BENTLEY                                       03:17
D3   STRAWBERRY AERO                               05:16
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©+Ⓟ Analogical Force 2021. Copyright Control
Written, produced and mixed by Michael Paradinas in UK 
Published by Planet Mu Publishing
Mastering by Carlos Koschitzky at Koschitzky Studio, Gijón
Design by Acid Hazel, Berlin
Distributed by Clone, Rotterdam 
www.clone.nl
www.analogicalforce.com

Buy Now

[AF038LP] µ​-​Ziq 'SCURLAGE' [2021]

This mix is the polar opposite of HARD/MAXIMAL/CATHARTIC. It's a 4 channel surround sound mix of drone/ambient that I made for a session I had in my basement. I set up a speaker in each corner, invited a bunch of friends around and we all lay melting in the middle of the dark room vibrating from the bass. I love that experience. I feel so refreshed afterwards, like I've had my mind reset. It's like a spa for my brain.

It starts and ends with one of my oldest binaural recordings of rain. This was to signify the start and end of the experience - only when the rain is playing are you allowed to speak.

This is a binaural mix down. If you want to try the full 4 channel experience, you can download the front and rear stereo files here.

Front LR:
https://drive.google.com/file/d/1hKzKYaXBxiNAY20a2YzyLSDDnn4GPx_9/view?usp=sharing

Rear LR:
https://drive.google.com/file/d/1jTxAfLkWnILssG-hPjll4K_ZyQsxcZAw/view?usp=sharing

Probs easiest to put them on separate tracks in Ableton or whatever and route the tracks to the appropriate speakers.

So get some pillows, take a big (but responsible) dose of your favourite dissociative and disconnect from reality for a while.

Tracklist:

Rob Clouth - the rain in dad's utility room (field recording)
Abul Mogard - On a Shattered Shell Beach
Douglas Quin - Weddell Seals (Underwater)
Lee Gamble - Inta Centre
Ulla Straus - Billow
Rob Clouth - sea bus rich tonal drone (field recording)
Murcof - Inevitable Truth
Thomas Köner - Ilira
Rob Clouth - dawn chorus, saint mary's vale after bivvying (field recording)
Pub - Cokeshandy
Rob Clouth - victoria (field recording)
Rob Clouth - Spaces Far Below
Murcof - Dropped Soul
Thomas Köner - Nuuk (Air)
Perila - Blanket
Rob Clouth - epic wind in st. andrews park in the dark (field recording)
Paul Wirkus - Physikerin
Tim Hecker - Music for Tundra Pt 1
Motion Graphics - Brass Mechanics
Abul Mogard - Along the River
Rob Clouth - the rain in dad's utility room (field recording)

SOFT/MINIMAL/INTROSPECTIVE

Here's a track i made with Secede that i've played live a lot in the past. Many people have requested for this to come out, so here it finally is!

unreleased

Buy on Bandcamp

Eusebeia - Fruition (Feat. Akuratyde)

Coming on 25/08/25 is the next ep 'Rumbling Earth' by Voicheck in his distinguished style of voodoo breakbeat bass music, with mind melting tribal beats and body trembling bass design.

Besides the orgiginal tracks Rumbling and Earth, two remixes of earth will be included by re-fuse and Hentopan. 

@voicheck
@hentopan108 
@re-fuse

Pre-Order

Earth (re-fuse remix)

MSLP019 - Frenk Dublin - Quantum Dubs LP 8 track vinyl release coming soon on @moonshine-recordings. This one featuring @tenor-is-love
Pre-order:
https://moonshinerecordings.bandcamp.com/album/quantum-dubs
https://www.deejay.de/Frenk_Dublin_Quantum_Dubs_LP_MSLP019_Vinyl__1175926
https://www.decks.de/track/frenk_dublin-quantum_dubs_lp/cp9-kx
https://www.juno.co.uk/products/frenk-dublin-quantum-dubs-vinyl/1109216-01/

pre-order LP on Decks

Our Progress ft. Tenor Youthman (Original Mix)

Link to the video captured here in real-time: https://vimeo.com/150015591

Patch Notes:

This was a patch experiment using the new Mutable Instruments Rings/Clouds Modules, and trying to create strumming/plucking guitar like sounds within a patch. The inspiration came from playing around with the Clouds Parasites 1.3 alternate firmware running in the Resonator mode highlighting the "scatter" (or strum) function. The master clock was the Tiptop Circadian Rhythms module, taking the first 4 outputs into my Nord Drum 2 for the Kick, snare, closed and open hi-hats. From there the clock output from the CR was multiplied and then sent to the Modcan Touch Sequencer. First row output from the TS was sent to the intellijel Shapeshifter creating a two note baseline sequence that comes in at 1:58. The second sequence Row2 output from the TS was sent to the "ALM Akemie's Castle" module OSC A output using the chord function, that comes in at 25 seconds. The gates from the modcan where set to a 16th's pulse sequence. Modulation from the synthesis technology E102 Quad Temporal Shifter output 1 modulating the Multiplier input on Operator 1. The 2, 3 and 4 outputs from the E102 where also modulating the Operator 2, 3, and 4 inputs on the Akemie's Castle. This was creating the harmonic timbre changing as the sequence was playing.

The slowly evolving sweeping noise textures that come in at 1:09 is from the Music Thing Radio Music module. The sample was a white noise sampled lightly filtered and then sent to the intellijel HexVCA with the amplitude CV control via a Intellijel Dixie modulating from slow to high rates (free running). The Make Noise Rene was being externally clocked from the Circadian Rhythm, and was sending out a quantized output to the Mutable Instruments Clouds pitch input creating the chord guitar sequence. The strum sounds on Clouds was played by the 4ms QCD running in 32th division output into the Trigger input. The freeze input was also triggered by a Ladik R-110 Random clock module. The combination of the two created the trill chord like strums.

The bass guitar tone sound that comes in at 1:24 are from the MakeNoise Mysteron, that is being sequenced by the Modcan Touch Sequencer, Row Output 3 was programmed in the same key but a lower octave. The "Rings" module was creating slow attack soft high pitched chords in reverb that come around 2:50. There was additional processing of the Clouds output that was sent into the Tiptop ZDSP module running the "Halls of Vahalla" card program 8 "Ginnungagap" creating the high pitch octave deep reverb shimmer effects. The harmonic slow swells that come in at 3:30 where created using another intellijel Dixie oscillator sine output running into an Strymon "Big Sky" pedal being harmonically controlled by an intellijel µScale V1. The output was being played slowly then processed using the "Choral" mode, creating the slow shimmer swells. The entire mix was sent into the Eventide Space pedal using the "Corridors" patch.

Mutable Instruments Rings : mutable-instruments.net/modules/rings
Clouds Parasites firmware: mqtthiqs.github.io/parasites/clouds.html

Strum - Modular Patch

From the Transition EP, due to be released 23/02/18 on Mesh.

Also as part of the EP release, I've made an algorithmic summary of my entire musical output since I started writing in 2003.

You can listen/watch the A/V experiment here:
robclouth.com/transition/

The artwork is based on growth-rings in trees and is a data-visualisation of my entire back catalogue. You can read more about it in the link above.

Buy / Stream

Like A Second Sun

Response
Taken from 'None of the above' LP out now on none60 records: 
https://none60records.bandcamp.com/album/nsy035-none-of-the-above
Also available on limited edition 12 via bandcamp:
https://none60records.bandcamp.com/album/nsyltd001-lewis-james-response-oliver-yorke-u-no

Response

All Tracks Written And Produced By Roel Funcken 

Art By Sheepairsupport 
sheepairsupport.com 

Layout By Jason Mccreadie 

Mastered By Loz Grover @ Crimson Sun Audio 

All Profit Goes To Homes For Unwanted Greyhounds : HUG 
homesforunwantedgreyhounds.ie 

Catalog Number: TM100 


Unless you live deep, deep inside some sort of cave and have never ventured outside it's unlikely that you'll be unexcited by the next offering from Touched Music. 
Quench lighten our lives once again with 'Greyhound EP', Drawing on His vast experience (Cane, Funckarma, et. al) to bring you a lovely little collection of tracks. 
Seven pieces of expert creation, thoughtful in concept and masterful in execution, this is the complete opposite of run-of-the-mill. Rhythms are strong, highs are crisp and things which are distant sound like they are supposed to be. 
'Marta Cosmone' emerges from a muddy horizon and quickly flips into a clear and concise track. Attention has clearly been given in equal amounts to all constituent parts and nothing has been left behind. 
The theme continues right until the end, all the songs here leave you hanging from one phrase to the next as they continuously evolve and transform to keep your attention. 
There's an intermittent sense of urgency, most apparent in 'Skavenger Orphan'. One has just about enough time to process what has happened until the next iteration of the phrase is in your face. 
Everything is topped off nicely by 'Bowen Skylax' that manages to relax me after being on the edge of my seat for half an hour or so - no thanks to the penultimate 'Biva Vlance' which steps it up a notch with somewhat more hectic drum programming. 
Even if you miss the 12", limited to 200 copies, be sure to pick up a CD or digital version, with all proceeds going to 'HUG' (Homes for Unwanted Greyhounds).

Greyhound ep

Bowen Skylax

Biva Vlance

Roel Funcken - Dragomane Misinize ep

will release 15th of september 
digital, vinyl, poster and t-shirts will be available

A1	Otonbori Dosaka 	
A2	Foucault Pendula		
A3	Munai Bailer 			
A4	A Dyad in the Force 	

					
					

B1	Preneral Jyde			
B2	Theospinel Sulfide		
B3	Ekto Gambit 			
B4	Zonic Emulsifizm		


					
All tracks written and produced by Roel Funcken  
https://linktr.ee/roelfuncken

Art is a painting by Roel Funcken called Dragomane Misinize

Design/ Layout by Moicflo 
https://moicflo.com

Mastered by Snap Mastering 
https://www.snapmastering.com


Bion Glent records BG2020.001

Dragomane Misinize

Faucoult Pendula

Zonic Emulsifizm

It’s clear Lennard van der Last is a storyteller and a pioneer at blending the weird and wonderful. A magician of world-building; this mix is no different. Try and define or categorize his music, or this mix, if you dare, but to any Secede fan, it’s screamingly obvious who is behind it. http://asip.me/isolatedmix106

ASIP - isolatedmix 106 Secede

More

isolatedmix 106 - Secede

Roel Funcken officially popped up on the scene in 2010, with his solo debut, titled Vade, out on Ad Noiseam. But fans of electronic music, and IDM in general, have been tracking this Dutch musician for over a decade prior, when, along with his brother, Don, the duo has released some of the genre defining music on labels such as Djak-Up-Bitch, Schematic, Sublight Records, Neo Ouija, n5MD , Arcola (Warp) as the one and only Funckarma. In 2009 the Funcken brothers kicked off their very own, digital-only, Funcken Industry imprint, which hosted a few of their other projects and offshoots, such as Shadow Huntaz, Scone, Quench, Automotive, and the latest from Roel's solo works. Roel continues to influence the evolution of music through numerous releases (Sapper Morton on Analogical Force, Semtinal Convex on Methlab and Prester Hynn on his own imprint to name a few) and active engagement in the community, with music festival curation, mixes on mixlr and soundcloud and weekly playlists on Soundcloud and spotify. Roel's music is advanced in sound design, often incorporating unique experimentation in electronic sound, with cut-up, twisted, atmospheric sonic soundscapes, leaving the cranium always begging for more. His ambient textures maintain a cinematic quality throughout, while his percussive arrangements retain a constantly mutating framework, always reconstructing its rhythm and structure, contradicting complex configurations and minimal design. It's always a pleasure to taste the latest treat from this aural engineer, and find the latest gem in his never-ending arsenal of sound. Definitely check out his music Funck’d subscription on bandcamp to check out his latest tracks and get some exclusive material).

Zonic Emulsifizm

Roel Funcken

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