Classical

Blue carbon is the term given to aquatic plant life absorbing carbon from our environment, thusly combatting climate change.  This track is as relaxing and flowing effortlessly as knowing nature is working to help us combat climate change.  It's never faltering beat combined with keys, synths & strings fuel a clean rejuvenation.

Blue Carbon

"Removed from Tomorrow" was influenced by female artists who inspirationally touched my life. Along with hiking daily through mother earth's beautiful forest/garden of life. There were many experiences of double rainbows, butterflies, beautiful colorful various birds, wildflowers. Magical psychedelic experiences along the way. Hope everyone enjoys my latest musical journey.

Best, 
Daniel Lars

C. 2022
All instruments by: Daniel Lars
All songs Mixed, Written, Produced, Mastered by: Daniel Lars

Removed From Tomorrow

Secret Magical World Below

This basically timeless piece was created to match the quality of the time. Inspired by the moment and giving a view of what is to come. There is no way back. Only forward and the present moment. No way back.
recording at Bergtonstudio Andalusien by Ullip
music by Ullip© (only the Ud Sounds from Dhafer Yussef )
Mix  and Master by Ullip 
Ullip Records - LC 99493
https://www.ullip.eu
https://youtu.be/jqStrZf4KHc?si=WUQGNBLdEvAR1qtE

Legal : www.ullip.eu/video-production
The use of my music to train AI and generate similar compositions is strictly prohibited and will be prosecuted. European and German copyright law applies in all cases. All rights reserved ©

No way back

Sonate n°3 pour piano en fa majeur

J’ai rarement besoin d’introduire mes musiques. Celle-ci fait exception : s’agissant d’une musique à programme, je me dois d’en présenter les grandes lignes pour que, à la fois l’auditeur, mais aussi l’interprète, puissent comprendre ce que j’ai voulu signifier et comment interpréter cette sonate.

Cette sonate pour piano a pour titre « Anthropo-scène ». Elle a pour ambition de décrire l’évolution de l’Homme depuis la nuit des temps jusqu’à nos jours.

Vidéo : https://youtu.be/LeAbQYEAiAs

Sonate n°3 pour piano ­— « Anthropo-scène »

2077

Ce titre, composé en collaboration avec Myckaël Marcovic (paroles)https://soundcloud.com/myckael-marcovic/tracks, se veut un hymne à la liberté. Le refrain, à lui seul et magnifiquement écrit,  nous permet de comprendre l’essence du propos de ce titre et de ce que veut  dire le mot liberté. La musique, un peu rock, est allégée par des vents qui rappellent les belles années du groupe Chicago.
REFRAIN :
On n’emprisonne pas le vent…    venant de l’ouest ou du levant.
J’ai toujours été arrimée… aux ailes de la liberté.


This title, composed in collaboration with Myckaël Marcovic (lyrics), is intended as an hymn to freedom. The chorus, in itself and beautifully written, allows us to understand the essence of the purpose of this title and what the word freedom means. The music, a bit rock, is lightened by winds that remind of the beautiful years of the group Chicago.
CHORUS:
We can't imprison the wind... coming from the west or the 'levant' (french word for east, sunrise).
I have always been anchored... to the wings of freedom.






Musiciennes et musiciens :
Marie-Christine Tremblay : vocal
Myckaël Marcovic : Paroles
Denis Caouette : musique et arrangements, guitares, back vocals et programmation.
Marlène Claveau : Sax Alto
Michel Otis : Sax ténor et piano
André Lessard : Trompette
Martin Tremblay : Trombone
Frank Corneau : Basse
Jérôme Vandal : Batterie
Martin Larose (Studio Septentrio) : Réalisation

SI TU VEUX SAVOIR
A Dominique Briand
Myckaël Marcovic, le 28 juin 2020


Si tu veux savoir qui je suis
Suis les saisons, suis la rivière
Qui chante et danse dans son lit
Se riant des vaines colères.

Si tu veux savoir qui je suis
Essaie de suivre ce nuage
Qui a toujours la même envie
De caresser des paysages.

Si tu veux savoir qui je suis…    écoute le vent de la mer
Gonflant les voiles de ma vie…         pour une école buissonnière.

                                               
On n’emprisonne pas le vent
Venant de l’ouest ou du levant
J’ai toujours été arrimée
Aux ailes de la liberté

Si tu veux savoir qui je suis
Regarde encore dans ton miroir
Pour y retrouver l’utopie
Le cœur ardent de mon espoir

Si tu veux savoir qui je suis
Il te faudra de la patience
Car jamais mon cœur ne frémit
Pour ceux qui manquent d’élégance 

On n’emprisonne pas le vent
Venant de l’ouest ou du levant
J’ai toujours été arrimée
Aux ailes de la liberté…         

…aux ailes de la liberté…                     aux ailes de la liberté…


Si tu veux savoir qui je suis
Écoute le vent de la mer
Gonflant les voiles de ma vie
Pour une école buissonnière

On n’emprisonne pas le vent
Venant de l’ouest ou du levant
J’ai toujours été arrimée
Aux ailes de la liberté…
 
Maintenant tu sais qui je suis
Comme un bateau mi-eau, mi-air
Pleins de rêves inassouvis
Mais qu’aucun port ne pourra taire

Nannanananananana !

On n’emprisonne pas le vent…              on n’emprisonne pas le vent…

PHONOGRAPHE

Si tu veux savoir

Just another day in the life of a humble dictator.
He's down on his luck because he's lost his adherents, then goes on a date, then goes to a party where his traitors absconded to and passes out.
(Maybe the new guy found out how fickle the monkeys were identically....)

Lyrics:

It's going to be a lovely day
I feel it coming to the fore
This Adderall tastes like people need
To get out of my way
In the grocery store

My mood is my decision
And my decisions are generally pretty dark
She was asking for a body count
While on a date with a dictator
And i said i'd write it down
Once i got the figures later

As the weather outside grew stormy
We were discussing the means with regards to the ends
And the general zeitgeist
Billionaire techno-wizard freaks are not your friends
Neither are the normies
But the normies aren't giving masterclasses on the Antichrist

And while she was in Gravesend
Getting a purge of her follicles
She didn't mean to mock
But Disturbing naturally formed alluviums 
Is Almost as diabolical
As someone kicking your xeriscaping rocks
All over the sidewalk

And she said
After taking a breath
Life's daily demands 
Are just now not the same
Remember the early two thousands
When beating demons to death
With your bare hands
Was still a fictional video game

She'd had enough talk of killing
After flicking a piece of ash
She was such a vicious kidder
And then i really had going
A throbbing of my brain
Plus that feeling when
You need cash so bad
You're willing to be the lowest bidder
In an adversary supply chain

Water isn't clear 
But it seems clear because it filtered
What it wasn't clear to 
Which you then didn't evolve to see
What wasn't clear about her
Was that she doesn't kilter
To what would appear to be
What i was involved in
Enough to unequivocally agree

I then went to someone else’s circus 
And all of my fucking monkeys were there
Playing a diabolical form
Of political musical chairs

I'd had far too much of our host's brew
And dozed off as he prattled his parvenu 
Far on into the night
And coming to
I found it hard to believe
The change in his face
With the advent of dawn
His espirit de corps, 
His joie de vivre, 
His coup de grace, 
His deja vu
Were all categorically gone

Not My Monkeys Not My Circus

The First Minute opens 12 Minutes — a short ambient classical journey by composer Jeremias Langsämmer. Soft strings meet choral textures to create a space of stillness and reflection. Designed for focus, calm, and cinematic listening, this piece captures the breath between thought and silence.

🎧 From the forthcoming album 12 Minutes, a suite of short ambient classical works for piano, strings, and quiet contemplation.

For fans of: Max Richter, Jóhann Jóhannsson, Ólafur Arnalds, Nils Frahm, Hammock

#ambientclassical #modernclassical #cinematicmusic #pianoandstrings #relaxingmusic #soundtrackmusic #focusmusic #calmmusic #jeremiaslangsammer #maxrichter #olafurarnalds #johannjohannsson #nilsfrahm #hammock

Jeremias Langsämmer – The First Minute | Ambient Classical Strings & Choral Calm

I feel like i died

pop punk/rock
co-produced, mixed, mastered and cover art by

@a7-recording-studio

www.a7recordingstudio.com

a7recordingstudio@gmail.com

Crawling Up The Walls

"Miniature" is a swift polyphonic piece, brought to life by a string ensemble. Its energy lies in the perpetual motion and interweaving voices that create a complex yet harmonious flow. Devoid of a pronounced emotional message, this composition captivates with its sheer dynamism, inviting the listener to appreciate the beauty of the process itself — an endless striving forward.

MINIATURE

Fragile by The Jeremias Langsämmer Ensemble blends emotional piano, dark cinematic strings, subtle bells, and plucked textures to create an atmospheric modern classical piece with a haunting edge. Vintage piano tones meet sweeping orchestral strings and expressive cello lines, moving between delicate moments and ominous tension.

This track is perfect for fans of emotional instrumental music, cinematic soundtracks, contemporary classical, study playlists, and atmospheric orchestral pieces. Whether you're focusing, unwinding, or looking for cinematic inspiration, Fragile delivers a rich and immersive listening experience.

For Fans Of:
Max Richter, Ólafur Arnalds, Nils Frahm, Jóhann Jóhannsson, A Winged Victory for the Sullen, Dustin O’Halloran, Philip Glass, Hildur Guðnadóttir, Michael Nyman

The Jeremias Langsämmer Ensemble – Fragile | Piano, Cinematic Strings & Atmospheric Orchestral Music

Home for Christmas

An adaption of this classic track for two acoustic guitars and bass.

Wicked Game acoustic instrumental

An orchestral pastoral piece, featuring woodwind, which shifts through a range of moods.

Boats to the Electric Island (pastoral orchestral)

Autumn Lullaby

I'm a Freelance Music Producer who is also into Holistic Healing through music and sound

Roger is a musician, producer & composer living in West Michigan.

He self-produces original acoustic & electronic compositions which range from ambient and IDM to classical.  His influences span far and wide through traditional blues and jazz to more modern house and techno beats.  More often than not, his music has just a touch of beautiful sadness.

His music is perfect for soundtracks, video games & other sync projects.  Contact him for more details.

Autumn Lullaby

Roger L. Smith

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