I can`t listen more than 10sec.. is it me or scloud :( I want this rack for my new mix tho... Very nice first 10 sec <3 <3 <3 :D

SUN RISING UP David Penn Original Remastered Edit MSTR

Fighting Love

Fighting Love (Extended Mix)

Hannah Wants returns to Defected with the emotionally resonant ‘Hold Me’, co-written by featuring vocalist, frequent collaborator and good friend ARA. The release follows the major success of their previous Defected single ‘The One’ in 2023, which conquered radio stations and received extensive club play across the UK thanks to its infectious hook and haunting vocals. Described by Hannah as ‘her favourite record to date’, the production and lyrics of ‘Hold Me’ come together to create cathartic release for the DJ - showcasing the sound of an artist who advocates fiercely for music with meaning alongside her reputation for making bass-heavy rollers built for the club.

Hold Me

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Hannah Wants Feat. ARA - Hold Me

III (Remixed)

The Beat Goes On (Junior Jack Remix)

Long-time friend of Defected Ferreck Dawn returns with ‘Make Me Weak’, featuring vocals from Caroline Byrne. A Dutch powerhouse who in 2024 played for the London label at Wembley’s OVO Arena, the summer season at Ushuaïa Ibiza, its flagship festival in Croatia and world tour stop in Toulouse, Ferreck continues to rep Defected on an international level - now preparing for the label’s season at Pacha Ibiza. His busy touring schedule was matched by his Defected output, working with Maverick Sabre, New Machine, GUZ, MEDUZA and Clementine Douglas on a string of tracks last year. Returning to the label in 2025, Ferreck collaborates with Caroline Byrne, a prolific dance music singer / songwriter who has previously featured on tracks with Gorgon City, Tudor, and TSHA. ‘Make Me Weak’ is a groovier, more synth-laden outing for Ferreck, spotlighting Caroline’s airy topline layered in harmony, creating a vocaloid-like effect that aligns perfectly with Ferreck’s signature, hard-hitting production.

Make Me Weak

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Ferreck Dawn Feat. Caroline Byrne - Make Me Weak

🎵 Track Title: 5:45 (Nepal Time)
🎛️ Genre: Groove House × Piano House × Funky World Time Vibe
⏱️ Tempo: 124 BPM
🎹 Instruments: Piano stabs, chunky groove bassline, syncopated claps, tabla, metallic percs, filtered tanpura drone, analog clock tick samples

🌀 Description:
Five Forty-Five (Nepal Time) is a surreal slice of groove — a house anthem that runs just a little off. Inspired by Nepal’s mysterious UTC +5:45 time zone, this track bends time and rhythm with bouncing 4/4 grooves, filtered folk textures, and playful vocals that ask:

🕰️ “Why forty-five? Why not full or half?
What if the beat’s just… weirder?”

It’s piano house with a crooked smile. Clock ticks become percussion. Tablas rattle in hypnotic bursts. And somewhere between Kathmandu and your heart, the groove refuses to follow the rules.

🗯️ Vocal Highlights:
“Tick… tick… baby, we don't do whole numbers here.”
“It’s always later than you think — but never too late to groove.”

🎶 Lyrics (Teasers):

Midnight hit — but it ain’t midnight here
Quarter to nowhere, crystal clear
You say “half past?” We laugh and slide
In this time zone, we bend the ride

I’m on Nepal time — five four five
Quarter past magic — I’m alive
No rush, no rhyme
Just ride this time
Five four five… five four five…

📍 It’s 5:45 somewhere.
Welcome to Nepal Time.
Let’s bend the beat.

Lyrics:

Tick… tick… baby, we don't do whole numbers here.
Welcome to Nepal time.
It’s 5:45 somewhere.

Midnight hit — but it ain’t midnight here
Quarter to nowhere, crystal clear
You say “half past?” We laugh and slide
In this time zone, we bend the ride

No half, no whole, we move off-grid
In Kathmandu, you lose your lid
Time’s a game and we play it live
UTC what? It’s five four five

I’m on Nepal time — five four five
Quarter past magic — I’m alive
No rush, no rhyme
Just ride this time
Five four five… Five four five…

Your clock says go, but my soul says stay
This groove ain't built for standard day
Skip the logic, skip the math
Just dance with me on this crooked path

Left of India, right of vibe
Our clocks don’t tick — they swerve and glide
So close your eyes and feel me drive
Right on time — in Five Four Five

I’m on Nepal time — five four five
Quarter past magic — I’m alive
No rush, no rhyme
Just ride this time
Five four five… Five four five…

You live by the hour.
We live by the moment.
Time is a flavor.
Taste mine.

I’m on Nepal time — five four five
Quarter past magic — I’m alive
No rush, no rhyme
Just ride this time
Five four five… Five four five…

It’s always later than you think.
But never too late to groove.

5:45 (Nepal Time)

https://pro.beatport.com/track/babarabatiri-copyright-remix/2724763

Todd Terry & The Gypsymen - Babarabatiri (Copyright Remix)

Beatport: http://btprt.dj/2f1tgFF

@toughlovemusic

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Hold On (Radio Mix)

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Tough Love & Roger 'S-Man' Sanchez - Hold On ft. Boy George (Get Twisted Records)

Work 4 It

Live from Ibiza 10:00 in the morning @ Space Terrace Ibiza  2005-7? I think... On and on and on

Red Carpet - 'Alright' Live (Erick Morillo Positiva Vers)

Reach Out (Softmal, LLølita Remix)

For any DJ and bedroom producer, the ability to “hustle” is often the most underestimated, yet most important factor in determining whether they will fade out or successfully make their mark on the industry. Good hustle is the epitome of both the man and monumental career of international DJ, Roger Sanchez. From humble beginnings in New York City, diggin’ in dusty crates of old vinyl and spinning at house parties in Corona, Queens, to dominating huge dance floors and headlining festival main-stages in every corner of the globe, Roger is truly a self-made man and a house music legend.

The crafting of Roger Sanchez, the DJ, started in the late 80s, where as a young man he was enticed by the explosion of hip-hop that was taking over the city. Embracing the culture as a b-boy and graffiti artist, he would hit parties on the Bronx River and before long, his friends had him trying his hand on the wheels of steel. In a time and place where hip hop, house music, and “turntablism” all collided in a perfect storm of creativity, opportunity, and sick beats, Roger seized his moment and began to build his empire on vinyl and slip mats, starting with a few singles and expanding into a massive collection of over two thousand original productions and remixes.
Releasing music under a multitude of monikers, including the S-Man, Roger S., The Nu- Solution, Underground Solution, DV8, Ego Trip, El Mariachi, The Funkjunkeez, Tribal Infusion, Twilight, and Transatlantic Soul, just to name a few, Roger has been able to maintain the essence of his sound, his flavor, his “sabor”, if you will, while still using each alter ego as a tool to expand on various fresh and experimental sounds. Each one of his multiple music personas have allowed him the opportunity to defy the mainstream and travel out to the far reaches of the musical galaxy, collecting depth, wisdom, and perspective along the way and applying them to his future endeavors in innovative dance music sounds, allowing him to remain fluid and cutting edge across decades.

So many successful endeavors would have never been possible without a rock solid work ethic, something that Roger prides himself on. From the very beginning, he was a dedicated crate digger, searching for obscure samples and break beats in influential NYC record stores like Rock & Soul and Vinylmania. His infallible work ethic, paired with the strong foundation of art and culture that he gained from the Pratt Institute’s School of Architecture took control of the wheel as his passion for music expanded, driving him to start hustling mixtapes on the sidewalks of Broadway in order to finance his earliest gigs. With the encouragement of his father, an engineer, Roger abandoned his plans for a career in architecture and decided to devote all his efforts to his music.
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Work 4 It

Roger Sanchez

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