In-Spiration – Thank You

Label/Cat#: Not On Label – TA1
Genre: Electronic
Style: House
Format: Vinyl, 12", 33 â…“ RPM, 45 RPM, Single, White Label, Stickered

Tracklist
A1 – Untitled 1
B1 – Untitled 2
B2 – Untitled 3

More information: https://www.discogs.com/release/6644119-In-Spiration-Thank-You

In-Spiration - Thank You (2001)

Alexander Kowalski – All I Got To Know

Label/Cat#: Kanzleramt – KA 74-2
Country: Germany
Year: 17 May 2002
Genre: Electronic
Style: Tech House
Format: Vinyl, 12", Limited Edition, Clear

Tracklist
A1 – All I Got To Know (Original Version)
A2 – All I Got To Know (Alexander Kowalski Rework)
B1 – All I Got To Know (Dennis DeSantis Remix)
B2 – All I Got To Know (Chemistry Flow Mix)

More information: https://www.discogs.com/release/59047-Alexander-Kowalski-All-I-Got-To-Know

Alexander Kowalski - All I Got To Know (Kowalski Rework) (2002)

Lance DeSardi – Jazz Salad

Label/Cat#: Pacific Traxx – 003
Country: US
Year: 2002
Genre: Electronic
Style: House, Deep House
Format: Vinyl, 12", 45 RPM, 33 ⅓ RPM

Tracklist
A – Jazz Salad
B1 – Boing
B2 – Boing Boom Shox

More information: https://www.discogs.com/release/173108-Lance-DeSardi-Jazz-Salad

Lance DeSardi - Jazz Salad (2002)

On this new imprint, we welcome two french producers who love the raw grain of the machines and the dark groove of oscilloscopes. On the A-side, the veteran Kragg, who released some nuggets on Transient Force or Militant Science in the 2000's. On the B-Side, RTR, known for some bomb records on WéMè Records or Analogical Force. From electro to techno, from euphoria to melancholy, here are 6 tracks that will definitely blow your mind, acid junkies !

https://tripalium.bandcamp.com/album/aar032-kragg-rtr-acid-avengers-032

https://soundcloud.com/tripalium-corp
https://soundcloud.com/user-905879427

PREMIERE: RTR - Squer [Tripalium Records]

And it's clear that "I'M BACK" is set to redefine the Ghetto House genre. The album features collaborations with some of the industry's top artists and producers, adding unique flavors to each track. From the infectious energy of the opening track to the powerful anthems that follow, DJ PHATS takes listeners on a journey through soundscapes that are both familiar and refreshingly innovative.

Each track on "I'M BACK" showcases DJ PHATS' mastery of rhythm and melody, blending traditional Ghetto House elements with modern electronic influences. Tracks like "Social Media" and "Bend On Over" highlight his ability to create dancefloor hits that resonate with audiences across the globe.

The album also explores deeper themes, with songs like "We Jukin Over Here" capturing the essence of urban life and "Make It Work" offering an introspective look at the music's ability to bring people together. Fans will appreciate the diverse range of sounds, from high-energy bangers to more laid-back grooves, ensuring there's something for everyone.

With "I'M BACK," DJ PHATS not only reaffirms his status as a pioneer in the genre but also sets a new standard for what Ghetto House music can achieve. Whether you're a longtime fan or new to the scene, this album is a must-listen, promising to keep dance floors alive and vibrant for years to come. So turn up the volume, hit play, and let DJ PHATS take you on an unforgettable musical journey.

Artist Social Links:
www.facebook.com/DJPHATS773
www.soundcloud.com/PHATSMUSICBOX
DJPHATS.bandcamp.com
www.instagram.com/DJPHATS773

Label Social Links:
WWW.YOUTUBE.COM/UCJfnW5raQKrzpgNLfT4tf_w
WWW.INSTAGRAM.COM/DJPHATSOFFICIAL


PREMIERE: DJ Phats - Ghetto Shit [Phats Music Box]

Composer and sound artist Ishai Adar unveils the original score for HBO's Our Boys, now available digitally for the first time.

The 2019 series dramatizes the harrowing events surrounding the 2014 abduction and murder of Palestinian teenager Mohammed Abu Khdeir in Jerusalem, offering an unflinching exploration of state power, communal trauma, and fractured identities.

Adar's score avoids conventional narrative cues, instead constructing a sonic architecture of electroacoustic dissonance and textural abstraction. The compositions conjure an imagined ensemble—acoustic instruments processed and mutated into something part-organic, part-synthetic, edged with overtones of drone and analog decay.

The resulting sound captures a persistent sense of unease and interior tension, echoing the bleak interrogation rooms and shadowed urban landscapes that define the series.

Recognized for his distinctive contributions to screen music across fiction and documentary, Adar's past scores include Beaufort (2007), Shirkers (2018), and Sympathy for the Devil (2023). Alongside his work for film and television, he creates electronic music rooted in a retro-futuristic aesthetic, drawing on the textures of vintage electro and Italo-inflected minimalism.

Our Boys is both a soundtrack and a standalone piece—immersive, unresolved, and emotionally charged. A release for listeners drawn to the intersections of experimental sound design, audiovisual composition, and music that resists easy resolution. 

https://confusedmachines.bandcamp.com/album/our-boys-soundtrack-from-the-hbo-original-series-dm12

https://soundcloud.com/confused-machines

PREMIERE: Ishai Adar - A Family [Confused Machines]

https://soundcloud.com/verunka17

https://soundcloud.com/platform-7even
http://classic.beatport.com/label/platform-7even/42219
https://twitter.com/Platform7even
https://www.facebook.com/platform7even
https://soundcloud.com/user-183258973

PREMIERE: Laydee V, Jeanie Gother, Alinaqsam - The Dance Of Dichotomy [Platform 7even]

Buy it here: https://oliverluke.bandcamp.com/track/funk-interceptor

Artist(s): Oliver Luke
Release Title: Funk Interceptor 
Label: Self-Release 
Catalog No.: N/A
Format: Digital
Genre, Style: Techno
Release Date: 2nd June 2025

Follow Oliver Luke Here:
Bandcamp: https:/oliverluke.bandcamp.com/
Instagram: https:/nstagram.com/oliverlukeee/
SoundCloud: https:/shorturl.at/djxhg
Spotify: https:/shorturl.at/5Gy3N

PREMIERE: Oliver Luke - Funk Interceptor

Paul Quzz and Blake Dailey take to Bandcamp for their first collaborative independent release “The Break - Volume One”

The Break Series will feature an original and remix from each artist, showcasing their various styles and music production versatility.

https://paulquzz.bandcamp.com/album/the-break-volume-one

https://soundcloud.com/paulquzz
https://soundcloud.com/blake_dailey

PREMIERE: Blake Dailey - 20 Numbers

Limitlesssun label head Miles Ellis returns to the hot seat once again with a new collection of organically crafted and deeply thought-provoking tracks, which not only will move the dancefloor but will move the mind, body, and soul with their captivating, nuanced atmospheres…

Over the past 15 years, Ellis has dedicated himself to crafting a formidable and instinctive sound, one which draws strength from relationships with analog instruments and a passion for exploring the boundaries between eras, scenes, and genres. Ellis’s love affair with the electronic music scenes of NYC, Detroit, and Chicago from the 90s can certainly be felt within his releases, but with an original and distinctive flair that allows his work to shine. His sound contains several cutting-edge approaches to sound design and progression, wrapped up within a meaningful amalgamation of House, Techno, and Tech house. His production efforts have seen him release on the likes of Prozpektiva, Motech, and Rhythm Control, to name but a few. Limitlessun Recordings, founded by Ellis in 2019, has become the primary source for his outputs, with recent releases building upon his sound alongside its sublabel Only Raw Sun, which comprises of his live, improvised releases.

‘Limitlessun Summer Jamz Vol 1.’ is the latest chapter of Ellis’ musical journey, and the sound contained within is one with an eye firmly fixed upon the dancefloor. The title track kicks into life with a hypnotic rhythm section, which sets the parameters for high-octane, reverberating synths.
The overall array of sounds is transfixing and is sure to dazzle dancefloors with its groove. ‘For Daze’ lands next, and this one begins in proggy, hazy territories. The drums skip and slip along, providing vacuums for the acid line and scattered melodic elements to shift in and out of view. Upbeat key lines shine throughout, presented at the right moments to allow the progression to continue onwards with maximum effectiveness.

‘Direct in your time’ comes next, and the rhythm section gets this one going. The track slowly builds into its next form, which welcomes to the fold delicate pads and an array of textured sounds. A swirling, crystallised key sequence is the star here, drawing focus and adding warmth to proceedings. To wrap things up, ‘Keep At It’ shifts into view. The kicks and textures provide the basis, with an earworm of a bassline shifting around the central foundation, with cascading melodies and quick stabs helping to establish the track’s melodic core. The evolution of the rhythm section sends the track into overdrive, harnessing the power of the dance and propelling it to new heights.

‘Summer Jamz Vol 1’ contains all the quality that has revealed itself throughout Ellis’s discography, and the tunes here will do wonders on any dancefloor they encounter. Thoughtful, expertly poised and considered, each track can create fever pitches and release boundless energy, all the while serving up endless variety and enticing listeners to dive right back in. A soundtrack to the summer indeed…..

https://limitlessunrecs.bandcamp.com/album/limitlessun-summer-jamz-vol-1

Web / Social Media Links:
Instagram - milesellismusic
limitlessun_recordings

PREMIERE: Miles Ellis - Keep At It [Limitlessun Recordings]

Manchester-via-Miami DJ and producer Méssous weaves hints of 80s electro and funk into his minimal-leaning productions, which have found favour with the likes of Loco Dice, Cloonee, Paco Osuna, and more. The PNK Records A&R has been carving out a lane of his own within Miami’s bustling underground, and now he adds a new string to his bow with a big label debut for Lee Foss’ Repopulate Mars imprint, with his brain-melting synth work at the fore.

“This release is a leap toward the sound I’ve been chasing - where 80s/90s electro meets modern club energy. Inspired by raw vintage grooves and built with the punch of hardware like the Jupiter-8 and Minimoog, it’s the beginning of a new chapter: my own take on retro-futuristic dance music.” - Méssous.

Steely opener 'Nine' brings taught bass and tight drum programming to a future-facing tech house groove before a falling synth line brings a dynamic twist to the menacing low end, as warped stabs and loopy, robotic vocal refrain keep things strictly interplanetary. 'Steel Steppers' is another stylish sound that beams down from a distant world with more stripped-back and metallic drums. There's a cosmic industrial edge to the atmosphere and sinewy synths that wire up the groove. The superb 'Crystal Dance' closes out this inventive EP, blending mechanical rhythms and thudding bass to make for irresistible body music with a tripped-out edge.

Buy https://orcd.co/rpm256

https://soundcloud.com/messousmusic
https://soundcloud.com/repopulatemars

PREMIERE: Méssous - Crystal Dance [Repopulate Mars]

Hey, I'm a Youtuber, vinyl collector & a DJ! 

I mainly post classic disco, funky house, but also deep, garage or progressive/tech stuff. Everything from 1996 to 2005!

My main platform is Youtube  (Rok Torkar), you can find the link below!
https://www.youtube.com/channel/UCKlBuUoUvWsdBiZXKCrU1xw

In-Spiration - Thank You (2001)

Rok Torkar

Related tracks