Classical Era : Top 50 Picks

W.A Mozart Flute Concerto No.2 In D Major I. Allegro aperto

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Napster

Piano Sonata No.12 in F-Major, K. 332: I. Allegro

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Wolfgang Amadeus Mozart wrote his Symphony No. 40 in G minor, KV. 550, in 1788. It is sometimes referred to as the "Great G minor symphony," to distinguish it from the "Little G minor symphony," No. 25. The two are the only extant minor key symphonies Mozart wrote.

The work is in four movements, in the usual arrangement for a classical-style symphony (fast movement, slow movement, minuet, fast movement):

Molto allegro, 2/2
Andante in E-flat major, 6/8
Menuetto. Allegretto – Trio, 3/4
Finale. Allegro assai, 2/2

Every movement but the third is in sonata form; the minuet and trio are in the usual ternary form.

The first movement begins darkly, not with its first theme but with accompaniment, played by the lower strings with divided violas. The technique of beginning a work with an accompaniment figure was later used by Mozart in his last piano concerto (KV. 595) and later became a favourite of the Romantics.

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YouTube
https://music.youtube.com/playlist?list=OLAK5uy_m4VsdRl4Yv4y63CU_ArM91jVaewHDk0Us

Tidal
https://listen.tidal.com/album/53171424

Google Play
https://play.google.com/store/music/album/Mozart_Mozart_Symphonies_Sonatas_Serenades_Concert?id=Bbrfnmsqsow4thkok67d7hr7kku&hl=en

Napster
https://us.napster.com/artist/wolfgang-amadeus-mozart/album/mozart-the-essential-collection

Deezer
https://www.deezer.com/us/album/12179034

Spotify
https://open.spotify.com/album/2g0NuO4CPA2uBLjzLqioCN

Amazon
https://www.amazon.com/Mozart-Collection-Haydn-Light-Orchestra/dp/B015NQQFHC/

Orchestral samples included in this recording from the Vienna Symphonic Library.

Mozart - Symphonies, Sonatas, Serenades, Concertos & Overtures

Symphony No.40 in G-Minor, K. 550: ‘Great’ I. Molto Allegro

SCHUBERT Nachtstück D. 672

BRAHMS, transcription de lieder pour piano et violon 

Mädchenlied opus 107 
Zigeunerlied opus 103
Sandmännchen, extrait des Volkskinderlieder WoO 31
Immer leiserer wird mein Schlummer opus 105 

Festival et Rencontres de Musique de Chambre du Larzac 2016

Sara Wolstenholme, violon
Romain Louveau, piano

BRAHMS "Mädchenlied

Album release: October 2016

MOZART
The Vienna Concert, 23 March 1783
Millenium Orchestra, Jodie Devos, Sebastian Wienand, Leonardo García Alarcón

MOZART // Die Zauberflöte, K. 620: Ouverture

The “Waldstein Sonata” is one of Beethoven's most famous sonatas, and is an excellent example of one of his more Romantic sonatas. Its first movement is a sonata in somewhat standard sonata form; however, Beethoven modulates to the mediant when moving from theme I to theme II, which is not a typical key relation in a classical sonata. The development involves repeated instances of various themes from the exposition set over myriad modulations throughout various obscure keys.
	The second movement is an extremely slow introduction to the third movement. Its slow speed is not calm, but rather tense. The tension increases slowly throughout the piece, reaching a strong climax and then leading the listener to a suspenseful transition into the third movement. Most of the material of the piece is built on a simple dotted rhythm with a rising interval.
	The final movement of the Waldstein sonata is a long journey from a large variety of emotions, from dark and blisteringly fast, to soft and quiet. This is perhaps the most romantic of the movements of the sonata, with many blurred harmonies due to long pedal markings, dramatic moments, and extreme emotions. It achieves a sort of transcendental feeling found in compositions of the Romantic periods with its long pedal markings, shimmering textures, and its slow harmonic rhythm. These characteristics foreshadow elements of Beethoven's later sonatas where he capitalized on slow harmonic rhythm and muddied textures that seem to lose any melodic content.

This is from my senior recital on December 2, 2012.

Allegro Con Brio, Sonata No.21 in C major Op.53 "Waldstein" - Ludwig van Beethoven

IMAGINE PABLO  :  "Picasso. Lectures, relectures"
Le podcast du Musée national Picasso-Paris

ÉPISODE 1 : A LA UNE ("Nature mort à la chaise cannée")

Paroles imaginaires, descriptions singulières, sensations déchiffrées et œuvres murmurées, les podcasts Imagine Pablo plongent l’oreille la première dans l’univers de l’artiste espagnol. Ici, la raison n’a pas sa place. Pas de grande vérité sur l’art mais une immersion au plus près des sensations et des émotions qui naissent lorsqu’on se jette avec sensibilité dans une œuvre visuelle. 
"Imagine Pablo" est un programme de podcasts conçu comme un voyage imaginaire à écouter chez soi et comme un guide singulier à suivre dans les salles du Musée national Picasso-Paris.

Distribution :
Une idée originale de Pauline Caupenne
Conception : Pauline Caupenne et Elsa Daynac
Voix : Pauline Caupenne, Elsa Daynac, Etienne Launay, Grégoire Leprince-Ringuet

SCHUBERT Nachtstück D. 672

Romain Lv

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