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Golden Arrow

“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Lost

Trentemøller - Deceive (feat. Sune Rose Wagner of The Raveonettes) [Clip]

Curses, Chinaski, Damon Jee & Darlyn Vlys, Roman Flügel, Hammer, Javi Redondo, Zombies In Miami and TERR are just some of the many artists across both labels who have joined forces to spread this message. The aim is to raise as much relief as possible for two organisations: Ukraine Pride and Dance Deliver. They are dedicated to support Ukraine’s queer and creative communities, all of whom have seen their lives turn inside out since the Russian invasions began on February 24. Livelihoods, families and cultures torn apart. We stand with, send love to, everyone affected by this humanitarian crisis.
Complete with artwork from Ukrainian, Berlin-based multi-disciplinary artist Oksana Demidova, the album will be available on Bandcamp from now and is packed with positive frequencies from some of our favourite and most visionary artist. Full tracklist below. Please help us spread the word.
1 DC Salas - So Far From Love -
2 Cornelius Doctor & Rita - Dogs In The Streets
3 Niv Ast - Indala Indala
4 Abstraxion - Simone
5 Pablo Bozzi - Mind Strike
6 Chinaski - No Piano
7 Curses - Elizium Eternal -
8 Javi Redondo - 4 Hundred Miles -
9 Cormac - Perfect Time (FINAL SUNRISE REMIX) -
10 Eagles & Butterflies - Arp2600 (Find U)
11 TERR - Welcome Rain -
12 Damon Jee & Darlyn Vlys - wolf's call (Original)
13 Zombies in Miami - Cycles -
14 Younger Than Me - Senz'anima -
15 INFRAVISION - Forbidden Planet -
16 Hammer - Auxilim
17 Mala Ika - Talk with Edmund -
18 Phunkadelica - A-Synth-O-Matic -
19 RomanFlügel_Heartbreak Kids
https://correspondant.bandcamp.com/album/standwithukraine

Damon Jee & Darlyn Vlys - Wolf's Call // Correspondant

@madeintlv - Ectasy 
Label - @buttressrecords

Release Date: 25/11/2022

♫ Info + Buy ♫ :https://www.sinchi-collective.com/premiere-made-in-tlv-ecstasy-buttress-records/

All Sinchi premieres available on 
Soundcloud: https://soundcloud.com/sinchicollective 
Spotify- open.spotify.com/playlist/7sd3nFr…1ff4a1026348467b

♫ Info + Buy ♫

PREMIERE - Made In TLV - Ecstasy (Buttress Records)

Superpitcher - Happiness [Michael Mayer Remix]

Wandering Under the Rain

Pressure - Missed Call | OUT NOW!

MissedCall Instagram: www.instagram.com/mxssedcall/
MissedCall YouTube: www.youtube.com/@MXSSEDCALL
MissedCall Official Website: www.missedcall.social/

Follow us on Spotify: open.spotify.com/artist/5HR8tYxIg…CNRouKHZkOKUDxhg

FREE DOWNLOAD available on Hypeddit! Thank you so much for your support on this track, we hope you enjoy :)

Free Download

Pressure - Missed Call

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http://www.discogs.com/JEX-Good-Timin-EP/release/7569947
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Jex - Studio E

The latest addition of Roam Recordings offers three stunning remixes of Berlin based 80s New Wave inspired band Pardon Moi. Following the success of their singles “Addiction” on Emerald & Doreen Recordings and “Inside the Outside” on Nein (which has been featured on BBC Radio) the Berlin duo Pardon Moi consisting of Thomas Freudenthal and James Brook have penned the evocative “Power to the People” along with “Touch2Much” which have been released in original form on 7” vinyl from Hoga Nord Rekords. In the “Power to the People Remixes” EP, Roam Recordings has gathered together a dream team of top remixers - Damon Jee, Markus Gibb, and Curses - who each put their own spin on the originals. Damon Jee starts it out with an an energetic and anthemic version of Power to the People that’s sure to get people on their feet. Markus Gibb moves Power to the People into slightly darker and heavier territory with exquisite production that has become his trademark. Switching gears, Curses takes on Touch2Much and keeps the 80s vibe alive with a stylish upbeat dub that’s both quirky and fun.

All three of these remixes come together in an action packed trio of tracks that will surely be a go to when looking to get the dance floor movin’.

PREMIERE | Pardon Moi - Power To The People (Damon Jee Remix)[Roam Recordings] 2017

A new year means new musical horizons here at the Bordello. Curses formed his sound in the distortion and sweat of back alley dive bar bars amidst the crash of guitars and the audible gulp of beer. Hints of disco and wave balance this rougher edge, smoothing down those creased lines for a style that adheres to no boundaries. “Pedal To The Metal And Don’t Look Back” is a perfect introduction to Curses’ multifaceted sound. Beats orbit burbling bass and brash strings in a work of dreamy hypnotics. “Knife in Teeth” comes from a similarly shadowy lair. Dark bars are further inked by industrial percussion in a track born on the factory floor to strict EBM parents. Terr takes on “Pedal To The Metal And Don’t Look Back” and does the original proud. Bass rumbles to the tune of a guttering engine before lighter notes take hold. Murky currents are cleared by bright synth blasts in this uplifting remake. The Bird of Paradise closes the EP with his psychedelic take on “Knife in Teeth.” Drums take on a more sinister tone as tribal rhythms give rise to jungle imagery and the immediate threat of what might lurk behind those supposedly innocent sounds.

Order here: https://bordelloaparigi.com/shop/upcoming/curses-pedal-to-the-metal-and-dont-look-back-12/

Curses - Pedal To The Metal (Terr Remix)

Order 12" (comes with a free download): phantasy-sound.lnk.to/PH67RMX
A Tanz Exotique (Red Axes Remix)
B Tanz Exotique (Marvin & Guy Version)
This is PH67RMX @phantasysound

Initially described as “superlative 25th century electronic exotica” by Cowboy Rhythmbox themselves, the fourth EP from Phantasy’s in-house trouble and hitmakers received continued support from top jocks including Dixon, Jackmaster and Marcel Dettmann. Now, it’s dynamic lead track is rejigged, expanded upon and shot through with analogue energy by two equally inventive producer pairings.

Fellow outsiders on the inside of the house of house, Israel’s finest Red Axes take the first turn, coaxing the cosmos out of the original and allowing the bewildering vocal samples to lead the way through waves of more than pleasurable cosmic tension. Soon, with the timing just right, feet to pedals and strobe to hand, the pair unleash a series of distorted guitar licks that blow dust off the stacks, even throwing in a sharp blast of their trademark surrealist vocals for extra freaky FX.

On the flip, Marvin & Guy zone out and hone in on the original’s EBM-indebted elements to contribute a trippy, wave-riding electro rework that oscillates irresistibly. Teasing listeners with a playful, almost naive synth line, the mood shimmers instead with uncompromising acid, as the pair ultimately push the modulars into strange and hypnotic territories to get lost in.

Follow Cowboy Rhythmbox: 
open.spotify.com/artist/42NiyukXEEFftT98nQstDF
www.facebook.com/cowboyrhythmbox/
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www.residentadvisor.net/dj/cowboyrhythmbox

Superpitcher - Happiness [Michael Mayer Remix]

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