This was so long ago now, it's really wonderful hearing how much younger Roman's voice sounds

"Symphony 2 & The Click Boom Boom"- Emily Wells

Listening to The Movies

Why watch a movie if you can’t see the screen? Matthew and his friend Ben take in a Marx Brothers film and showcase the power of a good description. Blind Guy Travels is written and performed by Matthew Shifrin, and produced and sound-designed by Ian Coss. Blind Guy Travels is a production of Radiotopia from PRX and part of Radiotopia Presents, a podcast feed debuting limited-run, artist-owned series from new and original voices. Learn more about Blind Guy Travels and access transcripts at radiotopiapresents.fm and discover more shows from across the Radiotopia network at radiotopia.fm.

Radiotopia Presents: Blind Guy Travels

05/13/2022

"Relax," said the night man,
"We are programmed to receive."

The History of China

上海 Lockdown Update - Day 43/04: You Can Check Out Any Time You Like

When Swiyyah and Dederick got married, her schizophrenia was a challenge they thought was under control. Until it wasn’t. And Glynn tells a story at Snap LIVE in Brooklyn about searching for his lost friend in Las Vegas.

STORIES

Swiyyah and Dederick

When Swiyyah and Dederick got married, her schizophrenia was a challenge they thought was under control. Until it wasn’t. Listen as they share their story of facing life’s many challenges with love, faith, and each other.

This story comes to us from the amazing Unseen & Unheard podcast. This show aims to change the way we see schizophrenia and schizoaffective disorder by revealing the untold stories of those actually living with these illnesses. Hear from adults in the US going through life with these conditions. The hardships. The humanity. But also, the hope. Learn more at www.UnseenUnheardPodcast.com.

This story was produced by PRX productions, Jocelyn Gonzales, Ian Fox, with writing by Sarah Lilley, and engineering by Tommy Bazarian with assistance from Marisa Dodge. It is sponsored by Janssen Pharmaceuticals.

Leaving Las Vegas

Glynn tells a story at Snap LIVE in Brooklyn about searching for his lost friend in Las Vegas. Music by Bells Atlas. Engineering by Pat Mesiti-Miller.

This story contains some strong language. Sensitive listeners please be advised.

Artwork by Teo Ducot

Season 13 – Episode 33

Unseen & Unheard

Mekki, Benjamin et Grace ont fait des études universitaires en France avant de tenter d’intégrer le monde du travail. Qu’on soit Algérien, Camerounais ou Franco-Congolaise, les opportunités en tant que Noir ou Maghrébin sont-elles différentes d’un pays à l’autre, d’un continent à l’autre ?

La route de l'Eldorado
Ils et elles ont quitté leur pays pour la France avant de choisir de s’installer au Canada. Ils et elles nous racontent la France, son accueil, ses opportunités, mais aussi ses blocages. Après leur expérience française ils ont finalement atterri à Montréal, Ottawa ou Vancouver, où Halima Elkhatabi les a rencontrés. Après la Route du Bled, Halima Elkhatabi tisse avec finesse onze récits qui racontent un double exil avec émotion et lucidité. Une coproduction ARTE Radio - Radio Canada qui permet de passionnants regards croisés sur la France et la Canada.

Enregistrements : 2021 - Entretiens et prises de son : Halima Elkhatabi - Réalisation et mixage : Charlie Marcelet - Musiques originales : Samuel Hirsch - Illustration : Lola Penicaud - Production : Radio-Canada OHdio, ARTE Radio

La route de l'Eldorado (3/5) : Une lumière au bout du voyage

This episode features a story made by Audio Smut (http://audiosmut.ca), a podcast about "your body, your heart, and your junk." Directed and produced by Kaitlin Prest in collaboration with composer Shani Aviram, this story is about how our thoughts can deceive us when we're falling head over heels. This story was developed and written based on 17 interviews on the topic of perception in early romantic relationships.  

Audio Smut's editors and story guides are Mitra Kaboli and Sharon Mashihi. Their associate producer is Shira Bannerman. 

Special thanks to Jen Ng, Megan Detrie, Samara Breger, and Ann Hepperman. And to the people interviewed for this piece, especially Ayinde Bennet, Armen Bazarian and Caroline McKeown.


Audio Smut

Why don’t we understand how the female orgasm works? After years of scientific research, the male body is understood but when it comes to how women work, we are a long way behind. Why is there this gap in knowledge? 



It appears research has been hindered by the assumption that the female body works in the same way as the male body and that for women, arousal is all in the mind. There’s also a general attitude that studying sexual pleasure isn’t important and that female orgasms aren’t important to study as they serve no purpose for reproduction.



Researchers are slowly correcting these assumptions and making surprising discoveries.



We’ll take you behind the scenes to two orgasm labs to bring you the latest research on how orgasms work for women. We’ll also hear from Callista, who struggled with excruciating pain during sex for many years but was told the problem was all in her mind. Her journey to diagnosis shows how little is known, even amongst gynaecologists and doctors, about female sexual pleasure.  





Presenter: Aasmah Mir

Producer: Phoebe Keane



(Image: Woman's hand grasping a bed sheet. Credit: Shutterstock) Published on December 2, 2016.

The Female Orgasm

Frankie isn’t a real Media Influencer, but the Government saw the 500k followers he bought for his Instagram profile and arrested him anyway. Now he’s in a Media internment Camp.

Written by Benjamen Walker, with help from Louis Kornfeld.
Produced by Jonathan Mitchell

Part 2 is available now on Benjamen Walker's Theory of Everything.
https://toe.prx.org/2017/06/influencers-part-ii-of-ii/

The Truth

Influencers (part I of II)

Quel est le son emblématique du sexe ? Remontez cette braguette, rangez votre musique d'ascenseur, cessez de gratter cette culotte de soie... il s'agit du "han" propre à la pornographie - omniprésent sur nos écrans (en navigation privée, n'est-ce pas) mais aussi dans nos lits (vu la tendance contemporaine à se prendre pour des hardeurs). Que dit le "han", mais aussi, QUI dit le "han" - et pourquoi ? Grosses explications autour d'une petite onomatopée.
"Sexe & sounds", le podcast de Maïa Mazaurette tous les mardis sur ARTE Radio. 
Le sexe, tout le monde en parle - il paraît même qu'on en parle trop, et que ce serait du voyeurisme. Mais justement ! Parce que le voyeur utilise l'oeil, il a tendance à oublier l'oreille. Pour se réconcilier avec nos cinq sens, ARTE Radio propose chaque mardi "Sex & Sounds", le premier podcast dédié aux liaisons fructueuses entre plaisirs d'en-bas et sons d'en-haut. Des bruits du porno aux sextoys qui parlent, des langues de l'amour aux vibrations de nos jouets intimes, en passant par les mystères de l'ASMR et des musiques qui donnent envie... 
Réalisation : Samuel Hirsch - Texte & voix : Maïa Mazaurette - Illustration : Sjoerd van Leeuwen

Sex and sounds (n°1) : Premiers soupirs

Le dirty talking ou dirty talk : en français, le parler sale. Les trucs un peu hard qu'on (se) dit au lit. La sexualité étant un espace hautement culturel, on a même réussi à codifier le dérapage – il s'agit d'être explicite mais pas trop, de se dire des cochonneries mais pas trop. Maïa Mazaurette donne quelques conseils de bon sens illustrés de sons réjouissants. 
Sex and sounds, le podcast de Maïa Mazaurette, tous les mardis
Enregistrements : 22 octobre 17 - Réalisation : Samuel Hirsch - Texte & voix : Maïa Mazaurette

Sex and sounds (n°4) : Dirty talking

What happens when we build big?

Julia Barton remembers going to the top floor of Dallas’s then-new city hall when she was teenager. The building, designed by I.M. Pei, is a huge trapezoid jutting out over a wide plaza. Julia found the view from the top pretty fantastic, especially when munching on a Caramello bar from the City Hall vending machines.

But once she went to a protest in the plaza below. And those same windows, now hulking over her, made her feel small, and the whole event insignificant. Texans have a fondness for big structures—big arenas, big houses, big freeways. Julia wasn’t sure if their hidden message wasn’t simply this: I’m important, you’re nobody.

For people who distrust the big project, Edward Tenner’s 2001 essay “The Xanadu Effect” is some comfort. Tenner, a visiting scholar at Princeton University, ponders the ways in which obsession with bigness can presage hard times for a business or even a nation. Tenner named his essay not for Olivia Newton-John’s anthem or even the Coleridge poem, but for the palace Xanadu built in the movie “Citizen Kane.” That Xanadu, of course, was based on a real-life palace that newspaper mogul William Randolph Hearst built in his waning days of empire:

On its 24,000 acres were a 354,000-gallon swimming pool, a private zoo and four main buildings with a total of 165 rooms. Along with other such extravagances, the estate helped send Hearst into trusteeship late in life. The cavernous halls of Welles' gloomy cinematic Xanadu seemed to film-goers -- as the real, happier building must have appeared to many Hearst Corp. public investors -- the very image of the pride that goes before a fall.

The downside of the Xanadu Effect has seen itself play out in other places—the Empire State Building, for example, was conceived in the 1920s but completed during the Great Depression, when it was known as “the Empty State Building.” Tenner’s not arguing that big things shouldn’t be built; he’s saying bigness is a gamble. It pays off when it it uplifts people, gives them a sense of grandeur and purpose. It fails when it crushes them or just makes life a pain, as in the big-built city of Moscow, where pedestrians have to scurry under the wide avenues in tunnels.

On a recent reporting trip to Russia for PRI’s “The World,” Julia travelled to Sochi, Russia’s southern-most city and upcoming host of the 2014 Winter Olympics. Sochi is Europe’s biggest construction site right now, with Xanadu-like ice-palaces going up right on the Black Sea.

All the construction—including billions of dollars of infrastructure—is good news for the Russian state and shoring up its presence in the Caucasus. It’s not necessarily good news for the locals. Julia interviewed a Sochi resident, Alexei Kravets, who’s been in a stand-off with authorities about the fate of the home he built by the Black Sea.

Kravets’s court case to save his home has been standing in the way of a new railway complex. Construction workers have been throwing rocks through his windows, scraping his walls with backhoes, and hauling away his storage units. Kravets has been confronting them on film.

It’s a dramatic example of big vs. small, but this type of conflict often happens in the face of massive development. Edward Tenner says beyond just governments or private developers, we all need to think more carefully about the costs and benefits of building big.

“Bigness is a strategy that just about always fails, unless it succeeds. Or you could say it always succeeds except when it fails. And there really is no one way that you can regard it. You have to see it as a very powerful, easy-to-misuse, but also tempting way to go about things in life,” he says.

99% Invisible-53- The Xanadu Effect

Learan is a widower who lost his wife to breast cancer a year ago. Now he is a single parent to two boys. This is part of a larger group of audio portraits called Squirrels Stories of people talking about living with cancer. You can hear more stories at www.SquirrelsStories.com. 

You can also follow along at https://www.facebook.com/SquirrelsStories. 

The caretaker

A tiny radio show about design, architecture &amp; the 99% invisible activity that shapes our world.

http://99percentinvisible.org/

New episodes every Wednesday.

On the radio on 91.7 KALW in San Francisco. Fridays at 7:35am and 4:30pm, Saturdays at 8:35am.  And public radio stations across the country.

Created by Roman Mars.


99% Invisible-53- The Xanadu Effect

Roman Mars

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