End Credits- Keegan DeWitt- Cold Weather Score

Aaah, so true, halfway trough this episode I literally emailed this episode out to 4 of my fellow architecture students. Phenomenal!

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stories

Listening to The Movies

Why watch a movie if you can’t see the screen? Matthew and his friend Ben take in a Marx Brothers film and showcase the power of a good description. Blind Guy Travels is written and performed by Matthew Shifrin, and produced and sound-designed by Ian Coss. Blind Guy Travels is a production of Radiotopia from PRX and part of Radiotopia Presents, a podcast feed debuting limited-run, artist-owned series from new and original voices. Learn more about Blind Guy Travels and access transcripts at radiotopiapresents.fm and discover more shows from across the Radiotopia network at radiotopia.fm.

Radiotopia Presents: Blind Guy Travels

We have one cardinal rule on 99% Invisible: No cardinals. Meaning, we deal with the built world, not the natural world.

So, when I read Jon Mooallem’s brilliant book, Wild Ones: A sometimes dismaying, weirdly reassuring story about looking at people looking at animals in America, I didn’t think we'd ever do an episode of 99% Invisible about it. I just read it for fun.

But then I saw Jon perform stories from the book live with musical accompaniment from the band Black Prairie. And that changed everything.

What you need to know about Wild Ones is that it's not a book about nature. It’s a book about how we fit nature into our lives. Wild Ones is about the cutesy stuffed animals, the eco-tours, and the byzantine methods of conservation that evolve when our experience with wild life goes from something natural to something designed. Human-animal interaction has become a designed experience and the story of that transition, as the title of the book suggests, is sometimes dismaying and weirdly reassuring.

99% Invisible-91- Wild Ones Live

I love those moments when you're walking in your neighborhood and suddenly nothing is familiar. In a good way.

Sean Cole began seeing his neighborhood, actually the whole city of New York, with new eyes because of one artist who is trying to do nothing less than draw all the buildings in New York.

James Gulliver Hancock's drawings are intricate, but still a little cartoony. Little squiggles and dots hover above the roofs, as though they're saying "look out!" or maybe "ta-da!"

Cole became infected with Hancock's worldview and began to appreciate all the tiny details the artist would highlight.

99% Invisible-92- All The Buildings

The story goes like this: Theophilus Van Kannel hated chivalry.  There was nothing he despised  more than trying to walk in or out of a building, and locking horns with other men in a game of "oh you first, I insist." But most of all, Theophilus Van Kanel hated opening doors for women.

He set about inventing his way out of social phobia. And that's how, 1888, Theophilus Van Kannel was awarded US Patent #387571 A for a "Storm-door structure," which would soon become known as the revolving door.

99% Invisible-93- Revolving Doors

There is an allure in unbuilt structures: the utopian, futuristic transports, the impossibly tall skyscrapers, even the horrible highways, all capture our imagination with what could have been. Whether these never built structures are perceived as good or bad, they still had an effect on the environment that does exist. We talk with Allison Arieff, John King and Andrew Lynch about the amazing things we missed out on and the bullets we dodged in the history of the unbuilt in San Francisco and New York City.

Season 4 Kickstarter:
http://www.kickstarter.com/projects/1748303376/99-invisible-season-4-weekly

99% Invisible-94- Unbuilt

Elevators are old. They would have to be. Because it is in our nature to rise.

History is full of things that lift other things. In ancient Greece, and China, and Hungary, there were systems of weights and pulleys and platforms designed to bring nobility--or their meals--to new heights.

And somewhere below were draft animals, or even people, tasked with turning a wheel to bring these early elevators up and down. One man even spent the year of 1743 in a chimney in order to turn a lever to raise King Louis XV on a platform so the king wouldn't have to walk up a single flight of stairs.

These elevators were dangerous. Ropes would snap, and then anything getting raised or lowered would plummet to the ground. Fall one story and you break your leg--fall two stories you break your neck. And this fear of falling kept building heights low. People only wanted to ascend as high as they could walk. The tallest buildings for most of the 19th century were churches, or lighthouses--buildings made up primarily of empty space.

And then came Elisha Otis.

Nate Dimeo from the memory palace provides our stories today. It's a fantastic monthly program everyone should subscribe to.

99% Invisible-98- Six Stories- The Memory Palace

Wall Street Journal's Josh Zumbrun details how airlines get rid of certain passengers on a flight and how passengers can fight against this issue.

The Science Behind Who Airlines Bump From a Flight—and How to Exploit It

LC.12_Smoke_Everything Eaten in One Year

Dans le cimetière d'un petit village d'Ariège se trouve la tombe de mes parents. Heureusement, ils ne sont pas encore dedans.

1er prix du concours de podcasts 2022 "Un été en liberté"  :
Le jury a été touché par cette histoire de famille cocasse et tendre, tournée en mode documentaire. Comme quoi le podcast, parfois, se passe très bien de voix off et de narration... 

Le concours de podcasts des Audioblogs d'ARTE Radio a lieu chaque été. Le concours 2022 était animé par Thomas Guillaud-Bataille, coordoinateur des Audioblogs. Il était proposé par ARTE Radio en partenariat avec Télérama et Sennheiser. La gagnante Anne Defraiteur-Nicoleau pour "Rien ne presse" gagne un mix par Samuel Hirsch + une diffusion rémunérée sur ARTE Radio + une diffusion sur le site de Télérama + un abonnement papier d'un an à Télérama + un micro de reportage Sennheiser + un casque audio Sennheiser. Les 2ème et 3ème prix ainsi que l'ensemble des envois au concours sont là : https://audioblog.arteradio.com/blog/188050/concours-arte-radio-2022

Enregistrements : été 22 - Réalisation : Anne Defraiteur-Nicoleau - Mix : Samuel Hirsch - Production : ARTE Radio

Rien ne presse

BLOOD

Will Grant takes a ride in Cuba to discover how people get around and whether the thaw in relations with the United States will make any difference to their lives. Published on August 13, 2015.

Cuba on the Move

Parce que certains sextoys ont des voix intégrées, ils nous racontent, en creux, ce que nous aimerions entendre. Attention, ce podcast contient des voix d'hommes gutturales chaudes comme la braise. Et pas mal de vibrations.
Sexe & sounds, le podcast de Maïa Mazaurette : des bruits du porno aux sextoys qui parlent, des langues de l'amour aux mystères de l'ASMR et des musiques qui donnent envie... 
Réalisation : Samuel Hirsch - Texte & voix : - Maïa Mazaurette

Sex and sounds (n°2) : La voix des sextoys

L'humour est partout, l'humour fait vendre, pourtant le rire au lit passe souvent pour une mauvaise nouvelle. Nous sommes sérieux comme des papes. Nous avons la trouille que ce rire soit un jugement. Nous nous demandons si l'expression "femme qui rit, à moitié dans ton lit" ne recouvre pas un énorme malentendu : et si cette femme qui rit, au lieu d'entrer dans notre lit... était occupée à en sortir ?
A retrouver aussi sur la chaîne Youtube ARTE Radio .

Enregistrements : avril 18 - Mise en ondes & mix : Arnaud Forest - Texte & voix : Maïa Mazaurette - Illustration :  Sjoerd van Leeuwen

Sex and sounds (n°27) : Rire au lit

When most people think of camouflage they think of blending in with the environment, but camouflage can also take the opposite approach.

It has long been hypothesized that stripes on zebras make it difficult for a predator to distinguish one zebra from another when the zebras are in a large herd. The stripes also might make zebras less attractive to blood sucking horseflies. This is called disruptive camouflage.  

When it comes to humans, the greatest, most jaw-droppingly spectacular application of disruptive camouflage was called Dazzle.

Dazzle painting emerged in the 1910s as design solution to a very dire problem: American and British ships were being sunk left and right by German U-Boats. England needed to import supplies to fight the Central Powers, and these ships were sitting ducks in the Atlantic Ocean.  They needed a way to fend of the torpedoes.  

Conventional high-similarity camouflage just doesn't work in the open sea.  Conditions like the color of the sky, cloud cover, and wave height change all the time, not to mention the fact that there's no way to hid all the smoke left by the ships' smoke stacks.  
 
The strategy of this high-difference, dazzle camouflage was not about invisibility.  It was about disruption.  Confusion.

Torpedoes in the Great War could only be fired line-of-sight, so instead of firing at where they saw the ship was at that moment, torpedo gunners would have to chart out where the ship would be by the time the torpedo got there.  They had to determine the target ship's speed and direction with just a brief look through the periscope. 

The torpedo gunner's margin of error for hitting a ship was quite low.  Dazzle painting could throw off an experienced submariner by as much as 55 degrees. 

Our expert this week is Roy Behrens, a professor graphic design at the University of Northern Iowa.  He's published several books about camouflage, and also runs the Camoupedia blog.

99% Invisible-65- Razzle Dazzle

Fans and journalists embark on a seven-show tour with Rihanna... in seven countries, over seven days, on a Boeing 777, to celebrate her seventh album in seven years. Did we mention this happened seven years ago?

Fasten your seat belts, it’s time for liftoff... 

Special thanks to Kristen Gwynne, Lawrence Bull, and Elizabeth Nakano.

Produced by John Fecile, original score by Renzo Gorrio

#rihannaplane

Snap Judgment

Diamonds in the Sky

While shooting the cultish webserie “New York Minute”, Samuel Hirsch recorded some urban sounds and voices for this short Afro-American ballad.  
Recorded on March 2010 - Directed by Samuel Hirsch - Produced by http://arteradio.com
Balade sonore à New York, avec sons urbain et voix afro-américaines. Enregistrée et montée par Samuel Hirsch pendant le tournage de "New York Minute", la web série culte produite par ARTE Radio.  

Download : http://bit.ly/1gFFt92


NY state of mind

A tiny radio show about design, architecture &amp; the 99% invisible activity that shapes our world.

http://99percentinvisible.org/

New episodes every Wednesday.

On the radio on 91.7 KALW in San Francisco. Fridays at 7:35am and 4:30pm, Saturdays at 8:35am.  And public radio stations across the country.

Created by Roman Mars.


99% Invisible-65- Razzle Dazzle

Roman Mars

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