Dead Man's Shoes (OST)- "Ritual Road Map"

Great episode. Reminds me of the Louis Theroux documenary on the Miami Dade Correctional Facility. There they have 10-15 inmates crammed into "cells" and with six floors, each level has it's own micro-society of prisoners.

this is amazing to hear the physical effects of a small solitary cell on a person

99% Invisible

Listening to The Movies

Why watch a movie if you can’t see the screen? Matthew and his friend Ben take in a Marx Brothers film and showcase the power of a good description. Blind Guy Travels is written and performed by Matthew Shifrin, and produced and sound-designed by Ian Coss. Blind Guy Travels is a production of Radiotopia from PRX and part of Radiotopia Presents, a podcast feed debuting limited-run, artist-owned series from new and original voices. Learn more about Blind Guy Travels and access transcripts at radiotopiapresents.fm and discover more shows from across the Radiotopia network at radiotopia.fm.

Radiotopia Presents: Blind Guy Travels

There is an allure in unbuilt structures: the utopian, futuristic transports, the impossibly tall skyscrapers, even the horrible highways, all capture our imagination with what could have been. Whether these never built structures are perceived as good or bad, they still had an effect on the environment that does exist. We talk with Allison Arieff, John King and Andrew Lynch about the amazing things we missed out on and the bullets we dodged in the history of the unbuilt in San Francisco and New York City.

Season 4 Kickstarter:
http://www.kickstarter.com/projects/1748303376/99-invisible-season-4-weekly

99% Invisible-94- Unbuilt

On July 28, 1945, an airplane crashed into the Empire State Building. A B-25 bomber was flying a routine mission, chartering servicemen from Massachusetts to New York City.

Capt. William F. Smith, who had led some of the most dangerous missions in World War II in the European theatre, was the pilot. The day was foggy. Smith called LaGuardia Airport and requested a clearance to land. With nearly zero visibility, the tower suggested that Smith stay in the air. He ignored air traffic control and started a descent that took him over midtown Manhattan.

Just as he straightened out, the clouds broke up enough for him to realize he was flying among skyscrapers.
The bomber crashed into the Empire State Building, the tallest building in the world at the time. The collision killed Smith, two others on the plane, and eleven people who worked inside the building.

When the plane hit, parts of the engine flew ahead and severed the lifting cables of two elevators on the 79th floor. The elevators crashed to the sub-basement. In one of the elevators was a 19-year-old elevator operator named Betty Lou Oliver. She broke her pelvis, back and neck — but she survived.
This story was produced by Joe Richman and Samara Freemark for Radio Diaries. The Radio Diaries podcast is produced by Sarah Kramer. 

99% Invisible-99- The View From The 79th Floor

Wall Street Journal's Josh Zumbrun details how airlines get rid of certain passengers on a flight and how passengers can fight against this issue.

The Science Behind Who Airlines Bump From a Flight—and How to Exploit It

LC.12_Smoke_Everything Eaten in One Year

Dans le cimetière d'un petit village d'Ariège se trouve la tombe de mes parents. Heureusement, ils ne sont pas encore dedans.

1er prix du concours de podcasts 2022 "Un été en liberté"  :
Le jury a été touché par cette histoire de famille cocasse et tendre, tournée en mode documentaire. Comme quoi le podcast, parfois, se passe très bien de voix off et de narration... 

Le concours de podcasts des Audioblogs d'ARTE Radio a lieu chaque été. Le concours 2022 était animé par Thomas Guillaud-Bataille, coordoinateur des Audioblogs. Il était proposé par ARTE Radio en partenariat avec Télérama et Sennheiser. La gagnante Anne Defraiteur-Nicoleau pour "Rien ne presse" gagne un mix par Samuel Hirsch + une diffusion rémunérée sur ARTE Radio + une diffusion sur le site de Télérama + un abonnement papier d'un an à Télérama + un micro de reportage Sennheiser + un casque audio Sennheiser. Les 2ème et 3ème prix ainsi que l'ensemble des envois au concours sont là : https://audioblog.arteradio.com/blog/188050/concours-arte-radio-2022

Enregistrements : été 22 - Réalisation : Anne Defraiteur-Nicoleau - Mix : Samuel Hirsch - Production : ARTE Radio

Rien ne presse

There is a beauty to a universal standard. The idea that people across the world can agree that when they interact with one specific thing, everyone will be on the same page-- regardless of language or culture or geographic locale. If you're in Belgrade or Shanghai or São Paulo, you can look at a sign and know instantly, without speaking a word of the local language, that this floor is slippery. That the emergency exit is over there. That that substance is poisonous, and you should not eat it.

The group behind those internationally recognized logos is called the International Organization for Standardization.One of the most recognizable ISO symbols in the International Symbol of Access. You might not know it by that name, but you've seen it.

The International Symbol of Access is everywhere--on parking spaces, on buttons that operate automatic doors, in bathrooms, on seats on the bus or at movie theaters. Anywhere there’s an indication of special accommodations made for people with disabilities.

The logo was created through a design contest in 1968, coordinated by an organization now called Rehabilitation International. The logo would have to be readily identifiable from reasonable distance, self-descriptive, simple, unambiguous, and practical. The winner was a Danish designer named Susanne Koefed--though her original design didn't have a head!

As the logo got absorbed into the built environment, and the politics of (dis)ability became more nuanced, some people started finding it a little lacking.
And so one group, the Accessible Icon Project, has created a new logo that they hope will ultimately replace ISO standard.

99% Invisible- 102- Icon For Access

At its peak, the Berlin Wall was 100 miles long. Today only about a mile is left standing.

Compared with other famous walls in history, this wall had a pretty short life span.

The Great Wall of China has been around for 2500  years. So have the walls of ancient Babylon—although its most famous part, the Ishtar Gate, is actually in a museum in Berlin.

But even though the wall dividing Berlin into East and West was only up for 30 years, it had a huge impact on the psyche of the city. It broke families in two. In the decade that followed, more than 2 million people fled from east to west. East Germany was losing its most skilled workers as they sought jobs--and to reunite with their families--across the border. And East Germany was losing face with every East Berliner who chose to defect.

And that’s why, in 1961, East Germany closed its border to West Berlin with a wall. But this isn’t a story about the design of the Berlin Wall. This is a story about one design to get through it—or really, underneath it. Ralph Kabisch, then a 20-something-year-old university student, was there.

99% Invisible- 104- Tunnel 57

Quatrefoil  is the name of the four-lobed cloverleaf shape. It's everywhere: adorning Gothic cathedrals, more modern churches, Rhode Island mansions, mission-style roofs in California, and decorating victorian homes from coast to coast. It's embroidered on bedding, plastered on wallpaper, and patterned on public garbage cans. 

The quatrefoil has been re-interpreted and re-contextualized in a phenomenon called "iconographical drift.” The associations with the shape are  constantly shifting depending on where it’s used, who is using it, and the purpose for which it is used.

But no matter where it’s turns up, it always implies the same thing:  fanciness.

99% Invisible-106- The Fancy Shape

BLOOD

Will Grant takes a ride in Cuba to discover how people get around and whether the thaw in relations with the United States will make any difference to their lives. Published on August 13, 2015.

Cuba on the Move

Parce que certains sextoys ont des voix intégrées, ils nous racontent, en creux, ce que nous aimerions entendre. Attention, ce podcast contient des voix d'hommes gutturales chaudes comme la braise. Et pas mal de vibrations.
Sexe & sounds, le podcast de Maïa Mazaurette : des bruits du porno aux sextoys qui parlent, des langues de l'amour aux mystères de l'ASMR et des musiques qui donnent envie... 
Réalisation : Samuel Hirsch - Texte & voix : - Maïa Mazaurette

Sex and sounds (n°2) : La voix des sextoys

L'humour est partout, l'humour fait vendre, pourtant le rire au lit passe souvent pour une mauvaise nouvelle. Nous sommes sérieux comme des papes. Nous avons la trouille que ce rire soit un jugement. Nous nous demandons si l'expression "femme qui rit, à moitié dans ton lit" ne recouvre pas un énorme malentendu : et si cette femme qui rit, au lieu d'entrer dans notre lit... était occupée à en sortir ?
A retrouver aussi sur la chaîne Youtube ARTE Radio .

Enregistrements : avril 18 - Mise en ondes & mix : Arnaud Forest - Texte & voix : Maïa Mazaurette - Illustration :  Sjoerd van Leeuwen

Sex and sounds (n°27) : Rire au lit

Fans and journalists embark on a seven-show tour with Rihanna... in seven countries, over seven days, on a Boeing 777, to celebrate her seventh album in seven years. Did we mention this happened seven years ago?

Fasten your seat belts, it’s time for liftoff... 

Special thanks to Kristen Gwynne, Lawrence Bull, and Elizabeth Nakano.

Produced by John Fecile, original score by Renzo Gorrio

#rihannaplane

Snap Judgment

Diamonds in the Sky

While shooting the cultish webserie “New York Minute”, Samuel Hirsch recorded some urban sounds and voices for this short Afro-American ballad.  
Recorded on March 2010 - Directed by Samuel Hirsch - Produced by http://arteradio.com
Balade sonore à New York, avec sons urbain et voix afro-américaines. Enregistrée et montée par Samuel Hirsch pendant le tournage de "New York Minute", la web série culte produite par ARTE Radio.  

Download : http://bit.ly/1gFFt92


NY state of mind

Lawyers have an ethics code. Journalists have an ethics code. Architects do, too. According to Ethical Standard 1.4 of the American Institute of Architects (AIA): 

"Members should uphold human rights in all their professional endeavors."
 
A group called Architects, Designers, and Planners for Social Responsibility (ADPSR) has taken the stance that there are some buildings that just should not have been built. Buildings that, by design, violate standards of human rights.

Specifically, this refers to prisons with execution chambers, or prisons that are designed keep people in long-term isolation (or as prison officials call it, "segregation"). The latter kind of prison is called a "supermax," or "security housing unit" (SHU). There is no legal definition for solitary confinement, so it's up for debate as to whether the SHU constitutes solitary confinement.  

There has been a lot of controversy surrounding one SHU at a Northern California prison called Pelican Bay.

Life inside of the SHU at Pelican Bay means 22 to 23 hours a day inside of 7.5 by 12 foot room. It's not a space that's designed to keep you comfortable. But it's not just these architectural features, that concern humanitarian activists and psychiatrists. It's the amount of time many prisoners spend in that cells, alone, without any meaningful activity. Some psychiatrists, such as Terry Kupers, say there is a whole litany of effects that a SHU can have on a person: massive anxiety, paranoia, depression, concentration and memory problems, and loss of ability to control one's anger (which can get a prisoner in trouble and lengthen the SHU sentence). In California, SHU inmates are 33 times more likely to commit suicide than other prisoners incarcerated elsewhere in the state. There are even reports of eye damage  due to the restriction on distance viewing.  Terry Kupers says that a SHU "destroys people as human beings."

Compared with some other prisons in the California system, the Pelican Bay SHU has some redeeming architectural features. Inmates can get natural light from skylights outside of their cells, which drifts in through doors made of a perforated metal. These porous doors also allow for inmates to communicate with each other, even though there are no lines of sight to any prisoner from within the cell. 

But on the other hand, cells don't have windows. Inmates never get to see the horizon. The only times prisoners get to leave the cell is to visit the shower, or the exercise yard--which is an empty, windowless room not that much bigger than a cell, with twenty-foot high concrete walls. 

Again, there is no universally accepted definition of solitary confinement. But some groups, like Amnesty International and Human Rights Watch, have gone beyond calling the SHU solitary confinement--they call it torture. In 2011, the UN Special Rapporteur on torture said anything over 15 days in solitary confinement is a human rights abuse--which other sources have interpreted as torture.
So if it is the ethical code of architects to promote human rights...what is their responsibility to the people who are incarcerated in their buildings? 

Enter Raphael Sperry, a San Francisco-based architect and president of ADPSR. He believes it's up to architects to lead the charge against these buildings. Sperry and the ADPSR are trying to get the American Institute of Architects to adopt an amendment to their ethics code:

"Members shall not design spaces intended for execution or for torture or other cruel, inhuman, or degrading treatment or punishment, including prolonged solitary confinement."

This episode is a special collaboration between 99% Invisible and the podcast Life of the Law. Find out about their show at lifeofthelaw.com

99% Invisible-80- An Architect's Code

A tiny radio show about design, architecture &amp; the 99% invisible activity that shapes our world.

http://99percentinvisible.org/

New episodes every Wednesday.

On the radio on 91.7 KALW in San Francisco. Fridays at 7:35am and 4:30pm, Saturdays at 8:35am.  And public radio stations across the country.

Created by Roman Mars.


99% Invisible-80- An Architect's Code

Roman Mars

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