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At long last, hi-tek whizz-kid Metrist returns to Timedance with the third addition to the ‘Pollen’ series and brings his epic trilogy started in 2019 to a breath-catching end.

Elevating an already unique approach of sonic craftsmanship to whole new levels, the London based producer delivers some of his wildest and most dramatic compositions to date while pushing further his signature blend of 22nd century dancefloor pyrotechnics.

From the angelic vocal cascades of opener « Leven Lever Liver Love » to the heart-wrenching heights of « Bullet Time », a playful and intricate display of cross-pollinated emotions shines through this collection of boundary pushing tracks, giving them a life of their own while bringing a stormy cycle of auditory experiments into human nature to completion

As thunderstorms form, pollen grains often ascend into clouds, soaking up humidity to a point they inevitably burst out, liberating innumerable particles that tumultuous winds send back to ground-levels.

With a false sense of distance and safety, we sit back and watch the lightning strike in complete awe, unaware of pollen slowly descending from the skies, making its way through our lungs and deep into our bodies ; the storm may be over, but Pollen has now fully become a part of us.

Pollen, Pt.III

Metrist - Leven Lever Liver Love

For the first time in more than a decade, Paul St. Hilaire (AKA Tikiman) presents a solo album – 100% Tiki. 

Over his 30-plus year career, St. Hilaire has become one of dance music’s quietly legendary figures. Born and raised in the Caribbean island Dominica, he moved to Berlin in 1994 and has lent both his voice and his musicianship to some of the most iconic electronic music from the German capital – and beyond. Renowned for his collaborations with Moritz von Oswald and Mark Ernestus (AKA Rhythm & Sound), he has also appeared on records with Deadbeat, Rhauder, Larry Heard aka Mr. Fingers and Stereotyp (G-Stone Recordings), amongst others. 

However, few know the extent of St. Hilaire’s compositional and technical mastery. From his home studio in Kreuzberg, which includes an extensive collection of vintage hardware, self-built instruments and notebooks scribbled with endless lyrics, he has created a vast archive of material spanning ambient dub, avant-jazz, lush techno and lovers rock. 

Tikiman Vol. 1 is a heady, downtempo tour de force of patois metaphors on education, displacement and personal vs. global histories, as is evident on slippy album opener “Bedroom in My Bag”: Mister, mister / Where are you going? / I’m heading for a faraway land / What are you having in the bag in your hand? / Help us to understand / He said, I’ve got my bedroom in my bag. 

Overall, the album’s lyrics reflect on life between Berlin and Dominica, specifically St. Hilaire’s hometown of Grand Bay, where he has worked with various musicians famous for the island’s different genres of carnival music. St. Hilaire himself always favoured the island’s more “discrete” music, developing a sonic synergy between two different geographical strains of groove and minimalism, and combining them with foundational Caribbean mixing techniques, which provide the basis for his songwriting and distinct baritone. 

Tikiman Vol.1 offers a rare insight into St. Hilaire’s complex artistry, from the eyes-down grooves of “Little Way” and the guitar-heavy digi dancehall experiment “Keep Safe,” to the subtle hypnosis of “Ten to One” and the softly crashing synth waves of closer “Three and a Half”, evoking not only beaches but also coasts and borders. It’s a fitting expression of both the breadth of St. Hilaire’s work, as well as his history as one of the few black, Berlin-based artists who, despite remaining largely overlooked, has influenced the city’s electronic music culture since its beginnings. 

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Kynant Records was founded in 2015 by Richard Akingbehin, a British-Nigerian radio programmer (Refuge Worldwide), music writer and DJ. Originally specialising in deep techno and featuring artists such as Cio D’Or, Terrence Dixon and Donato Dozzy, Kynant has since launched a sub-label Kynant EX which focuses on ambient, dub and experimental electronics. 

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Distributed by N.E.W.S 
Mastered by Stefan Betke 
Artwork by Grant Gibson 

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Supported by Initiative Musik gGmbH with project funds from the Federal Government Commissioner for Culture and Media.

B2 Paul St. Hilaire - The Weather Man

No Highs

Glissalia

Vocals by @nnnnndsky
Produced and mixed by @hadji-hajj, @97paul and 2NDSKY
Mastered by TrueHD
Design by Bravas Graphix
PRMSSS024
℗ & © 2023 Promesses

"LEGACY is a band composed of HAJJ, 2NDSKY and 97Paul, based between Lyon and Brussels. They present on Promesses their debut release: 'LEGACY', an eponymous album of 11 tracks where 2NDSKY’s aerial flows melt with the ethereal and atmospheric productions of HAJJ, 97Paul and 2NDSKY (who are found both behind the microphone and the instrumentals). The result is 11 tracks at the border of cloud rap, ambient and dub. Several artists were also invited to give their voices such as LL, Ronce or JFFF."

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romanofisch