wow this is better than most modern music

Would you like some wine my good sore? 🍷🗿

When you come home from school and see that your xbox and PC is gone

Guys listen to this while eating trust me on this

I feel like I had heard this from Tom and Jerry, no?

Полиминалиться

nevermind, everything's ok

This is a studio recording from 2012 for the BBC film 'Loving Miss Hatto'. A biopic penned by the British comedian Victoria Wood about pianist Joyce Hatto.

The character piece is like the art song's fun-loving cousin who always shows up to the party with a bottle of emotional perfume. It's perfect for those intimate gatherings or solo rendezvous with your piano. Thanks to the piano's rise to fame in the 1800s, character pieces were popping up everywhere, and composers were flaunting their creations at the hottest recital events of the time. Basically, character pieces were the 19th century's version of a hot new single. If you thought Franz Liszt's music was boring, think again! This guy was all about giving his character pieces creative and whimsical titles, like "Sposalizio" and "Vallée d'Obermann". But don't worry, he didn't forget about those of us who like our music titles to be a little more straightforward - he also composed plenty of works with no-nonsense names like "Album Leaves" and "Klavierstücke". With his "Consolations" (a.k.a. "Six Poetic Thoughts"), Liszt took a page out of Chopin's book and delved into the world of nocturnes. And let me tell you, the third Consolation in D-flat major is pure Chopin - even the key is pianist-friendly, unlike those pesky "easy" keys like C major. Looks like Liszt knew a thing or two about pleasing his audience! If you're a Chopin fan, you're gonna love Liszt's "Consolation No. 3"! I mean, talk about a tribute - this piece is basically a carbon copy of Chopin's Opus 27, no. 1. And while it might not have the same flashy piano solos that Liszt is known for, it more than makes up for it with its dreamy, slow-moving melodies. Plus, it's in the same key as Chopin's original, so you know it's gotta be good.

Despite the unusual title, the Consolations were inspired by both poetry and religious contemplation, just like Harmonies Poétiques et Religieuses. Some say the title comes from an 1830 poetry collection by Sainte-Beuve, while others think it's based on a poem by Lamartine called A Tear (or Consolation). Either way, it seems like Liszt was in a pretty contemplative mood when he wrote these pieces. But don't worry, Liszt didn't completely forget his roots - he snuck in a little Hungarian folk song as the primary theme, which he later used in his "Hungarian Rhapsody No. 1". So even though this piece might not match the wild, hair-flailing image we have of Liszt, it's still got a little bit of that old-school flavor. Liszt's "Consolation No. 3" wasn't just a musical masterpiece - it was also a major turning point in the composer's life. And let me tell you, Liszt's early life was a doozy - it was basically one big, crazy party. But don't take my word for it, just ask his first mistress (and mother of his three children) Marie d'Agoult, who wrote all about it under the pen name Daniel Stern. And if you're feeling really adventurous, you can even watch the 1975 film "Lisztomania" for all the juicy details. Talk about living the dream! Liszt's life was like something out of a Hollywood movie - seriously, this guy was breaking class barriers and performing like a superstar. But as he got older, he decided to trade in the limelight for a little bit of privacy. He started conducting orchestras and composing more, and even started teaching aspiring pianists from around the world. I guess you could say he was the original piano man!

My SoundCloud Channel: https://soundcloud.com/archie-chen
Official Website: http://www.archiechen.com
Youtube DIPF https://www.youtube.com/c/PianofestivalIe
Youtube Archie https://www.youtube.com/c/ArchieChenPianist
Festival Website: http://www.pianofestival.ie
Teaching Website: http://www.pianoacademy.ie

Piano: Yamaha C7
Piano Technician: Martin Walsh
Recorded at Cauldron Studios, Dublin
Recording Engineers: Ciarán Byrne & Michael Manning
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An NFT of this track will be available from the artist soon!

Franz Liszt Consolation no. 3 in D flat Major, S. 172

Frederic Chopin, Vol. 1

Fantaisie-Impromptu in C Sharp Minor Op.66

Youtube

These are some of my favorite classical piano pieces performed by some of the greatest pianists I've heard, you'll love at least one. 

Chopin Valse Op 64 No 2 Waltz In C Sharp Minor 7 Valentina Lisitsa

Dream Sweet in Sea Major

Email: info@romantic-piano.co.uk
Website: www.romantic-piano.co.uk
Facebook: www.facebook.com/pianomusicforweddings
Tel: 0121 323 3154 / 07742 880 186


Nocturne in E Flat Major Op.9 No.2 – Frédéric Chopin

Pyotr Ilyich Tchaikovsky - Suite From The Nutcracker. Pas de deux

Morning Mood from Edvard Grieg's Peer Gynt was Composed in 1875 for Henrik Ibsen's play of the same name

Peer Gynt Suite No. 1, Op. 46: I. Morning Mood - Edvard Grieg

one direction - story of my life piano ballad

Composed Performed by Aidan Peterson
Art by: Yuqing Zhu https://www.yqzhu.com/photography
Twitter.com/instupendo
Instagram.com/instupendo

Six Forty Seven

six forty seven.

from the album Skiptracing, coming August 26 on Stones Throw Records http://stonesthrow.com/mildhighclub

Spotify: http://spoti.fi/29zGTc4
iTunes: http://apple.co/29A4w30

Skiptracing

on vinyl

Mild High Club - Homage

"Still Life" 
from the mixtape, Be The One You Love
released on February 24, 2018

OFFICIAL MUSIC VIDEO: https://youtu.be/dGVt6-zoP6c

Produced by Sitcom
Additional Drum Programming by @MulchAikens
Bass by Matthew Melchionne
Mixed by Jake Lazovick
Mastered by Jeremy Kinney

---
(what can only be found now? 
it can only be only found now
did you find it? do you see it? 
it can only be found now)

as if
as if staring at a gravesite
until I become a grave sight/site
would it make me a still life?

as if 
I knew what i knew 
but i don't
so i do what i do
so i go with the flow
until I'm blue
as if the notion to know shit
could save no one from nothing
as if I make space saved for placelessness
and be pasted into my peaceful bliss
as if I'm displaced
in this place
is it this face?
within this grin?

how bout that
how bout that
I'll walk into the landscape
I won't come back

how bout that
how bout that
I'll walk into away

how bout
how bout
I walk into the distance
until I become the distance
would it make me the distance

how bout
the still life with old shoes holds truth
deep in a blue mood with hues of gold sun views
it's the rear view and the real you
that haunt you
even here too, real soon
I'll walk away into a way of being
be it, I meant to mean it
reaching for meaning
but I'll wake up
I'm still Jacob
with still life
and self-love

how bout that
how bout that
I'll walk into the landscape
I won't come back

how bout that
how bout that
I'll walk into away

how bout that

---
Sitcom World...
instagram.com/sitcom.world/
facebook.com/sitcom.world
bit.ly/2xgVsO0 (Youtube)
bit.ly/2pxM7KY (Spotify)
http://sitcom.bandcamp.com
@sitcom_world

Be The One You Love

Still Life

A contemporary version Erik Satie's timeless Gymnopédie No.1 - Brought to you by Remixdj.

Satie Amazon
https://www.amazon.com/Erik-Satie-Essential-Collection/dp/B00J0LBFIG/

Satie iTunes
https://music.apple.com/gb/album/erik-satie-the-essential-collection/918615441

Best of Satie
https://play.google.com/store/music/album?id=Bditbkfgfdqvxx7hansrl6qhy4y

Satie Compilation
https://open.spotify.com/album/0vzKMInu4PzU2Qyi6NgmRK

Erik Satie Album
https://www.deezer.com/us/album/7540311

Best of Satie Playlist
https://www.youtube.com/watch?v=mk2SNcpTNbs&t=68s

Erik Satie The Essential Collection

Gymnopédie

🎥 VIDEO

Gymnopédie No.1 - Satie

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Claude Debussy - The Essential Collection

Clair de Lune

Clair de Lune - Debussy

Wolfgang amadeus mozart - lacrimosa

Piano Solo - Minna Liu
Accompaniment - Bian Zhong

Recorded Live: Minna Liu Piano Recital, Oct 2011

Piano Concerto A minor, Op. 16 I. Allegro molto moderato — Edvard Grieg

Award-winning pianist available for Weddings and Events

Nocturne in E Flat Major Op.9 No.2 – Frédéric Chopin

Romantic Piano

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