2019|47 - #ComposersWeeklyPlaylistSoundCloud
https://ioniate.com/artist/sc201947

This playlist is dedicated to the growth and development of music creators. The creators highlighted have posted their music for others to discover, while both actively seeking and providing support and constructive feedback on the music posted. 

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Thanks again to all these composers for creating such great music!

To all listeners, I highly encourage you to LISTEN - LIKE - SUBSCRIBE.

If you really want to show some love, please leave the composer a comment on their post. The more love, the more that is created :)

This week's SoundCloud playlist features 

Annie Smart
  - http://bit.ly/300b0oT

Austin Kleyn
  - http://bit.ly/SC-AustinKleyn

Brian Freeland
  - http://bit.ly/SC-BFreeProductions

Caroline-Jayne Gleave
  - http://bit.ly/SC-CarolineJayneGleave

Franco Miquio
#N/A

G Iezzi Composer
  - http://bit.ly/2vQXDpB

Haris Vucan
  - http://bit.ly/31xQs3G

James Newman
  - http://bit.ly/SC-JamesNewman

Jamie Rhind
  - http://bit.ly/31wdNDf

Jostein Kauserud
  - http://bit.ly/2KPVljV

Julia Lesnichy
  - http://bit.ly/SC-JuliaLesnichy

Kalle Edh
  - http://bit.ly/SC-KalleEdh

Kirill Belousov
  - http://bit.ly/2IkXBzh

Klaus Ferretti
  - http://bit.ly/SC-KlausFerretti

Kornel Kwarciak
  - http://bit.ly/2DMtBXx

Mat Duguay
  - http://bit.ly/2KOhLCk

Nathalie Itta
  - http://bit.ly/31ksc5t

Nick Saya
  - http://bit.ly/2HwQNxB

Nicklas Löfstrand
  - http://bit.ly/2UXylSC

Nicolas Djebiri
  - http://bit.ly/2VsvOP8

nordic audio
  - http://bit.ly/2Ika3iY

Richard Hellgren
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Rick Riccled
  - http://bit.ly/SC-RickRiccled

Ronald Roumanis
  - http://bit.ly/SC-RonaldRoumanis

Sean Calvo
  - http://bit.ly/SC-RamonCalvo

Sharon Gabrieli
  - http://bit.ly/SC-SharonGabrieli

Victor Birkan
  - http://bit.ly/2GA0adz

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IONIATE Weekly Playlists feature new music from our IONIATE group members. Members of our IONIATE groups create original works in many styles including : 

 - #Soundtrack 
 - #BattleMusic
 - #Orchestral
 - #Symphonic
 - #EpicTrailer
 - #ThemeMusic
 - #SoloPiano
 - #TrailerMusic
 - #DreamScene
 - #AvanteGarde
 - #NewMusic

You can submit music for playlist consideration via IONIATE's Playlist Submitter (http://bit.ly/IONIATE-Playlist-Submission)  or oy joining one of our dedicated groups.

IONIATE GROUPS - NEW ON YOUTUBE
https://www.facebook.com/groups/181521019453661

IONIATE GROUPS - NEW ON SOUNDCLOUD
https://www.facebook.com/groups/IONIATEGROUPSNewOnSoundCloud/

IONIATE GROUPS - NEW ON SPOTIFY
https://www.facebook.com/groups/IONIATEGROUPSNewOnSpotify/

IONIATE PLAYLIST REQUEST - COMPOSER'S WEEKLY PLAYLIST
https://www.facebook.com/groups/2033343396793747/

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#IONIATE #EricSchultheiss #Composers #FacebookComposersPlaylist #ComposersClub #VirtualOrchestralComposers #TheArtfulComposer #GrupaFanówNiesymfonii

2019|47 - The Composer's Playlist | Music from today's BEST internet based music creators

Trailer intro - Vocals focus challenge

Watch my live composing sessions on Twitch: https://www.twitch.tv/matdugmusic

Evenant Trailer Music Challenge Nov2019

Ambient compositions with strings, accordion, guitar, piano and synth pads. The first part shows the ocean, its breath and movement, the middle part is all about dolphins, whales and marina life.

Ocean

Had a lovely time writing this and exploring sounds again.  😊🎶💕
Picture is my own. 😊

Tick tock
Won’t sleep
Got you on my mind

Time flies
After dark
Got you on my mind

But you can haunt my dreams
Oh come on in
Oh you can haunt my nights
Oh come on in

Daylight 
Comes fast
And you’re in my head

Tick tock
Can’t sleep
You’re in my head
Oh....

Chorus

You can’t haunt me all night
You can’t haunt me all day....

Chorus.

HAUNT MY DREAMS

Intermezzo

Do Nothing 'til You Hear From Me (Duke Ellington, 1944)

Sinfonia 20 Opening;  Allegro marcato

Eric Schultheiss stands at the vanguard of contemporary composition, forging a unique path that bridges the rhythmic drive of global percussion with the infinite possibilities of digital sound. As a composer, percussionist, and educator, Schultheiss is acclaimed for his hybrid electro-acoustic works—pieces that fuse the organic pulse of drums with orchestral richness and the sonic innovation of modern electronics.

Rooted in a Southern California upbringing steeped in progressive rock, classical discipline, and the improvisational freedom of jazz, Schultheiss draws on a vast tapestry of influences. His music channels the off-kilter accents of Stewart Copeland, the lyrical intensity of Neil Peart, the storytelling depth of Peter Gabriel and Sting, and the progressive artistry of Genesis, Dream Theater, and Spock’s Beard. This synthesis results in compositions that are as intellectually rigorous as they are emotionally evocative.

Currently, as Head of Percussion Studies and Electro-Acoustic Composition at the Middle Tennessee Conservatory of Music, Schultheiss is an outspoken advocate for the DAW as a true instrument. In his hands, digital workstations become canvases for sonic experimentation, allowing for real-time orchestration, microscopic precision, and the layering of polyrhythms and timbres that would be impossible with traditional notation alone. He champions technology not as a shortcut, but as an authentic extension of the composer’s voice.

Signature works such as Lights Twinkle—a Christmas percussion-ensemble piece blending Japanese Taiko, harp, and haiku-inspired vocal textures—showcase his ability to unite tradition with innovation. Airidea’s Journal explores the dialogue between structure and freedom through dance-driven percussion and atmospheric synths, while As You Sleep and Terminal Memory reveal Schultheiss’ penchant for ambient soundscapes, introspective melodies, and cross-media collaborations. His compositions have been commissioned for film, dance, and multimedia productions, performed by leading ensembles, and praised for their intricate interplay of rhythm and resonance.

As an educator, Schultheiss is dedicated to shaping musicians who are not only technically skilled but also creatively fluent in both acoustic and digital modalities. At the Middle Tennessee Conservatory, he mentors young composers in hybrid techniques, polyrhythmic structures, and DAW-based workflows, encouraging them to embrace technology as a creative partner. His influence extends beyond the classroom, as he helps students gain visibility in the digital era and equips them to thrive in an evolving musical landscape.

Through his relentless curiosity, innovative spirit, and commitment to artistic growth, Eric Schultheiss is redefining what it means to be a composer in the 21st century. His work is a testament to the power of bridging tradition and technology, and to the limitless frontiers that await those willing to explore them.

Intermezzo

Ronald Roumanis

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