Melantónia Show x Fango Radio (28.06.2021) curated by @Hanna_Maria_Melantonia.

With the June episode we are pleased to present a mix of experimental tunes, sound art and a lot of ambient music that brings back the past and future sounds of our project. 
Syntax Erika is a synthesist who works in contemporary electronic sound patterns. She is currently exploring the strata of sound, the artifacts of sound that become self-expression experiments. Her work is an hybrid between natural sounds and synthetic noises. She is incorporating elements of dark ambient, field recordings, industrial strength drones, art-techno, noise, and synth experimentation into her work.

Tracklist:

1. Psychic TV – Botanica
2. Jasmine Guffond – RR Variation
3. Pauline Anna Storm – Temple Gardens at Midnight
4. Bohdan Mazurek – Bozzetti
5. Ormr – Go Out
6. ANN – Orange
7. D-A – ETT
8. Syntax Erika – Sans En Altérer La Nature [unreleased]
9. Psychic TV – Silver and Gold
10. Klara Lewis – Too
11. Camilla Pisani – If you can’t stay alone, it's because you’re empty
12. Pauline Oliveros – Bye bye butterfly

-

SC: https://soundcloud.com/syntaxerika
BC: https://syntaxerika.bandcamp.com/
IG: https://www.instagram.com/syntaxerika/
FB: https://www.facebook.com/syntaxerika1


Artwork by WUTU.

https://www.fangoradio.com/shows/21

Melantónia x Fango Radio - Syntax Erika

Dj Rayne X Palestine & beyond | Root Radio 20/08/2021

In his book 𝑇ℎ𝑒 𝑊𝑒𝑖𝑟𝑑 𝑎𝑛𝑑 𝑡ℎ𝑒 𝐸𝑒𝑟𝑖𝑒, Mark Fisher wrote about the two notions: While the weird is something present where it doesn’t belong—something from outside found on the inside—the eerie has to do specifically with outside space. Something is eerie when there are unanswered questions about agency: Who or what is responsible for the abandonment of this zone? Who or what is crying out in the distance?

Katharina Schmidt’s 𝑇𝑒𝑛𝑛𝑖𝑠 𝐶𝑜𝑢𝑟𝑡𝑠 𝑖𝑛 𝑡ℎ𝑒 𝐻𝑎𝑙𝑓 𝐿𝑖𝑔ℎ𝑡, a single, longform track stretching to a near half hour, deftly captures this spatial sense of the eerie. The evolving drone is like coming upon a ruin, circling it, and being drawn inside. There are no surprises, no sudden horrors, just the strange pull of oscillating waveforms that paint a bleak yet soothing landscape.

In certain kinds of listeners, empty, abandoned spaces produce a pleasurable dejection. Maybe this is because spaces where human life is evacuated represent the end result of capital. (It seems to have withered away, but is in fact off to find another shell for its home.) What we’re left with is something new to inhabit, a new infrastructure for freedom. The subtle changes in Schmidt’s recording have less to do with melody and rhythm, more to do with accumulating color and texture of space. And so the half hour can feel like five minutes, or an eternity—time and scale exist differently here.

---

After years of playing drums and piano in various bands, Katharina Schmidt's solo work is influenced by indie, experimental, and improvised music. Exploring interests in storytelling, sonic topographies, and generative techniques, her music uses electronics, field recordings, and self-built interfaces alongside acoustic instruments. From sonifications to lullabies, her work is poised between formal experimentation and narratives cued by literature and pop culture, and can be heard in installations, film music, and radiophonic pieces, as well as releases on labels such as Flag Day Recordings, Slaapwel Records, and Focused Silence.

Katharina holds a master’s degree in Sound Studies from the Berlin University of the Arts and hosts resident shows at Cashmere Radio and SVS Radio.

katharina-schmidt.net
katharinaschmidt.bandcamp.com  

artwork by Stefan Lingg
audio finalized by Glyn Maier

all proceeds to The Homeless Period Project (Greenville, SC, US) - www.homelessperiodproject.org

Tennis Courts in the Half Light

Katharina Schmidt - Tennis Courts In The Half Light [Excerpt] (ENMD03)

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Pour son nouveau format "j'irais mixer chez vous", @salam_music débarque chez @pont-levis. Après une vie à Saint-Etienne et 5 ans passé au sein du crew Positive Education puis la fondation de son crew Illegal Imposture orienté Rave music qu’il dirige pendant 2 ans, son amour pour les frites le pousse à bouger à Bruxelles fin 2020.  Il en profite pour se concentrer sur son projet Pont-Levis et oriente son style musical vers le downtempo, la bass tout en gardant le regard fixé sur le cosmos.

Selecto Celeste ep10 • Salam s'invite chez Pont-Levis

This is the start of my Unknow Serie. 
I want to share with you some tracks, which i dont want to hold back anymore. 

Have fun!

Mastering and Artwork by @AdVice

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Infinito Audio's label boss Mente3000 presents a self-made mix, followed by a guest mix by artist & radio host Chromasy. 

🌐 "Outsiders" is our daily show hosted by global independent record labels
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
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Outsiders: Infinito Audio w/ Mente3000 & Chromasy @ Kiosk Radio 15.04.2022

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This is a compilation of all very first tracks made between 2020 and 2024 

kj (free dl)

Free will against a loop with no beginning

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Root Radio is an independent radio based in Istanbul broadcasting from all around the world. The project's purpose is to create a community where artists, crate diggers, activists, and passionates can experiment, contribute, share, and expand the project itself.

Contact: Rootradiolive@gmail.com

Dj Rayne X Palestine & beyond | Root Radio 20/08/2021

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