As always, amazing mix and beautiful playing !!!

What a treat to watch you play this deftly clever and technically demanding piece. Any one would think having 5/4 of your heart should be enough...unless they want it all;))

Lovely blend of styles and sounds. Wonderful work!

simply amazing - your music is unique - each note is put so carefully - absolutely stunning - the violin get s great support from the harpischord  and percussions

I ll be back soon, your work is outstanding!

A string remaster / redo of Bright Autumn

Forever Springtime

I recently re-discovered this daft song and decided to share it with you.   I first 'performed' it live aeons ago, at a very serious spiritual workshop, quite spontaneously (and a bit loudly),  after a day of intense meditation and self-discovery.  Although many appeared to enjoy the song, there was an abiding sense of disgrace at my flippancy and foolishness.  That sense of rebuke and naughtiness delights me still...

An absurd song indeed.. for absurd times :-)

**************************************


She’s fallen in love with a teapot
don’t ask me how can it be done
for I’ve watched her in action caressing
the smooth round and shine of his bum

The grip of her flesh on his handle
the knuckles sharp gleaming and white
just the way that her tongue darts and moistens
when she reaches for him in the night

I’ve studied with great fascination
for it’s novel I’m sure you’ll agree
Is she limited by saturation
or can she constantly consummate tea?

think I’m falling in love with my teapot
I  guess I can see how it’s done
for I’ve studied with great fascination
the smooth round and shine of his bum

She's fallen in love with a Teapot!

What are all the buddies from Wall-E doing? They're having funky fun ...
Peter Pasch > Drums, Percussion & Remastering 
Ralf Wadephul > keyboards & synthesizers
Composed, Arranged & Performed by OESJ 
© 2022 OESJ | All Rights Reserved | www.oesj.eu

FUNKY ROBOTS

video - sketch is here:
https://youtu.be/PQ9UtDz7lZw

5/4 of my heart

The Vociferous Mapping Of Your Unlikely Future
https://nomatesensemble.bandcamp.com/album/the-vociferous-mapping-of-your-unlikely-future

So after 18 months, 50 musicians, artists and poets, 100’s of files, several innocent bystanders and of course some beautiful dogs and cats and I am proud to announce the debut album from Then She Reaches For The Gun. 
It’s been an immense pleasure to work with all this amazing talent! 
The album is titled The Vociferous Mapping Of Your Unlikely Future and features 10 tracks with the final track featuring every single one of the contributors somewhere in its 21 minutes : ) 
Here is the full credit list:
Adam Meredith - Voice
Anita Hustas - Double Bass
Agnostura Elwar - Electronica/Guitar/Piano
Antonella Eye Porcelluzzi - Voice 
Ariad Music- Clarinet/Percussion/Piano
Axel Weiß- Guitar 
Bellai Pelegrim - Electronica
Brendan Corey Benson - Guitar
Carolyn Wigston -Voice
Chicago Word Brigade - Synth/Noise/Poetry/Voice/Voice Guitar
Dane Renshaw - Drums
Dani Kirby - Piano/Voice
Dough Factory - Electronica
ElectroTrek - Vibes Synth/Voice
Fake Stereo Machine - Field Recordings
Frank Wilke - Trombone/Trumpet/Voice
Garbage Truck Disco - Guitar/Pixies Tribute
Gary Rees - Voice
Glenn Ward - Beats/Guitar/Voice
Gonzalo Serrano - Acoustic/Electronic Drums
Holy Shitshow - Digital Strings
Hverheij - Electronica/Guitar/Nursery Rhyme Glockenspiel/Voice
Ilaria Boffa - Poetry/Voice
Juan A Miñana - Electronics/Noise
Life in The Movies - Electronic Percussion/Synths
MatVee - Beats
Martin Pozdrowicz - Organ/Pad
Muterial -Electronica
My Nocturnal Twin - Guitar
Nosensend - Synths
Paolo D’Emilio - Poetry/Voice
Paul Miller - Beats/Keyboards/Synth Bass/Voice
Phil Bywater - Tenor Saxophone
Primaloop -Drums
PuppetXeno- Guitar/Synths
Raöulfr Maganhar - Field Recordings/Voice
TexMex Shaman - Guitar/Talkbox
The Windscale Blues Experiment - Saxophones
Thomas Bergheim - Bass/Guitar/Keyboard
Timothy Korstad - Electronica/Poetry/Voice
Tuonela - Drones/Electronica
Widar’s Spiritual Front - Electronica/Percussion
W:I:L-o’ the-wisp - Double Bass/Guitar/Keyboards
Wüst - Electronica
Vartch - Disco/Noise/Synths/Voice
Yui Nikaido- Voice

Hacho, Lola, Neska, Senna, and Yoda - Barks/Hisses/Meows/Purrs/Howls and Heavy Breathing

Mat Ward - Arrangements/Beats/Bass/Digital Orchestration//Field Recordings/Intonarumori/Noise/Percussion/Piano/Voice

Mark Rothko Sex Toys Pt 2(Current Tasmanian Business Speak Mix)

A simple folky stringed composition inspired by an admired and legendary folk guitar player Gordon Mikefield to those who know of the alias ;) now supposedly & hopefully not retired.
A haunting kind of tune with a selected arrangement comprising of acoustic & electric guitars, double-bass, mellotron and glockenspiel.
Inspiration from an album "Return To Ommadawn"
Thanks for listening.
Arranged and produced by Mike Hilton © 17/12/22

Cover art ~ Paintt version " Holographic Tiles" of La Grotta Dei Ladroni, Sicily Italy, original image by Salvatore Allegra.

Down The Rabbit Hole

Down the Rabbit Hole

Here's A collab with https://soundcloud.com/frawstakwa

Here's A link to the original vocal;

https://soundcloud.com/frawstakwa/now-that-were-here-lets-go-1

Here's A link to the art work;

https://pixabay.com/illustrations/painting-black-and-white-digital-art-219514/

Frawstakwa & RiZLiX - Now That We're Here

We’re praying for peace
Never losing hope
My faith I keep very close
Dancin out my grave
Seen a Holy Ghost
Yeah I’m on some drugs
But there not even close
See what I use to do is get really high
Then drink enough so I would black out and die
Thought the universe needed me
Well maybe she does
Are you seeing things different like I was
Love can fuck you up
And I can promise you that
There’s never enough
Nope I don’t have the answers
That’s exactly why I keep on dancing.

praying for peace w/ a Sandman07 intro

'Light The Candle Please' is fusion of Jazz/Fusion/Rock and Ambient. Not inspired by anything in particular and just what appears from the imagination sometimes. This is definitely one of those moments.
I have replaced the original file as Georg Boehme has replaced the original Tenor Sax solo. So thank you Georg for this wonderful addition . Also doubling the brass parts near the begining and also the end section. I am priviledged indeed to have your superb playing involved once again, so a big thank you.
You can hear Georg's own work here: https://soundcloud.com/georg-boehme

Light The Candle Please

Light The Candle Please (Feat. Georg Boehme)

■概要(Overview)
じゃんけんで負けた！
さらに色々とやらかして状況は悪化してしまった。
はい、自己嫌悪。
・・・・
そんな感じの曲です。
でも大丈夫！どんどん行け、進め！
宇宙規模で考えれば大したことじゃない・・ような気がする。

I lost in rock-paper-scissors!
And the situation got worse with all sorts of other things.
Yes, self-loathing.
・・・・
It's that kind of song.
but it's okay! Keep going, keep going!
I feel like it's not a big deal if you think about it on a cosmic scale.

2023.4.1 楽器の追加を試みましたがやはり最初のバージョンで再度公開。
2023.4.1 Considered adding instruments, but finally released in the original version.


■歌詞
「どうして僕は・・」

どうにもならない
気を付けていても
くじ運悪いし　気持ちも弱いし

やりたくないのに　じゃんけん弱くて
町内会の面倒な役をやる羽目になったんだ

おまけにさ
電話番号を
教えてしまった
聞かれてないのに
責任感じて空回りする
僕はひどい奴だ

僕の居場所はないよ
愛想尽かされ　さよならさ
情けなくて消えたい
ねぇ、神様、どうして僕は・・・
(いつもこうなんだろう)


どうにも頭が
ずきずきしてきた
子供のころから　気持ちが弱いし

対人恐怖が影響している
大事なじゃんけん
見透かされていた
涙の　じゃんけんぽん

おまけにさ
電話番号を
聞かなきゃいけない
空気が漂い
迷惑気づかず　順番に聞く
僕はひどい奴だ

僕の居場所はいつも
自分で壊し　それまでさ
最初からわかってる

ねぇ、神様、どうして僕は・・・
(いつも余計な事ばかりしてしまうんだろう)


忘れたころに　「逃しはしない」と
再び僕に「烙印」を押す

いくら逃げても　隠したとしても
弱い部分が　「忘れさせない」と・・

月夜の枝垂桜が揺れている

僕の居場所はないよ
愛想尽かされ　さよならさ
情けなくて消えたい
ねぇ、神様、どうして僕は・・・
(いつもこうなんだろう)

■ lyrics(google translate)
"Why am I..."

I'm a hopeless person.
Even if I'm careful, the lottery is bad and my feelings are weak

I don't want to do it, but because I'm weak at rock-paper-scissors, I ended up playing a troublesome role for the neighborhood association.

moreover,
I gave everyone my phone number
Even though no one asked me to teach them

Feeling responsible and panicking
I'm a hopeless person

I have no place
Goodbye to being exhausted
I want to disappear without pity
Hey God, why am I...
(why is it always like this)

I can't help but have a head
I'm getting a throbbing pain

Ever since I was a child, my heart has been weak

social phobia affects
important rock paper scissors
was seen through
Rock, paper, scissors of tears

In addition
phone number
There is an air that you have to ask,
Listen in order without noticing the nuisances around you
I'm a bad person

I always destroy my own place.That's it.
I know that from the beginning

Hey God, why am I...
(I guess I always end up doing unnecessary things)

When I forgot, "I won't let you go"
brand me again

No matter how much you run away, no matter how much you hide
The weak part chases after you forever, saying "I won't let you forget"

The weeping cherry tree on a moonlit night is swaying

I have no place
Goodbye to being exhausted
I want to disappear without pity
Hey God, why am I...
(why is it always like this)

doushite_boku_ha(Why am I...)

Temperate Zone

I live playing...
живу играя...
(violin
скрипка)

 
https://www.youtube.com/channel/UC75yod6RSSe4JLRdhnW8StA

5/4 of my heart

rosin dust

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