Name: Divide by Ross Cantrell
Duration: 3 min 4 s
Description: Little compo I did just playing around with some vocals I put on a midi keyboard! Just a bit of fun but would love your feedback!!!!

pretty smooth man! like it's great and totally relaxing❤️

very nice work u have here🔥 keep it up

it's a futuristic jazz music imo, original stuff!

a beautiful breezy dreamy vibe but cooooool   Club Tropicana it aint - thank god!!

very nice and relaxing.  enjoyed it during my walk!

Why did you turn the voice into a robot I do not consent

Nice chill music. I would put Ay Ay vocals a bit to the back of the mix. They strike like pop vocals and a bit out of the chill mood of the music.

Little compo I did just playing around with some vocals I put on a midi keyboard! Just a bit of fun but would love your feedback!!!!

Divide

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Dark Summer has so much fun to make, the tune has layers that build and drop adding sonic adventures. There's a load of sub in there so really grab some decent cans or speakers.

A deep experimental journey with loads of captured sounds from last summer and times we could all go out.

Enjoy this, it was defiantly a blast to make.. Turn off the lights lay back and turn it up..

Dark Ambient, Soundscape, Dark Music, Drone, SciFi, Atsuhiko Cook

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Dark Summer

Cenote

Endless Nights

Original music by Eran Yehuda.
 
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GREETINGS EARTHLINGS! 🖖
It has been a long time coming ⏳, valuable seconds, minutes, hours, days, and MONTHS of my disappearance have now been broken.
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Reality TV Ending Theme

Flower

Eating Variations
for Baritone Voice and Chamber Quintet (Baritone Voice,  Flute, B-flat Clarinet, Violin, Cello, Percussion)
Duration: 9' 
Text by Ron Singer
Performers: American Modern Ensemble; Robert Gardner, Baritone
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=1109
Online Perusal Score: https://issuu.com/robertpaterson/docs/eating_variations-fs-bound_perusal
For More Information: https://robertpaterson.com/eating-variations

PROGRAM NOTES
Eating Variations is based on a series of witty poems with the same title by Ron Singer. The work as a whole is essentially a satire on food faddism and depicts different aspects of eating. The way I chose to set these poems is light-hearted, perhaps lighter in spirit than Singer originally intended, but with a serious, dark side.

The first movement, My Body, a Temple, incorporates the sounds of Tibetan Singing Bowls (also called Temple Bowls or Cup Gongs) and is loosely, harmonically inspired by Khöömei, or Tuvan Throat Singing and David Hykes’s Harmonic Choir recordings; both of whom use a style in which the singer produces overtones on top of the fundamental notes. Perhaps mercifully, I do not require the baritone to use this technique, but instead, use the flute to produce false overtones in a couple of spots.

In the second movement, The Hog, the instruments mimic pig sounds with scratchy, grunting noises from the violin and cello and clarinet multiphonics. A round-sounding whole-tone scale is used and there is a Polka-like accompaniment in the percussion.

The third movement, Even the Dyspeptic Must Eat, uses upward and downward runs in the bass clarinet to impart a roller coaster-like sense of Gastroesophageal Reflux Disease, a condition in which there is recurrent return of stomach contents back up the esophagus. This is reinforced with a slow, background groove in the drums.

The cello part in the fourth movement, The Dietary Moralist, is inspired by Dave Eggar, a cellist who can play his instrument like a guitar and sing at the same time. In this movement, I ask the cellist to play in a somewhat folksy style and sing out of tune back-up vocals—to me, reminiscent of a 1960s musical Hippie Sit-in. The main vocalist is backed by the well meaning but out of tune "band." To paraphrase an interesting email exchange with Singer, we agreed that in this context, the vocalist might represent a contemporary version of a certain species of 60's hippie—say, a particularly zealous fair trade coffee purveyor, and that this Malvolio type is singing along with a group of kindred spirits. This movement is not a literal portrayal of the text, which is quite serious in tone, and stretches the meaning more than the other movements. Perhaps my interpretation may instead be viewed more as commentary on the text.

In each passing decade, people are sure of their eating habits, and the carefree, assured, commercial America of the 1950s was no different. In the last movement, The Happy Medium, I envision a father-like doctor figure squarely explaining to a patient how to eat. The perky background music is meant to evoke a 1950s TV commercial, or perhaps a short, black and white educational grade school film.

Winter Songs

Eating Variations - III. Even The Dyspeptic Music Eat

First track for the "Control" Ep
Midtempo/cyberpunk

N E T R U N N E R

BA Music graduate of Bath Spa University! composer and Saxophonist who loves playing with catchy melodies!!!!

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Divide

Ross Cantrell

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