The global ocean covers over 70% of our blue planet and yet we know vanishingly little about what lies below the surface. This was brought home recently in a paper published in the journal Science about the soundscape of the Anthropocene. Human activity has disrupted the way the ocean normally sounds with both silent and deadly implications. In this episode we talk to the artists, researchers and advocates who are trying to preserve the natural cacophony of our ocean, to protect biodiversity, and ultimately to save humanity from its noisy self.

17. The Anthropocene soundscape

Compuesta a partir de respiraciones de personas cercanas a mi vida, esta pieza explora el sonido de respiración como símbolo de intimidad, vínculo con el principio generador del cosmos y existencia vital. Cada respiración es única, inalienable, constitutiva de nuestro ser. El resultado es, de alguna manera, la expresión de las personas que han acompañado mi propio influjo vital, entrecruzándose para formar un espectro armonioso, como alusión a y trasfondo para una situación de meditación o contemplación.

Pneuma

OTOÑO

Mecánica instrumental presenta su setlist del festival ANTES y entrevista a Mauricio Orduña

https://www.facebook.com/pages/Mecánica-Instrumental/
http://www.centroculturadigital.mx/es/actividad/--13.html
http://www.mixcloud.com/Mecánica_Instrumental/
https://soundcloud.com/mauricio-ordu-a-p-rez
https://soundcloud.com/jack-moon

Mecánica Instrumental : Jack Moon & Mauricio Orduña

Ruido a Ciegas  [ Audition Records ] >>> Programa No.1
Transmisión Miércoles 13 Agosto 2014, al mediodía en el Centro de Cultura Digital.

Invitados: 
Ruido Trece [Rossana Lara & Aaron Escobar]
Seis Muerte [María Tejeda & Ulises Zarazúa]

Extractos Música >>
Opening: Solo at Gertrude Contemporary by Jenny Barnes
Encore: Breathe by Mirjam Tally
De la compilación "Voix Brutes" [Audition Records ar093]
Fotografía: Diego Aguirre

Más | http://auditionrecords.com/radio.php

RUIDO A CIEGAS 01 : RUIDO TRECE & SEIS MUERTE

Double Bass - Kiyoe Wellington
Contrabass Clarinet - Madison Greestone

Thanks to the production staff of UCSD's music department. 


mirrors, reflections, illusions...  for Contrabass Clarinet and Double Bass (2015)

Mix of some free improvisation by Ruido13.

Nefi Herrado - objetos
Rossana Lara - voz y objetos
Diego Villaseñor - voz y guitarra
Lucila Guevara - voz y bajo
Hector Vera - viola y objetos
Aaron Escobar - guitarra y objetos


Cavernario Epistolar

Cuerda de Guitarra, lamina, Guitarra, Bajo y Voz. 

Ruido 13

Rossana Lara is a Mexican musician, scholar, and curator in the field of avant-garde and sonic art, electronic and transmedial practices, specially in the context of Mexico and Latin America. This includes a current research on the role of situated listening practices for political ecology, in order to gain a self-awareness of our place in the multi-scale Web of Life informed by a situated environmental history. As an artist, she has worked with performance, sound design,  foleys, improvisation and field recordings to make electroacustic music and audio cinema.

Pneuma

Rossana Lara

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