Divine music. I don't understand the words, but i am sure that is amazing.

different  songs

Narad Muni Bajay Vina

Udilo Aruna

Smita Krsna Nrsimha Ch - Si Abhisek Kirtan 04.05.2023

mesmerizing shiva poetry written by ravana

Shiv Tandav Strotam Pt. Jasraj.mp3

Amala Harinam

Playing Mridanga: Balaram Tirtha Das (Bali)

Gaura Vani Das · ISKCON of DC Temple Opening · 3.22.24

Playing Mridanga: Kishor Gopal Das
LYRICS: https://kksongs.org/songs/j/jayasacinandanasuramunivandana.html
(1)
jay śacīnandana sura-muni-vandana, bhava-bhaya-khaṇḍana jayo he
(2)
jay hari-kīrttana narttanā varttana, kalimala-karttana jayo he
(3)
nayana-purandara viśvarūpa snehadhara, viśvambhara viśvera kalyāṇa
(4)
jay lakṣmī-viṣṇupriyā viśvambhara priyahiyā, jaya priya kińkara īśāna
(5)
śrī sītā-advaita-rāy mālinī-śrīvāsa jay, jay candraśekhara ācāryya
(6)
jay nityānanda rāy gadādhara jay jay, jaya haridāsa nāmācāryya
(7)
murāri mukunda jay premanidhi mahāśaya, jaya jata prabhu pāriṣada
(8)
vandi savākāra pāya adhamere kṛpā hoy, bhakti sapārṣada-prabhupāda

Amala Harinam Das (Jaya Sacinandana Sura Muni Vandana) · Capital Kirtan Day 1 · 5.31.24

Agnidev Prabhu Bhajans - Radhe Jaya Jaya Madhava

Spandan
“Spandan”, in Sanskrit, means throb, pulsation, trembling, quivering, vibration. Through the present work, I attempt to convey the very basic throb or pulse of music and the environment of music manifesting, thereby.

About the album:
“Spandan” comprises of a group of ten Raags. A Raag in Indian classical music is a melody consisting of a group of notes within the musical octave, guided by definite grammar of patterns and movements, which convey a definite emotion. Eight of these ten Raags are in current usage. Two are my own creations. The entire work is my original conception and execution on the Indian bamboo flute, commonly known as “Bansuri”.
The ten Indian Classical Raags forming the body of this work are -
1) Bhairavi, 2) Smarana, 3) Gunkali 4) Bairagi, 5) Dhani, 6) Gyaankali, 
7) Bilaskhani Todi, 8) Rahasya, 9) Malkauns, and 10) Bhoopali Todi. 
(In the order of track listing)
Bhairavi is the parent Raag in this group. Seven out of the other nine Raags are its subsets and derivatives, whereas, the remaining two Raags are derivatives of other parent raags. Gunkali is a subset of Raag Bhairav, whereas, Dhani is derived from Raag Kaafi. But in my personal opinion, which goes contrary to the established norm, Raags Gunkali and Dhani can also be grouped under Raag Bhairavi, in terms of their note values. Out of the seven notes of the musical octave, Sa, Re, Ga, Ma, Pa, Dha and Ni, five notes, namely, Re, Ga, Ma, Dha and Ni are flat in Bhairavi, whereas, Sa and Pa are, perforce, natural. Hence, all the notes that can possibly go flat, do so in Bhairavi.
Raag Bhairavi and its subset Raags are particularly difficult to play on the flute because of the maximum number of flat notes present in them. A flat note corresponds to a half stop on the flute. This means that to play a flat note on the flute, the corresponding hole is opened only half, that too, not exactly half but precisely as much as would produce the desired frequency of the note in question. This difficulty is further augmented by the necessity to open the hole sideways from the outer end for reasons of dexterity and pitch. Since the flute is the least calibrated of all musical instruments, maintaining an equilibrium among the angulation, the volume modulation and the pitch, can be a rather tight rope walk.
Utmost care has been taken in maintaining the purity and character of Raags here. The form and the arrangement is where this work deviates from the tradition. Indian Music is essentially monophonic, i.e., only one melodic line is uttered at any given point in time. I have introduced the Western concept of harmony by creating polyphonic arrangements of each of the ten Raags as played by me on the flute. Essentially, this work is a flute ensemble. The only respect in which it differs from an ensemble, strictly speaking, is that it is a one-artist ensemble. Separate tracks of my rendition of a Raag are layered together to create a multi-flute arrangement set to that Raag. The same process is applied to the arrangements of all the pieces of music.
The only sound employed in the music other than the flute is the Tanpura as the background drone.


1 - Elephant's Gait - Raag Bhairavi

Kirtan Premi Prabhu's evening kirtan at Krishna Balaram Temple ,Vrindavan

Krishna balaram Temple

Kirtan Premi Prabhu KBM 2016 - 12 - 13

গান: লালন ফকির 
কন্ঠ: সুদীপ্ত চট্টোপাধ্যায়
সঙ্গীত-আয়োজন: তাপস রায় 

চাঁদের গায়ে চাঁদ লেগেছে

Old Ones

Jhulan Yatra - Aindra Prabhu #Oldschool

10 Hare Krishna Hare Rama [Raag Bhairavi]

Gour Krsna Das leading kirtan (devotional singing of the Lord's names) at Bhaktivedanta Manor.

This song, which was written by Śrīla Narottama dāsa Ṭhākura, is called "Gaurāṅga Karuṇā Koro." The lyrics are as follows:

gaurāṅga karuṇā koro dīna hīna jane
mosamo patita prabhu nāhi tribhūvane ||1||

O my dear Lord Gaurāṅga! Please show Your mercy to this lowly and destitute soul. O Lord! There is no one more fallen than myself in all the three worlds. (1)

dante tṛṇa dhari gaura ḍāki he tomāre
kṛpā kari eso āmār hṛdaya mandire ||2||

Holding grass between my teeth, O Lord Gaura, I am calling out to You now! Please be compassionate upon me and come to reside within the temple of my heart. (2)

jadi dayā nā karibe patita dekhiyā
patita pāvana nāma kisera lāgiyā ||3||

If You do not give Your mercy, seeing how fallen I am, then why are You known as Patita Pāvana, the merciful Saviour of the fallen? (3)

paḍechi bhava tuphāne nāhika nistāra
śrī caraṇa taraṇī dāne dāse kara pāra ||4||

I am plunged amidst the violent hurricane-stricken waves in the ocean of this material world, from which there is no escape. Kindly give me the gift of Your divine lotus feet, which are compared to a boat in which Your servant may cross over the ocean of birth and death. (4)

śrī kṛṣṇa caitanya prabhu dāser anudāsa
prārthanā karaye sadā narottama dāsa ||5||

Narottama dāsa, the servant of the servant of Lord Śrī Kṛṣṇa Caitanya, ceaselessly makes this prayer. (5)

Bhaktivedanta Manor Kirtan

Gauranga Karuna Koro 08/01/20

Gour Krsna Das - Gauranga Karuna Koro 08/01/20

A tune tht everybody shuld listen, not only listen but sing along and if felt then dance ur hearts out.

Udilo Aruna

row_heath

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nimai Radha madhava dasa

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