performed by Róisín Adams, piano and Colin Avery Hinton, percussion inside piano.
Recorded December 2017 at the Banff Centre
Music and ceramic percussion instruments by Roxanne Nesbitt
http://roxannenesbitt.com/symbiotic-instruments

Pattern vs Shape 1_1_3

Karin Johansson - piano
Finn Loxbo - guitar

Track from album VENT,
lp / cd release september 2018, Omlott records.
omlott.bandcamp.com/album/vent
Recorded and mixed by Rasmus Persson,
mastered by Henrik Alsér at Svenska Grammofonstudion.

Photo by Marit Lissdaniels.
Artwork by Ekta.

18.08.18
Ben Brown, drums + percussion
Roxanne Nesbitt, vocals + electronics

sleep shapes live at the toast collective

18.08.18 
Ben Brown, drums + percussion 
Roxanne Nesbitt, voice + electronics

make clouds live at the toast collective

Why Choir Live at Toast Collective

Objections - piano solo
Karin Johansson - prepared piano, composer.

Documentary recorded with zoom at Västerås Konserthus, 30 November 2019.

Objections

The Black Dog String Quartet Recorded live, March 23, 2019, The Rex Theatre, Kamloops, BC. Presented by the Kamloops Symphony Orchestra.
Arrangement: John Kastelic
John Kastelic, voice; Elyse Jacobson, violin; Molly MacKinnon, violin; Tony Kastelic, viola; Doug Gorkoff, cello.

All The Pretty Horses

Commissioned by PUBLIQuartet with support from
The Adele and John Gray Endowment Fund

This piece aims to investigate our contradictory relationship with our origin. The strings are the origin to the electronic sounds that will be produced; similar to human species that has originated from nature. In parts of the piece, the electronics, the human element, overshadows the strings, the nature, and in some other instances, it becomes an inseparable element of the musical structure. "Happiness filled the space of sadness", which is a quote from Milan Kundera, seemed like an apt title for the contradictory relationship that we currently have with the very environment that gave birth to us.

Pattern vs Shape 1_1_3

Roxanne Nesbitt

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