Reading Fantasy - Instrumental

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In A Time Lapse is the representation of the bringing together all of life's experience and emotions into a single moment of time. Recorded in a remote monastery near Verona and written over a period of 2 years it is as epic and emotional as Divenire and as experimental and adventurous as Nightbook.

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In A Time Lapse

Experience

Once Upon a December

As The World Caves In (Dramatic Violin Cover) [RP]

Middle of the Night (Joel Sunny) - Official Audio

Mallory

Music Under the Mountain

The sexy, action-packed first dramatized audiobook adaptation in the #1 New York Times bestselling Court of Thorns and Roses series from Sarah J. Maas. Adapted from the novel and produced with a full cast of actors, immersive sound effects and cinematic music!

When nineteen-year-old huntress Feyre kills a wolf in the woods, a terrifying creature arrives to demand retribution. Dragged to a treacherous magical land she knows about only from legends, Feyre discovers that her captor is not truly a beast, but one of the lethal, immortal faeries who once ruled her world.

At least, he's not a beast all the time.

As she adapts to her new home, her feelings for the faerie, Tamlin, transform from icy hostility into a fiery passion that burns through every lie she's been told about the beautiful, dangerous world of the Fae. But something is not right in the faerie lands. An ancient, wicked shadow is growing, and Feyre must find a way to stop it, or doom Tamlin-and his world-forever.

From bestselling author Sarah J. Maas comes a seductive, breathtaking series that blends romance, adventure, and faerie lore into an unforgettable listen.

graphicaudio.net

A Court of Thorns and Roses 1: A Court of Thorns and Roses 2 of 2

Chapter 54 To Keep You from Breaking

Golden Hour

Golden Hour (Noise)

Beauty in betrayal - Lennard Kastner (On YouTube)

Middle of the Night

Middle Of The Night

••• Form Webstead: (bid bide there)
••• Thatch: Song Thatch
••• Gleewright:
|| Anne Sophie Versnaeyen
Apple Music: (bid bide)
YouTube: (bid bide)
Spotify: (bid bide)
Soundcloud: (bid bide)

|| Gabriel Saban
Apple Music: (bid bide)
YouTube: (bid bide)
Spotify: (bid bide)
Soundcloud: (bid bide)

••• Whichness: MP3 256kbps

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I'm mearly benoting this for easy-ingang to listening through Discord Bots and other Third-Simble Software Speakers. If any leaf or law is overstepped, bithee let me know. BID UNDERPINN THE MAIN CREATOR!!! ;)
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@ All cloverights edthaned.
A clove freighted from YouTube to SoundCloud.

Anne Sophie Versnaeyen, Gabriel Saban - Autumn Romance | Epic Orchestral

Inns & Taverns

A Bard's Tale

Over a felt piano a emotional violin and cello are in  dialogue . The story evolve into a epic journey where felt piano, human voices and choir with string orchestra come together to sustain the solo violin. The cello is the crown of the story chorus.

Shine Hope Lost Days

Schumann & Schubert - Transcriptions for Clarinet & Harp

Sonata in A Minor, D. 821, "Arpeggione": II. Adagio (Arr. Lenaerts & Grammenos for Clarinet and Harp) [feat. Dionysis Grammenos]

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Spring One - Vivaldi Recomposed - The Four Seasons

Spring 1 (2012)

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Waltz For Paulina

The beast had lurked indeed,
and the beast, at its hour, had sprung.

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the newton brothers have done it again!!! here's to my haunting of bly manor hyperfixation. anyway this took so fking long and yet i still didn't sync it right oop. completely unmixed this time, just live performance using shitty keyboard instruments but i hope i just conveyed the general ~vibes~ because my heart breaks every time i listen to this

Beginning of the End Movement V - The Haunting of Bly Manor (cover) -- free download!

This 2014 classic reimagined as a cinematic, orchestral rendition.

sweater weather (dramatic violin version)

Reading Fantasy - Instrumental

Dankmil