It can be argued that, while we go about life as an organic machine made of flesh and bone, our consciousness, what makes us human, is something else entirely. What is our consciousness if not a cumulative collection of constantly updated memories that have been organized in such a way as to advise us what to feel and do next? Memory is subjective, and not necessarily entirely factual, a retelling of experience. While facts might be recalled incorrectly, memories are our truths, and ultimately the question becomes “What do I do with these things I know to be true?”
For Puerto Rico-born tenor saxophonist and composer Roy McGrath, the past is present in the form of these memories. This music honors that past, yet also provides a signpost for the future. The eight compositions that make up this album were written and arranged for this particular band of musicians, and they represent a very specific and personal truth that fully came into existence in the recording studio. Remembranza is a Spanish word that can be used multiple ways. A remembranza can be a memory or even a flashback. It is a point in the past that is deeply rooted in one’s consciousness because of the powerful feelings that were evoked at the time of its creation. And, of course, new remembranzas are being created all the time.
At the core of this album are four tunes written with a very specific purpose. McGrath was commissioned in 2015 by the Segundo Ruiz Belvis Cultural Center in Chicago to compose a Afro-Caribbean jazz suite honoring revered Puerto Rican poet Julia de Burgos. What eventually emerged out of Julia al Son de Jazz, as the project was called, were four compositions. Two were loosely based on her poems and two sought to capture something about who Burgos was and how she lived her life. As 2015 turned into ’16 & ’17, McGrath worked with several musicians, eventually finding the exact people to help him realize the form that the Julia songs would take. The remaining tracks each relate to a memory from McGrath’s life, both in Puerto Rico and the U.S., where he has resided since 2007. They have to do with the very stuff of life: family, relationships, creation, and identity. These may be specific memories from McGrath’s life, but their themes resonate with universal human experience. They include the title track which, in a way, touches on all four. This quartet (bassist Kitt Lyles, drummer Jonathan Wenzel, and pianist Bill Cessna), in fact, inspired the idea of a remembranza as a theme to build the album around, up to and including the process of creating it. Though a memory can be fleeting, there will always be this work that lights and keeps present this remembranza. Taken together, they are a portrait not of the past, but of a very real present that each and every memory led to, and the creation of this album is the newest powerful Remembranza that McGrath and his quartet carry with them.

01 - Cancion De La Verdad Sencilla

04 - Remembranzas

08 - Burgos En Vida

07 - Ky Ky

Spirit Of The Living God

Sileray

Night And Day

Patty Cakes

Maybe Please Don't Lie

Martha

Kintsugi

Roy McGrath is a Chicago based tenor saxophonist, composer and bandleader. Born and raised in San Juan, Puerto Rico and educated in Boston, New Orleans and Chicago, Roy brings to bear these diverse influences in his playing and composing. In addition to leading and recording with his own jazz ensembles, he is a member of several others and an in-demand player in the city’s jazz, funk, Latin jazz and salsa scenes. He has led international tours to Mexico, Singapore, Korea and China. As a composer and arranger, Roy is firmly in the jazz tradition, but his Latin American heritage is an ever-present mind set, leading to wholly original works that are a true expression of who he is. His plans for 2017 include recording and releasing a new album of original compositions, Remembranzas, and leading two special big band tribute projects honoring legendary Puerto Rican composer Rafael Hernández and Dizzy Gillespie’s United Nations Orchestra. 

Roy sang in school choirs before picking up the saxophone at age 16. After attending the Berklee College of Music Summer Workshop, he earned a full scholarship to attend Berklee’s five-week Summer Performance Program. Back in Puerto Rico, he honed his improvisational skills performing with jazz pianist and Beach Boys alumni Carli Muñoz.
Upon high school graduation, Roy was awarded a scholarship to Loyola University in New Orleans, where he studied under Tony Dagradi (saxophonist for Astral Project) and composer/arranger John Mahoney. He graduated in 2009 with BM in Jazz Performance. After graduation, Roy extended his time in New Orleans, performing in clubs, concert halls and the streets with a variety of musicians. He made three appearances at the New Orleans Jazz and Heritage Festival and an appearance at the New Orleans French Quarter Fest.

The next stop on his musical journey was Northwestern University in Chicago, where he graduated with a master’s degree in Music, studying under Victor Goines, saxophonist for Jazz at Lincoln Center and Director of Jazz Studies at Northwestern University. Graduating in 2014, McGrath decided to put down roots in Chicago because of both its historic role in the development of jazz and the presence of a large and vibrant jazz & Latin music community in which he could continue to pursue his vision. He returned to Northwestern’s Pick-Staiger Concert Hall in 2016 to perform with Victor Goines and Branford Marsalis in Goines’ orchestral composition Crescent City.

He released his debut CD as a leader, Martha, in 2014 with a quartet formed of fellow Northwestern grads Gustavo Cortiñas, Kitt Lyles and Joaquin Garcia, all bandleaders in their own right, and returned the favor by joining their ensembles: Snapshot (Cortiñas), Real Talk Collective (Lyles) and Rhythm Convergence (Garcia). The Roy McGrath Quartet was featured in the Jazz Institute of Chicago’s NextGEN concert series in 2015. Later that year, the Chicago Department of Cultural Affairs and Special Events (DCASE) awarded McGrath a grant to take the quartet on a month long tour of Mexico. Also in 2015, The Roy McGrath Latin Jazz Quintet performed at the Chicago Latin Jazz Festival.

He also launched the Julia al Son de Jazz project in September 2015, commissioned by Chicago’s Segundo Ruiz Belvis Cultural Center, where he works as director of the youth Afro-Caribbean Jazz Ensemble and collaborates with folkloric ensembles. The project used the writings of revered Puerto Rican poet Julia de Burgos as a springboard for new compositions that included spoken word recitations of her poetry. Its debut was followed by successive performances throughout Chicago including three dates for the Chicago Park District’s Night Out in the Parks summer concert series in 2016. McGrath has since used ideas developed during that period in his latest endeavor, Remembranzas, a new batch of original compositions that incorporate folkloric bomba rhythms and other Puerto Rican elements in a jazz framework.

Roy McGrath

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