Larks

The Revolution Will Not Be Televised

The Revolution Will Not Be Televised (feat. Black Thought)

Ruby Rushton return with cinematic new single “Walk to Regio's”, the lead single from the London UK jazz quartet’s highly anticipated 'Legacy!' album on 22a Records.

As a bandleader, flautist, saxophonist, producer, DJ and label boss, Tenderlonious has earned his polymath stripes. On "Walk to Regio's", Ed takes inspiration from multi-talented legend Isaac Hayes, in particular his ‘Shaft’ soundtrack. 

“I’ve always been obsessed with film music and it’s played a key role in my approach to composition. Issac Hayes’s ‘Shaft’ soundtrack is one of my favourites and has had a big influence on my music over the years. “Walk to Regio’s” is my salute to Issac Hayes and is a nod to one of the coolest films ever made!”

Ruby Rushton trade the hustle and bustle of 1970s Harlem for the restless, ever-shifting energy of contemporary South London. A hypnotic piano motif sets the tone, locking into a deep groove laced with crisp horns and percussive layers. The rhythm section stays tight and purposeful, giving space for quick bursts of improvisation - each solo a snapshot of raw, soulful musicianship. It all circles back to that familiar refrain, closing with a flourish that feels both grounded and soaring.

'Legacy!' marks the fifth full length outing from the Ed ‘Tenderlonious’ Cawthorne led group who helped pave the way for the recent wave of jazz that has ignited the capital and enchanted the world. 

“Walk to Regio's” is released across all digital platforms on 31st July and you can pre-order ‘Legacy!’ on LP / CD / download on this day as well.

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Exclusive Premiere: Ruby Rushton "Walk to Regio's" (22a Records)

This one was an unexpected treat. Two of our favourite contemporary musicians, Finn Rees & Sholto coming together and collaborating on a double dose of celestial, cinematic alchemy.

At Mr Bongo we are massive admirers of drummer, musician, and producer Sholto (Oscar Robertson). His two albums on Funk Night Records and DeepMatter Records, had both been highlights of their respective years. We’d gotten to know Oscar and sent him a few records. Included in the package was Australian pianist-composer Finn Rees’ debut album, Dawn Is A Melody, which was one of our favourite releases on Mr Bongo in 2024.

In Oscar's words 'For me it was a standout modern jazz record - encapsulating a spiritual / hazy dreamy soundscape which hugely resonated with me. Glissando keys and harp with lush melodies, I was instantly intrigued.”  

The pair started following each other online and as luck would have it, Finn was staying in London for the summer season, so they arranged to meet. The pair instantly clicked and said it felt like they'd known each other for years. After 40 minutes of chatting, they started to jam. 

'Love In Memory' and 'Bluebell' were recorded over two days - a track a day in Oscar's SFJ studios. Laid down on mostly analogue equipment, the pair utilised Wurlitzer’s, mellotrons, and ribbon mics through Oscar’s ‘70s Studer desk. Composed and crafted without any real intentions, other than a shared appreciation for the same style of music and approach, the tracks started to take shape. The results were as lush, nostalgic and textured as you’d expect from these two brilliant musicians, with a classical feel inspired by artists such as Piero Piccioni, Piero Umiliani, and Henry Mancini. 

For the beautiful string arrangements, the pair recruited the talents of Sholto's long-time friend and collaborator Clementine Brown (Penguin Cafe Orchestra) and Matthew Hayes of 30/70, Allysha Joy, Xpress Point, Zeitgeist Freedom Energy Exchange fame, was brought in to play bass on 'Bluebell'.

So here we have it, a chance collaborative project built on two musicians' mutual respect for each other's outputs. The result is truly breathtaking.


Finn Rees & Sholto - Bluebell

Paying homage to Brazilian funk & boogie, Captain Planet’s “O Xangô” reimagines a samba rock classic from Trio Mocotó, famed for backing Jorge Ben. Stripping away most of the original, he injects heavy bass, disco drums, stabs, and wild synths, creating a euphoric modern boogie banger. The lyrics call to Yoruba deities, with the chorus invoking Xangô—symbol of power, justice, thunder, and lightning.

O Xangô

Red Weather feels like a humid heat haze, the shimmer of disappearing water vapour in an increasingly overheated environment. The regular red weather warnings of our summers, longer and harder each year. There's a sparse beauty to the track that gently drifts towards an ethereal climax where harp turns into synthesiser and soars above enveloping low-end bass, all anchored to earth by the heartbeat that pulses throughout, solid and ever-present. 

Scrimshire and Amanda Whiting have been growing a beautiful collaborative relationship for some years now although the work has remained mostly unreleased until now. 

Earlier this year Scrimshire produced Amanda's "Can You See Me Now" EP for First Word Records, but back in July 2022 Amanda contributed to this idea for an unfinished Scrimshire album called Believers Vol. 2 and the next few years seem to promise the delivery of many more ideas the two have been sharing since meeting at the Lush Life stage at We Out Here back in 2019. 

Sweet Tears (Live)

Roy Ayers

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