Evanescence - Understanding

They Know Not

dsundre - 528 le jardin jugement surface

claw marks

claw marks (omnichord version)

Song written and arranged by Judge @judgesmf  Vocals: Jim (7th)
Fantastic songwriting/artwork by @judgesmf and great to part of this project.
Update: A sustained sung long note of approx 25 seconds found from 6:19 to 6:44 if interested in hearing it.

7th (original with Judge)

Lyrics:
There's so much I should have done
The weight of the world
Holding me down
Cause you can only get so numb
Before you forget what it's like to feel
It's true used to be scared livin' in a shell 
Never got you anywhere
Nothing's meant this much to me
Found a new side of me

This is a call to all the potentials
Is this the moment we've been waiting for
Cause we just got to shine like the stars
We got one free fall
Close your eyes and let go
Close your eyes and let go
Just don't hesitate
Cause there's just too much at stake

All that I’ve got is a pocket full of dreams 
But I can't sleep
Time ticking clock 
Reminds me of the time that I don't got
Before you know it you'll be on your way out
As easy as the wind blows

This is a call to all the potentials
And this is the moment we've been waiting for
Cause we just got to shine like the stars
We got one free fall
Close your eyes and let go
Close your eyes and let go
Just don't hesitate
Cause there's just too much at stake

This is a call to all the potentials
Is this the moment we've been waiting for
Cause we just got to shine like the stars
We got one free fall
Close your eyes and let go
Close your eyes and let go
Just don't hesitate
Cause there's just too much at stake

Circus Freak Sideshow

The Potentials

“In the gleam of shattered glass, the heavens wept — and from their tears, the first lament took shape.” — The Book of Opaline Light, Verse XIII
Opaline Dirge is the hymn of the fallen dawn — an elegy sung through refracted light and mourning rain. It is said that this album was not composed, but revealed — unearthed from beneath the ruins of forgotten cathedrals where sound had turned to stone.
The “opaline” is not gemstone, but the light of dying angels, crystallized at the end of their descent. The dirge itself is their requiem — a song carried through eternity by those who remember loss as a form of worship.
Each track within this record is a chamber of reflection, a cathedral of tears: Bryce’s chords shimmer like the last glint of a dying sun; Selestia’s bass hums with subterranean grief; Michael’s drums toll like heartbeats beneath marble tombs; and [Singer] voice — ethereal, spectral — becomes the spirit that guides listeners through the corridors of remembrance.
It is said that listening to Opaline Dirge under moonlight can awaken visions of one’s past lives — fragments of beauty and ruin entwined. The final track, “The Choir Beneath the Glass,” is rumored to contain a frequency that mirrors the resonance of human sorrow itself — a tone lost to language, felt only in the marrow.
“When their song fades, the silence that follows is not absence — it is the sound of creation holding its breath.” — Inscription found beneath the Alabaster Shrine

Serpents In The Garden

These Ghosts (Instrumental Demo)

“Running on Feelings” blends moody guitars, heavy drums, and aching lyrics into a raw indie rock confession about burnout and resilience.

Running on Feelings

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⚠️ WHO CONTROLS RAQUEL SYNTHS?

The "Cold War" is dead. The Civil War has begun. RQS is no longer a band. It's a battlefield between two unstable frequencies:

🟦 THE ORDER (Architecture): Broklin Garpeter & Kelma Adlanko. Sound: Synthwave, Neo-Soul, Digital Bossa.

🟥 THE CHAOS (Resistance): Jonah Cyperfield & Nicole Nyx. Sound: Industrial Metal, Glitch, Nu-Metal.

Sounds born from fatal errors and passionate lines of code. Choose your faction below. 👇                                 Orchestrated by Raquel Holanda.

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