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Next Wave: Berlin

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- SoundCloud - soundcloud.com/bodig
- Instagram - www.instagram.com/bodig.mp3/

[INT009]
Mastering - @fridell -  www.pluginmusicschool.com/services/professional-mastering/

Artwork - Kenny Vaden - www.vadenart.com

Graphic Design - @AL94 / @noscojams

Materialism

Leder

http://www.mixmag.net/read/last-magpie-premieres

For his latest record, Last Magpie returns to Hypercolour and the 'Separation' EP once again showcases his deft and varied skill sets. While the title track is trippy and analogue-centred, we're really feeling 'Silver' and we've got the first play.

The track starts off with a stomping groove and that's backed up by chunky riffs and clever little hi-hats. The whole thing transforms however once the beautifully serene piano chords are introduced, from there it's just a stairway to the clouds.

More exclusive music

Premiere: Last Magpie 'Silver'

SourAcid - It Is Said...

Spotify: smarturl.it/KissyFitsSpotify
Apple: smarturl.it/KissyFitsApple
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Ara Koufax from Melbourne, Australia, make music that oscillates among experiments in house, techno and noise - material that steers clear of easy categorization while remaining thoroughly dancefloor friendly. The pair returns with a two-track single for Cascine's singles label, CSCN, that embodies this approach. "Kissy Fits," the single's namesake, builds at 120 BPMs along a collage of looping vocal samples, INTERPOL sirens and shuffling percussion parts. Whereas "Infrared," the B side, underlies a squelching synth with melodic chord progressions to create a pensive atmosphere that drives the listener deep into the nighttime.

Following a feature last year on Cut Copy's celebrated compilation,  Oceans Apart, Ara Koufax have continued to gain momentum with a single for Cutters Records and an EP through their own label, Downtime. Recently their music has also drawn the attention of Tim Sweeney, Dan Snaith and BBC Radio 1, among others. 
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Ara Koufax on FB: goo.gl/3nd6jX
Cascine on FB: goo.gl/ybTZQ2

Ara Koufax - Infrared

A1 - Perchè non vuoi Ballare?

Thoughts of an Introvert, Pt. 1

Thoughts of an Introvert

Prodrome

Mycetozoa

Man Power, a descriptor of the brute force either available or supplied by humans, and also a producer-come- DJ who regularly fluxes between a whole genre range of electronica links up with Omena for remix duties of Thrilogy’s Evanescence. 

His remix is an interstellar force to behold. The title could suggest something ethereal and likely to dissipate, when actually quite the opposite occurs. Such is the way when traversing the unknown and unexplored. Neither man nor probe has reached the outer limits of this hinterland but we are assured everything is under control. The hold me tonight crescendos, flushing keys and delicate vocals have been independently certified and will perform, even under duress. We can make it past the singularity if we all continue listening. 

If you like think you may enjoy more Omena-esque vibes, come peruse the label mix they did for us a couple of months back. <3 Plugging the FH back catalogue <3.
https://soundcloud.com/four-heads/mix-4-four-heads-tooli 

Support the label: @omena-records 
Support the artist @manpower-1
Support Thrilogy https://soundcloud.com/thrilogy
When Soundcloud breaks: www.facebook.com/fourheadsmusic

PREMIERE: Thrilogy - Evanescence (Man Power Sweden '92 Remix) [Omena Records]

Inside Out is a brand new series that invites DJs and producers to blur the boundaries between traditional artist albums and mix compilations. Coming from Aus Music label head and DJ-Kicks curator Will Saul, the concept encourages artists to showcase their own music and or the music of those in their own individual circles. The mix will be release digitally and on CD, while a selection of the tracks will also be available on double gatefold vinyl.

Each instalment will feature 100% new and unreleased music. It is a chance for artists to take sole creative charge, A&R as they see fit and then commission brand new music specifically for the cause. Depending on who is at the helm, Inside Out will take different forms: producers may wish to represent their own sound with only music they have made themselves or with close collaborators, while DJs and label heads may wish to reflect the sounds and scenes that surround them. The results will be a window into an artist’s world that works as a coherent mix, but also as a treasure trove of fresh new music that steps outside the usual lines of a dance album.
The idea stems from Will Saul’s own approach in the club, which often finds him seeking out brand new and unheard music to play for the first time. That feeling of taking people into the unknown is one that reminds him of the energy and excitement of his early days as a dancer.

"I wanted to try and recreate the feeling I used to get in the 90's when you went clubbing and heard your favourite DJ play but had never heard the vast majority of the tracks he/she was playing,” explains Will. “Your mind would be constantly blown by hearing totally new music for the first time. We've pretty much lost this with the proliferation of online mixes, Shazam, early EP premieres and free streams.”

For Will’s mix he enlists an array of artists who he’s worked with over the years, many of whom have released on one of his labels in that time. These include the likes of Lone, Pearson Sound, Move D, Gerd, Youandewan, Martyn, Falty DL, Dauwd, Appleblim and Marquis Hawkes.

Will’s mix shows off the many facets of his own DJ sets, productions and labels over the last 15 years. It includes a Floorplan remix of tracks he’s made as Primitive Trust, and a collaboration with Komon on ‘Positive’, a perfect sci-fi house track that surges through the night on a wave of serene synth smears and cosmic melodies. The mix overall exudes a woozy warmth, and ranges from hazy late night house to absorbing passages of sparse dub via rubbery techno rollers and slippery electro. A lot is packed into the trip, making it perfectly fluid and forever on the move.

At a time when music is more accessible and available than ever, a strong curatorial ear and expert insight into specific sound worlds has never been more valuable to guide us through the noise. Inside Out is exactly the companion you need.

Inside Out

Komon & Will Saul - Positive

TOB057 Digital Artwork
Play / pause	
A1. Friedman Feedback Loop Revision
0:00
0:00	
volume
A1. Friedman Feedback Loop Revision
A2. The Laser
B1. Friedman Feedback Loop Revision (Max Pask Remix)
B2. Afro Sirene
ARTIST
HARDWAY BROS
TITLE
THE LASER EP (INC. MAX PASK REMIX)
LABEL
THRONE OF BLOOD
CATALOGUE
TOB057
FORMAT
12"
DEALER PRICE
£4.99
RELEASE DATE
11/05/2018
TERRITORY
WORLDWIDE
GENRE
Deep HouseTech HouseTechno
ZIP
Download Audio Samples & Images
DESCRIPTION
 
Over the course of four unforgettable EPs released on Throne of Blood since 2013, Hardway Brother Sean Johnston has cultivated a broad international following for his singular brand of dancefloor fodder.

Best known as one half of legendary DJ team A Love From Outer Space alongside the one-and-only Andrew Weatherall, Johnston’s roots in the dance music scene include a clutch of leftfield 90’s era bangers on labels like Sabres of Paradise and Flashcomm. Beyond his original output, Johnston has also remixed the likes of Man Power, The Asphodells, Museum Of Love, Split Secs, Clandestino and many more.

The Laser EP is peaktime Hardway Bros business. “Friedman Feedback Loop Revision” (a nod to TOB boss James Friedman’s highly-valued opinions) is a masterclass in efficient simplicity, elevating a few basic loops into an exhilarating 8 minute monster. “The Laser” rounds out the a- side with a classic electro rhythm/bass/vocal sample combo could easily have landed in retro territory. Instead, Hardway Bros easily flips a clutch of oldschool tricks into an utterly modern execution. The b-side finds TOB’s label manager Max Pask injecting “Friedman Feedback Loop Revision” with his love for all things analog and Italo. With his impressive collection of synths brought to life by Chinatown Records’ Brennan Green, the song is transformed into an epic set- closer that’s already devasting dancefloors like Berlin’s Panorama Bar. The EP closes with “Afro Sirene,” a midtempo groover with melodic arpeggios built for the discerning DJ’s warm-up set.

B1. Hardway Bros - Friedman Feedback Loop Revision (Max Pask Remix)

READ > https://inverted-audio.com/premiere-julio-victoria-tres

To those familiar with the South American scene, the name of @juliovictoria will undoubtedly ring a bell. Having plied his trade modernising traditional Colombian music with his live ensemble for nearly a decade, Julio's eventually making his solo debut on London's certified vibes merchants @churchuk with the superb 'Astrolabe'.

Julio Victoria - Tres [Church]

Planningtochanel

Drama Darling (Maxi Version)

Bookings and inquiries : Carin@outer-agency.com

I don't read DM please use the contact button. Thank you <3

Prodrome

rRoxymore

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