2023_KI

Honest Labour

Honest Labour (feat. HforSpirit)

Finds You Well

Ivory Tower

A Mountain Is an Idea

Double Language

~ IIKKI 020 ~

music : Akhira Sano
photography : David Nissen
album : Shadow's Praise
durations : 37.40 mn (LP) / 43.31 mn (CD)
date : April 20th 2023

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All production by Akhira Sano

Mastered by Giuseppe Ielasi
Artwork by David Nissen
Design by Sprflxgrfzm

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edition :
vinyl: limited to 300 copies / marble (crystal, silver and white) LP / hand numbered  / pantone
cd: limited to 200 CD / hand numbered / pantone
book: limited to 500 copies hand numbered / embossed / selective UV varnish / hand stamped 

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pre-order : March 03rd, 2023 / official release : April 20th, 2023

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Links :
https://iikki.bandcamp.com/
https://www.iikki-books.com/
https://www.instagram.com/iikki_laaps/
https://linktr.ee/Akhira_Sano
https://www.davidnissenphoto.com/

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℗ & © 2 0 2 3 - I I K K I - I I K K I 0 2 0

Akhira Sano - Nakazu

The second single from the upcoming LP, Humid Sun (March 31, 2023)
masahirotakahashi.bandcamp.com/album/humid-sun

Humid Sun 

Sweltering Drive (ft. Joseph Shabason, Bram Gielen, Yamaan)

Die frommen Wanderer

Along A Wall (Digital Bonus)

~ LAAPS 029 ~ [SEQ.04 - LP29]

artist : Sonmi451
 album : The Eighteen Minute Gap
duration(s) : 38.08 mn (LP) / 59.13 mn (CD)
 date : July 13th, 2023

edition :
-  vinyl : limited to 300 copies / yellow LP / pantone / hand numbered 
- cd : limited to 200 copies / hand numbered + handcrafted, sealed

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pre-order : June 22th, 2023 / official release : July 13th, 2023
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All tracks written and produced by Bernard Zwijzen / Sonmi451

 Equipment used:
Hardware synths: Moog Mother 32, Arturia Microfreak
Hardware samplers: Elektron Octatrack, Instruo Arbhar, Make Noise Morphagene
Hardware effects: Hologram Microcosm, Happy Nerding FX
Software synths, samplers & effects: Various synths from Spitfire Audio, Applied Acoustics, Arturia and U-He; Samplers from Native instruments and Max MSP; Effects from Valhalla, Soundtoys and Sonosaurus.


Mastered by Taylor Deupree (12k)
Artwork by Maia Flore / Atout France (La Siesta, Argelès 2016)
Design by Sprflxgrfzm

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Links :
https://laaps-records.com/
https://sonmi451.bandcamp.com/

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℗ & © 2 0 2 3 - L A A P S - L A A P S 0 2 9

The Eighteen Minute Gap

Sonmi451 - A Taste For Vicarious Pleasure

Mutual Attraction Vs Ever Moving - Slip Inside

Perennial Fantas

Taken from 'The Place I've Been Missing' (ELP077)

Not Waving explores grief, gratitude, and new beginnings on "The Place I've Been Missing" 

Renowned Italian musician Alessio Natalizia, AKA Not Waving, reaches new heights with his latest album, "The Place I've Been Missing." This deeply personal and introspective collection of songs delves into themes of grief, the fragility of existence, and the profound process of learning to bid farewell. 

"The Place I've Been Missing" is a poignant journey, written and recorded by Natalizia, with captivating guest appearances from long time collaborator and friend Marie Davidson alongside Ecstatic label mates Spivak, more eaze, and Romance. 

Unrestrained by conventional notions, Not Waving's sound defies easy categorisation. From enigmatic electronic soundscapes to dissonant symphonies, from syncopated beats to soothing melodic interludes, these 10 fragmented compositions are a testament to Natalizia's creative fearlessness. 

Over the span of 10 years, Not Waving's music has undergone a restless evolution, defying easy categorization. The soundscapes within "The Place I've Been Missing" traverse genres, featuring elements of crepuscular synth-pop, slowed-down strings, baroque guitars, shot through with layers of harmonic noise and hazy ambiance. 

"The Place I've Been Missing" is an audacious endeavor, straddling the fragile line between chaos and harmony, listeners are transported to an ethereal dimension, delving deep into realms of introspection.

Buy!

Not Waving - Fool

Nabihah Iqbal | Far Out

Closer Lover

Heartdrug

LP available via Imprec.com 

Mirage is a cosmic collaboration between the Silver Apples and Makoto Kawabata of Japan's Acid Mothers Temple. Packaged in a deluxe jacket printed with metallic silver ink.

Dragonfly's First Flight, taking up the full side A, features Simeon Coxe and Kawabata Makoto jamming over familiar Silver Apples hypnotic rhythms. Fans of both groups will delight in the interplay between Simeon's keyboard and Makoto's drone guitar feedback soloing.

Side B ranges from free-form freakouts to ambient poetry readings by Simeon with Japanese translation spoken by Makoto. Future Reminiscence, which closes side B, is a song that sounds like a long-lost Silver Apples track.

Mirage is dedicated to the memory of Simeone Coxe who died September 8, 2020 while this project was being assembled.

SILVER APPLES + MAKOTO KAWABATA - Mirage - LP

Dominique Lawalrée (b. 1954) is a composer born and based in Brussels. First Meeting is Lawalrée's first archival release to date. Culled from four different albums originally self-published on his private label Editions Walrus, circa 1978-1982, this compilation highlights the composer's unique sense of ambient and minimal composition. Originally considered for release on Brian Eno's Obscure Records, Lawalrée's music is now no longer hidden. 

In this collection, the listener finds the sounds of piano, synthesizers, percussion, wurlitzer, organ, and voice, all performed by Lawalrée. Using these tools Dominique creates miniature themes that gallop across the speakers in slow motion, stretching our normal sense of dynamics and color, effortlessly widening the stereo plane. On “Musique Satieerique,” Dominique pays homage to the influence of Satie with simple repeated piano figures and a lush field of organs and flutes. And on other selections, like “Le Maison Des 5 Elements,” he takes a more wistful, ambient approach, layering keyboard lines, and invoking found/tape sounds to create a hypnogogic world of his own. Childlike in its playfulness and surreal to the bone, the music spins like a carrousel placed inside the Rothko Chapel. Lawalrée’s sense of timbre, tone, and overarching composition is like an impression of a home movie whose charm lies in its knowledge of intimacy, shared by few. An incantation of innocence.

First Meeting

Dominique Lawalree - La Maison Des 5 Éléments

Taken from the self titled album released as 2LP and Download

Oto Hiax 'Creeks' (EMEGO 234)

From Oiro Pena 10'' (Ultra-023, 2019) limited edition of 200, silkscreened sleeves. Released on 7th of June, 2019. 
Buy vinyl ---> ultraaanirecords@gmail.com
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On Working Alone

The first person to create something one may classify as instrumental music was probably alone. The mind tingles when imagining the prehistoric moment when, for the very first time, a member of what then was the human race grabbed something and used it to make a purposeless series of sounds. Even if some of his fellow beings had been present at the time, would they have understood anything of it? Would they have taken interest in it and stopped to listen, or would they have demanded something easier to dance to?

The leap from vocalizing or clapping to a form of expression produced with instruments may have taken a long time, perhaps even a thousand years. The same goes for the fabrication of such instruments. Human communities were small, and influences spread slowly. We do know, however, that the first discovered instruments date back to 43,000 years ago and took the form of flutes made from the bones of mammoths and birds. Researchers believe they played a role in religion and in entertainment – in this sense, very little has changed. The wildest theories claim that music was one of the factors that gave us, the Homo sapiens, a competitive edge over the Neanderthal: music helped foster deeper cooperation between individuals. 

In any case, however, the ones who decided to hollow out that bone and find out what kind of sound you could get out of it were individuals, and this brings us back to our theme of working alone. The modern solo musician enjoys a much greater sense of liberty than our distant forefathers. Multi-track and recording technology freed us from our physical constraints and allowed us to imagine ourselves as a multiplicity. Everyone could, in the comfort of his home, be his own one-man band without having to strap an array of instruments onto his body like carnival musicians or Rahsaan Roland Kirk used to.

This is the frame from which A. E. Vauhkonen and Oiro Pena spring from. Vauhkonen´s hands simultaneously summon up brass, flutes, keyboards, drums, stringed instruments and all sorts of percussion. The sound is firm and slightly cosmic, like early Sun Ra Arkestra at its heartiest. But that’s enough about the music, listen for yourself. 

-Markus Karlqvist

Nimeton

Oiro Pena - Nimeton

Quitratue

Available now via Imprec.com

Akhira Sano's  Penetrating, For Filtration was manufactured on C60 Super Ferro tape for a low noise floor, high output, and an incredible warm sound. Packaged in a purple tinted case with silver shimmer printing. 

Japan's Akhira Sano is a young master of slow, ambient, electro new age music. His compositions are highly organic, growing and flowing with great patience and care. But, like in nature, imperfections and incidentals are allowed to evolve producing sublimely primal and imperfect music. In a world where everything can be made perfect, Sano's work is deliciate, shimmering and electric; abolishing and preserving time simultaneously. 

Sano creates painterly music (he is also a painter) based on the themes of error and constraint. He is a visionary sonic architect who sees his musical structures as incomplete; always unfinished. His debut on Sun Ark Records in 2019 was very well received and his demo for Imprec was immediate and compelling. Lose yourself in these two long tape sides on the second official release from Akhira Sano.

2023_KI

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