Return To Innocence - Enigma arranged

Primavera - Einaudi transcribed and arranged

Mountains - Interstellar arranged

Spring I - Vivaldi recomposed - Max Richter arranged

Summer I - Vivaldi recomposed - Max Richter arranged

Nikolai Korndorf’s Hymn II: Where Silence Speaks Louder

Nikolai Korndorf (1947–2001) composed Hymn II in 1987 as a quiet rebellion against haste. This orchestral work isn’t about flashy effects—it’s a meditation on discipline. Twenty-five minutes of controlled tension, where every breath of the orchestra matters.

The Sound of Time Unfolding
Hymn II moves like a slow-motion wave. Strings, winds, and brass weave independent rhythms—5/8 against 7/8, not as a battle, but as overlapping whispers. The challenge? To keep these threads from tangling. For musicians, it’s less about counting beats and more about feeling the pulse.

What Makes It Tick
Polyrhythms Without Borders
No explicit time signatures clash, but the rhythms never quite align. Violins, flutes, and cellos each follow their own logic, demanding hyper-awareness from every player.

Dynamics as a Tightrope
The piece lives between ppp and fff. The real test isn’t playing loud—it’s managing the marathon crescendos. Strings might spend 30 bars climbing from nothing to a fragile mezzo-forte, only to pull back again.

The One Moment That Breaks the Rules
After a relentless build-up, the entire orchestra snaps into a single, accented staccato—the only such gesture in the entire work. It’s a flash of collective release, like a match struck in the dark. Then, the collapse: sound evaporates into niente (nothing), leaving behind a trail of fading harmonics.

Timpani’s Subtle Rebellion
The sole unconventional touch? A timpani glissando creeping upward near the second climax. Not dramatic, just a ripple in the fabric.

Why It Matters
This isn’t music for grand gestures. Hymn II rewards patience. For conductors, it’s a masterclass in restraint—balancing polyrhythms while stretching dynamics to their breaking point. For listeners, it’s a mirror: the quieter you become, the more you hear.

The Score: Bare Bones, Raw Nerve
This first edition sticks strictly to Korndorf’s manuscript. No interpretive edits—just the notes as he wrote them. The parts are clean, but don’t be fooled: this music demands orchestras that can listen as intensely as they play.

For scores/parts: r.schmidt.sheet.music@proton.me

Nikolai Korndorf - Hymn II

RSSM | Roman Schmidt Sheet Musiс
(A Music Publisher Bridging Cultures) 

 About Us:
RSSM is a modern Russian sheet music publisher rooted in German musical traditions. We craft scores that blend European precision with Russian emotional depth.  

 What We Offer:
- Classics Reimagined: Rare 19th–20th-century scores with scholarly annotations.  
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Why “Schmidt”?
“Kuznetsov” translates to “Schmidt” — a bridge between Russian soul and German meticulousness. Every note we publish is forged like iron: precise, enduring, timeless.  

 Our Highlights:
Reviving Rarities (restoring archival manuscripts).  
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R. Schmidt Sheet Music

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