A collection of recent film/TV cues I've written

Film & TV

Calm

B.O.

Livia-B 2019 100

Music from the documentary Off the Breaks (Woodward films).  Score written by Rhian Sheehan & Louis Baker.

Travis - feat. Louis Baker (Off The Breaks)

New Zealand Liberation Museum - Le Quesnoy, France
Encounter Room (Movements 1, 2 & 3)
Composed, produced & mixed by Rhian Sheehan. 
Conducted by Hamish McKeich. 
Performed by Stroma Filmworks. 
Solo horn performed by Alexander Hambleton
Recorded & engineered by John Neill.
https://nzliberationmuseum.com
https://www.wetaworkshop.com
https://www.rhiansheehan.com
(c) NZMMT

Masters V2

Encounter Room Suite - Rhian Sheehan (New Zealand Liberation Museum)

FULL OF SOUND AND FURY -  winner of the CLIO Key Arts Award.

music by D.Malikov 
http://www.youtube.com/watch?v=RwzY2KBN6d0

Ephemera

Quarto Tempo

Oceano

Keith Kenniff - Resolve

Feel free to leave a suggestion for other songs i could do a little cover of :)

If anyone knows who made the artwork please let me know, I would love to support the artist and see more of their work :)

Colors of the Wind by ear

The Great Solar System Adventure

Commissioned by the British National Space Centre, Rhian Sheehan composed the music for "The Great Solar System Adventure," the new 3D fulldome planetarium show. Join "The Great Schiaparelli" on a thrilling journey through the wonders and dangers of our Solar System, from Mercury to Pluto and beyond. Catch it at the Sir Patrick Moore Planetarium or at a planetarium near you!

The Great Solar System Adventure Suite

A cue from the film Belief: The Possession of Janet Moses 

© Rhian Sheehan 2015

Two Charges

Written by Rhian Sheehan
Additional guitar and programming by James Everingham.
https://www.extrememusic.com/albums/3255

Felt Hammers

Download & stream : https://echoes.blue/tendrils

Tendrils is a stunning new meditative instrumental by ambient guitarist Matt C White (Realizer). His previous release on Echoes Blue Music (Sun Set / Sun Rise) was described as "guiding people into a more peaceful and zen like state" by Rural Sounds, while Tome To The Weather Machine wrote that "the way Realizer is able to sculpt distortion, feedback and the pure golden tones ringing through hits a particular sweet spot in ambient music."

Join Realizer!
+ Facebook: https://echoes.blue/realizer-fb
+ Instagram: https://www.instagram.com/realizer_music
+ Twitter: https://twitter.com/RealizerSounds

Join Echoes Blue Music!
+ Twitter: https://twitter.com/echoesbluesmusic
+ Website: https://echoesblue.com

Watch the meditative music video : https://youtu.be/jsPJc14GXkU

Tendrils

Realizer : Tendrils

lost in translation.

Sheet Music: https://www.musicnotes.com/sheet-music/artist/ibi

Ludovico Einaudi - Experience (Cover)

From the 3D Planetarium Full Dome film "CAPCOMGO! The Apollo Story". Score written by Rhian Sheehan. 
Showing in Planetariums around the world now.
nsccreative.com/projects/capcom-go/
www.rhiansheehan.com
(c) NSC Creative

Go For Landing

Composer from Wellington, New Zealand www.rhiansheehan.com

http://rhiansheehan.bandcamp.com/

Rhian Sheehan is an award-winning music producer and screen composer from New Zealand. Known for his fusion of atmospheric-post-rock with electronic and chamber music, he has released 6 albums and 2 EP’s on Loop Recordings (NZ/Aus), Darla (US), Preco (Japan). His 2013 release Stories From Elsewhere has received much praise; renowned US reviewer John Diliberto (Echoes) calling it “a modern ambient chamber music masterpiece of quietly epic dimensions". His 2018 album, A Quiet Divide, is his most orchestral album to date, merging chamber strings & piano, with emotionally charged cinematic post-rock atmospheres. Releasing the album alongside a 6 date audiovisual live tour around New Zealand, the album reached no.2 on the NZ Top 20.
"A Quiet Divide is an album that swallows you whole, and sends you out the other side a lighter, calmer version of yourself." - Sunday Star Times
His work as a screen composer is diverse, actively writing scores for a wide variety of film, television, documentary, advertising, multi-media exhibits, and 360o Fulldome Planetarium dome show projects around the world, having worked on projects featuring luminaries Andy Serkis, David Tennant, Tim Allen, Martin Scorsese, Rupert Grint, and Jared Leto.  He has written music featured on many notable TV shows and channels, including Top Gear (UK), the hit HBO series Silicon Valley, BBC Horizon, CNN, National Geographic Channel, Discovery Channel, History Channel, Netflix, America's Got Talent, and has written music featured during The US Super Bowl, and The Academy Awards.
Sheehan has composed music for various multimedia installations and exhibits around the world, including UK's National Space Centre, The Kennedy Space Center, London’s Natural History Museum, Ferrari World, World of WearableArt, and Weta Workshop. His score for the 12-part prime-time series The Cult won him a Qantas Film & TV Award (Best original music in a TV series), and he also wrote the score for the Emmy Award winning series Reservoir Hill. Sheehan’s music was used extensively during NBC’s prime-time coverage of the 2012 London Olympics, and he has written music featured in a variety of commercials, including spots for Google, Nike, GoPro, American Express, Sony Pictures, Universal Pictures, and Facebook. He has written for Hans Zimmer's custom music company Bleeding Fingers and Extreme Music. Sheehan has scored music for the acclaimed films Belief: The possession of Janet Moses and Stray, and more recently scored the mixed-reality AR steampunk inspired robot shooting game, Dr. Grordbort Invaders, produced by Magic Leap & Weta Workshop (Peter Jackson & Richard Taylor's award-winning special effects and prop company).
He has written scores for numerous UK and US produced 360o Fulldome 3D Planetarium shows, most notably, We Are Astronomers, We Are Aliens, We Are Stars (for which he was awarded Best Original Score at the Fiske Planetarium Awards), and Back To The Moon For Good, which was produced by Google XPRIZE, the UK National Space Centre, and Robert K. Weiss (producer of The Blues Brothers). Narrated by Tim Allen (Toy Story), Back To The Moon For Good is one of the most popular and watched Planetarium Dome shows ever made; having screened in over 450 Planetariums around the world.