запись радиопередачи времён перестройки, в которой какой-то прохиндей-тнлепат пытался угадать предме.

Toute une époque... Chill out after after   party

Это либо металл, либо... Если металл, то крашенный... холодная поверхность...

Могу слушать бесконечно...

а предметом была пластмассовая расческа

Meditation

Biosphere – Kobresia

Brian Eno - Thursday Afternoon

New track written exclusively for the For Nihon compilation.

Buy the album digitally now, or pre-order the CD at http://www.whitevinyldesign.com/fornihon/

All proceeds go to the Japan Earthquake Relief Fund. 


Also contains new tracks by Ryuichi Sakamoto, BIosphere, Robin Guthrie + Harold Budd, Olafur Arnalds, Helios, Max Richter, Alva Noto, Ulrich Schnauss and many more.


Jon Hopkins - Abandon Window

Potrà piovere lì fuori, sulla terra, sulla strada, sulle cose… non temere la pioggia che bagna, ma quella che porta la tristezza nel tuo cuore. Se piove, indossa il migliore impermeabile, il tuo sorriso. Una cosa è certa, la pioggia passerà, ed il sole, lui è sempre presente dietro le nuvole. Sempre.

Stephen Littleword

www.marcoselvaggio.com

Marco Selvaggio - Raindrops

Evening, Wednesday, Black Rock City 2014. Led by Paavo and Tony of Above and Beyond, bathing in the lavender sunset, we practiced an hour of yoga with Elena Brower. We gathered, strengthened, listened and received the gift of quiet. We landed at home in our own hearts. This class reminds us that we are never alone, and that no matter where we are, we are on the path, and right at home. 

www.soundcloud.com/aboveandbeyond
www.facebook.com/aboveandbeyond
www.facebook.com/ElenaBrowerTruth


Above & Beyond - Robot Heart Yoga - Burning Man 2014

Pre-order Alessandro Cortini's Forse 3 and a deluxe Forse t-shirt box set here: 
http://importantrecords.com/imprec/imprec418

Alessandro Cortini "Scappa" from Forse 3  2xLP   Pre -Orders available now

from Nº3
Kranky records
www.kranky.net
RELEASED OCT 16, 2015

inspired by Laurie Spiegel's The Expanding Universe
1980
http://www.unseenworlds.net/releases/the-expanding-universe

"Laurie Spiegel" was recorded in Kortrijk, Belgium w. The Chamber Players and in Brooklyn, New York w. synthesist John Also Bennett.

voices: Els Wollaert, Louise Kuyvenhoven, Pieter De Praetere
vibes: Simon Decraene
cello – Harm Garreyn
viola – Pieter De Rydt
violins – Freek Ruysschaert, Robin Van Heghe
synthesizers - John Also Bennett
recording engineer (The Chamber Players)– Chris Lambrechts
mixing Engineer – Francesco Donadello
mastered by – Jason Ward
conductor: Christina Vantzou
2015

Laurie Spiegel

cain_and_abel.mp3

A distinctive piece from the Ballroom Records archive, “From Here to Eternity” by Kostas Maskalides is featured on TEN: The Archive Series, Pt. 4 — a curated collection exploring the label’s most atmospheric and genre-defying Electronica.

TEN: The Archive Series, Pt. 4

From Here to Eternity

You can PRE-ORDER Living Room Songs on CD/LP/Download or Special Edition CD&amp;DVD here: 
http://www.erasedtapes.com/store/index/ERATP037

ABOUT LIVING ROOM SONGS:

Icelandic contemporary composer Ólafur Arnalds created and released a new song, one per day for one for one whole week during the month of October 2011. The songs were recorded and filmed live in the living room of his Reykjavik apartment and released instantly for free as streamed videos and mp3 downloads.

Thousands of fans followed this exciting project online at: livingroomsongs.olafurarnalds.com

Living Room Songs will now also be released on CD, Vinyl, Ltd. Special Edition CD &amp; DVD and as High Quality Downloads on December 5th via Erased Tapes.


Following in the spirit of Ólafur Arnalds’ critically acclaimed Found Songs (2009) now comes Living Room Songs. This time Ólafur takes the idea further and invites the audience into the comfort of his living room, where the songs were recorded live and the whole process filmed. The songs were instantly released in form of a free mp3 download and video stream- straight from Ólafur's Reykjavik apartment.

IN HIS OWN WORDS: ‘One night I was just playing my piano here in this apartment and I was writing a new song and I didn't have my phone on me which I usually use to record ideas. So I actually took out my MacBook and I didn't want to open like a proper recording program, so I just opened Photo Booth and recorded a video of myself playing the song so that I would remember the song. And I really liked the atmosphere of that video and that's when I thought I should do a series of songs in my living room...’             – Ólafur Arnalds


Born in the suburban Icelandic town of Mosfellsbær, a few kilometers outside of Reykjavík, the 24-year old composer has always enjoyed pushing boundaries with both his studio work and his live-shows. Through relentless touring and determination this young artist has steadily gained recognition worldwide since his 2007 debut Eulogy for Evolution. Ólafur Arnalds’ second full-length album ...and they have escaped the weight of darkness, continues his mission to lure an indie-generation of pop and rock fans into an emotive world of beguiling electronic chamber music and delicate classical arrangements. Ólafur is currently touring with Ryuichi Sakamoto on his Trio Tour throughout Europe.

'The indie kid who knows the score’ – Guardian’s Observer

'Timeless and sublime’ **** – Uncut

'An artist of immense maturity' (9/10) – Drowned In Sound

'Hotwired to the soul. ...will reduce you to wordless tears'  – The Quietus


 
TRACK LISTING: 

I. Fyrsta 
II. Near Light 
III. Film Credits 
IV. Tomorrow's Song 
V. Ágúst 
VI. Lag Fyrir Ömmu 
VII. This Place Is A Shelter


Near Light

Ólafur Arnalds - Near Light

Limited blue vinyl+digital edition (300 copies)
GZH71 | Release Date : February 17th, 2017
PRE-ORDER >> http://www.gizehstore.com/products/foudre-earth

EARTH is the third opus of FOUDRE! - a telluric drone qu​artet​ composed of Frédéric D. Oberland (Oiseaux-Tempête, The Rustle Of The Stars​, FareWell Poetry​), Romain Barbot (Saåad, I Pilot Dæmon)​,​ Grégory Buffier (Saåad, Autre​n​oir), Paul Régimbeau (Mondkopf, Extreme Preca​u​tions​, Autrenoir​)​, featuring electric chimeras by Christine Ott​ ​on ondes martenot. ​

​Commissioned by Silke Schmickl from Lowave for the festival 'Singapour Mon Amour'​ in Paris, this album was recorded in the 16th century gothic church of Saint-Merry ​in ​June 2015​ as​ a live soundtrack performance for EARTH ​- ​an experimental film directed by one of the most important Singaporean contemporary artists, Ho Tzu Nyen​. Acclaimed by art and film critics worldwide and presented at some of the most prestigious international film festivals (Cannes, Venice, Rotterdam..)​, EARTH is inspired by the works of classical European painters such as Caravaggio, Rembrandt and Delacroix​. ​The film unfolds dramatically as the camera moves across a theatrically choreographed scene involving 50 actors, as the details of a post-apocalyptic landscape are revealed frame by frame.

Ho Tzu Nyen on E​ARTH​: 
“We see the site of an unknown disaster, the debris of history that constitutes the story of Earth. Upon the site, lay fifty 50 humans oscillating between consciousness and unconsciousness, life and death. Sometimes, one of them emerges into the foreground - clutching a fist, batting an eyelid, or weeping for his neighbor. At other times, these figures recede from the light, losing their individual shapes to form a gigantic organism, breathing in unison, pulsating like a jellyfish, though their journey across Earth.”

Original soundtrack​ by FOUDRE!​ recorded live by Samuel Navel at église Saint-Merry, Paris, on the 7th of June 2015 during the 'Singapour Mon Amour' festival curated by Lowave & Les Rendez-Vous Contemporains // Edited by FOUDRE! at Magnum Diva Studio // Mixed by Samuel Navel // Mastered by Lawrence English // Still-frames by Ho Tzu Nyen // Graphic design by Iam Sailor // Thank you Silke, Jeremy, Mickaël, Patricia, Taissa, Baptiste, Marguerite, Frédéric, Eglantine & Babbel Productions, As Human Pattern & Gizeh Records​

Frédéric D. Oberland​ /​ mellotron, analog synths, buzuk 
Romain Barbot​ /​ electronics 
Gregory Buffier​ /​ ​acoustic laptop​, electric guitar 
Paul Régimbeau​/​ analog synths 
Christine Ott​ /​ ondes martenot

INTERVIEW​ 
>> www.lowave.com/singapour-mon-amour/p3.htm

WEBSITE
>> foudrenoise.bandcamp.com/


AmbientDroneSoundtrackPsychedelicModern-classical

EARTH [OST] 

Goliath

Limited blue vinyl+digital edition (300 copies)
GZH71 | Release Date : February 17th, 2017
PRE-ORDER >> www.gizehstore.com/products/foudre-earth

EARTH is the third opus of FOUDRE! - a telluric drone qu​artet​ composed of Frédéric D. Oberland (Oiseaux-Tempête, The Rustle Of The Stars​, FareWell Poetry​), Romain Barbot (Saåad, I Pilot Dæmon)​,​ Grégory Buffier (Saåad, Autre​n​oir), Paul Régimbeau (Mondkopf, Extreme Preca​u​tions​, Autrenoir​)​, featuring electric chimeras by Christine Ott​ ​on ondes martenot. ​

​Commissioned by Silke Schmickl from Lowave for the festival 'Singapour Mon Amour'​ in Paris, this album was recorded in the 16th century gothic church of Saint-Merry ​in ​June 2015​ as​ a live soundtrack performance for EARTH ​- ​an experimental film directed by one of the most important Singaporean contemporary artists, Ho Tzu Nyen​. Acclaimed by art and film critics worldwide and presented at some of the most prestigious international film festivals (Cannes, Venice, Rotterdam..)​, EARTH is inspired by the works of classical European painters such as Caravaggio, Rembrandt and Delacroix​. ​The film unfolds dramatically as the camera moves across a theatrically choreographed scene involving 50 actors, as the details of a post-apocalyptic landscape are revealed frame by frame.

Ho Tzu Nyen on E​ARTH​: 
“We see the site of an unknown disaster, the debris of history that constitutes the story of Earth. Upon the site, lay fifty 50 humans oscillating between consciousness and unconsciousness, life and death. Sometimes, one of them emerges into the foreground - clutching a fist, batting an eyelid, or weeping for his neighbor. At other times, these figures recede from the light, losing their individual shapes to form a gigantic organism, breathing in unison, pulsating like a jellyfish, though their journey across Earth.”

Original soundtrack​ by FOUDRE!​ recorded live by Samuel Navel at église Saint-Merry, Paris, on the 7th of June 2015 during the 'Singapour Mon Amour' festival curated by Lowave & Les Rendez-Vous Contemporains // Edited by FOUDRE! at Magnum Diva Studio // Mixed by Samuel Navel // Mastered by Lawrence English // Still-frames by Ho Tzu Nyen // Graphic design by Iam Sailor // Thank you Silke, Jeremy, Mickaël, Patricia, Taissa, Baptiste, Marguerite, Frédéric, Eglantine & Babbel Productions, As Human Pattern & Gizeh Records​

Frédéric D. Oberland​ /​ mellotron, analog synths, buzuk 
Romain Barbot​ /​ electronics 
Gregory Buffier​ /​ ​acoustic laptop​, electric guitar 
Paul Régimbeau​/​ analog synths 
Christine Ott​ /​ ondes martenot

INTERVIEW​ 
>> www.lowave.com/singapour-mon-amour/p3.htm

WEBSITE
>> foudrenoise.bandcamp.com/

Sleep

Premiering on the Ransom Note: https://bit.ly/2MyJojX

"An enchanting new album." - The Ransom Note 

Heinali is the alias of self-taught composer and sound-designer Oleg Shpudeiko from Ukraine. Now well established under the name he brings along his latest full length ‘Iridescent’ due for release on October 12th on Injazero Records. 

Having garnered rapturous responses to his earlier output and last year’s ‘Anthem’ Oleg continues to push the boundaries and experiment with altering mood and atmospheres of any space - with abstract yet deeply personal transmissions of ambient synthesiser work and subaqueous, minimal techno contortions. 

‘Iridescent’ consists of fragments of studio improvisation sessions recorded in 2016 and 2017, some of them recorded in one unedited take on a modular system and some layered and later morphed into compositions. As the title suggests Heinali crafts shimmering, incandescent portraits, rich in his unique characteristics and compositional liberty. 

Apart from the “musical sculptures,” that represent the bulk of this LP, Oleg was interested in the exploration of polyphonic capabilities of the modular system. ‘Rainbow Folding’, a loose homage to Terry Riley’s 'A Rainbow In Curved Air,' features an interplay of several independent, but distinct voices and their processed shadows — ‘ghost voices’. In 'Shadow Invention’ eerie atmospherics steal the spotlight and dominate the composition, ending in a cacophony of the ‘ghost voices’. 

Oleg says of the album, “it’s a kind of studio dairy. A reflection on the development of my relations with the hardware instruments and exploration of them as channelling vessels for my experiences and ideas.” 

“One can think of Iridescent’ as ‘musical sculpture’ analogy — when the body of music stays the same, but its surface is flickering with various colours over time — sometimes in a subtle manner, sometimes loud and clear. Or it can be understood in the context of various colours of polyphony, or as a liminal condition of the colour as if it’s being ‘stuck’ in the mist of twilight zone between neighbouring colour-states, so it can’t become a particular colour and is in a flickering kaleidoscopic state.” 

‘Iridescent’ bares Oleg’s style of sonic storytelling and austere, otherworldly textural embellishments that bring to mind Ben Frost, Akira Yamaoka, and Oneohtrix Point Never but also plants the seed for much more club ready electro. ‘Starling Reprise I’ is a scorching piece of ambient techno that conjures Four Tet, LTO and Susumu Yokota’s blissful, kaleidoscopic synth work whilst ‘Starling Reprise II’ retains the frosty, steely ambience that has become Heinali’s calling card. 

Cover artwork by Olga Gaidash.
Mastered by Taylor Deupree at 12k Mastering.

Pre-order

Heinali - Rainbow Folding

from the album 'submers' available on double lp for the first time 11/23

submers

loscil 'argonaut I'

from 'Methoden und Maschinen' [CD|2LP|DIGITAL]
Denovali Records · den323
available on all formats at http://denovali.com/bersarinquartett

Nikolai Erastowitsch Bersarin, the ambivalent colonel general, communist and first Soviet city commander of Berlin, had an accident with his motorcycle in 1945 at the age of only 41. In the enraptured, now somewhat more compressed and at the same time more colorful (not more cheerful) electronic sound(track)s of the strange Bersarin Quartett, in its East Block sea landscapes with latently kitsched wallpaper and double bottoms, shadows of this strange figure Bersarin can be guessed - still or again - at a good 70 years later. But perhaps that is also irrelevant. This 'band' could just as well play imprisoned in the remixed court of the eternal, crazy North Korean presidents, whether embodied in an orchestra, quartet or as masked solo entertainer. It brings us supposedly post-rock and post-socialist grandeur, which has degenerated very slightly, in a great new splendour amidst all our irritations and emotions. And everything takes place in our heads.

The Bersarin Quartett - after thirteen years and three epic, (bad-)dreamlike beautiful albums - have settled down with their fourth album "Methoden und Maschinen" ("methods and machines"). For the time being. Because at the same time many new layers and paths are emerging. Playing live in many arrangements and at great concerts in Slovenia, Poland, Czech Republic and Russia, this has grown into a quartet, but it is still the project of DJ, musician, graphic and audio designer Thomas Bücker. The numerous concert evenings with Andy Stott, Tim Hecker, Fennesz, Murcof, Dictaphone or Hidden Orchestra, among others, are undoubtedly noticeable on "Methoden und Maschinen". The Bersarin Quartett continues to stand for the outing of a complex musical subconscious. 'The Dark Side of the Moon', only that the moon is shimmering here, at least now and then. It's probably also due to the sun shining on it. Minimalism and bombast go together. Constantly developing and entangling contrasts, paradoxes and contradictions are the motor. Constantly caught between two sides. Don’t believe the hype!

Biosphere – Kobresia

Ursulus

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