Really smooth track. Like the whole atmosphere of it. The lyrics and vocals are really nice too. Good job!

love the production, the vocals fit nicely as well👏

play OGI on Spotify

Far Away (Championship)

◆ Spotify: https://open.spotify.com/intl-de/artist/0uCsYwbShOQuA5vh0xTp8G?si=rfOcUMOPQw6DDNjzWgFJ2A
◆ iTunes: music.apple.com/de/artist/ontheedge/1591622049
◆ Instagram: www.instagram.com/on.the.edge.music/
◆ Web: www.ontheedge-music.com/
◆ YouTube: https://youtu.be/aDlf6SxpCHo

______________________________________________________________________

☛ Vocals: Melissa Hollick

Can I Have Your Number?

I saw you at the dance hall looking mighty fine
Wanted to say hi but I needed a good line
I said "Hey there baby do you come here a lot?"
You rolled your eyes and said "Nice try but can you not?"

Can I have your number? Because you’re real fine
Can I have your number? I’ll just text you mine
I can win you over one meme at a time
Then I’ll write you a song and you’ll be the rhyme

With my hair slicked back and my two-tone shoes
I tried to impress but you weren’t amused
Said "Let's do the Charleston dance till we drop"
You giggled and said "Nice try but please stop."

I’ll send you flowers sing a serenade at night
I’ll write you love letters and keep my handwriting tight.
I’ll even learn to cook your favorite dish
But you just laughed out loud and said "You wish."

Can I have your number? Because you’re real fine
Can I have your number? I’ll just text you mine
I can win you over one meme at a time
Then I’ll write you a song and you’ll be the rhyme

Can I Have Your Number?

Nobody Safe performed by Tymaman Olschool (Beats by legion beats Anno Domini

About a guy who takes in the city's vibe to uplift him after having a stressful time.


Lyrics:

The City's Vibe           
(c) 2024   Gary Randman

[Verse 1]
Called my girl at five
Babe get ready for the night
Have this need to cruise the town
Find them bars with the cool sounds
Leave my work behind
Meet her at the subway line
Waiting for the downtown train
Dancing as some music plays

[Verse 2]
When we find our way
Get a table near the stage
Find some comfort drinking wine
Let the music soothe our minds
When it's time to go
We hit the streets and roam
City lights help guide the way
Looking up above amazed


[Bridge]
The city's alive
I'm feeling its vibe
Like some kind of high
Helps me clear my mind
Cause lately
Going crazy
In my mind
The city breathes me life
Makes me feel alive
The sights
The sounds
They supply
An energy that thrives
Reaching deep inside

The City's Vibe [Demo]

PUGNALARMI

All I Have

2025 01 20 Song 1054

RepostExchange Pop / Rock Charts highest position #13 (2025 02 05)
RepostExchange Re-Ex Charts highest position #38 (2025 02 05)

Tired of life (feat. NYL)

One Track, Multiple Souls: The Art of Versions Returns
In 1970s Jamaica, a revolution began. One riddim, countless voices.

Today we re-rerecorded our Smalts song 'To and the Meaure' from poet Robert Creeley, reimagined through the voice of our female guest singer B, telling its own version story.

B and the Measure is the first single in the Smalts Queen B Series.

B and the Measure

Turn it up (feat. NYL)

Remain

In vain

Smalts bandmembers participated in Dutch electronic band Minny Pops. It adds a fascinating dimension to their sound. As one of the first Dutch bands signed to Factory Records alongside Joy Division and New Order, Minny Pops helped define the electronic music landscape of the early 1980s. Their innovative use of drum machines and synthesizers, particularly the Mini Pops drum machine that gave them their name, established new possibilities for electronic music production. This experimental heritage now feeds into Smalts' modern versioning approach, creating a unique bridge between mechanical precision and organic reinterpretation. 

They use acoustic-, electronic- and ethnic instruments such as flamenco guitar, krar sitar, masenqo, gamelan, and synthesizers. They play new wave-, idie-, world- and alternative rock songs.

All poems in their songs are from English-, American-, Dutch- and Russian origin. They are their foundation of realism, surrealism and absurdism. Smalts uses texts from Allen Ginsberg, surrealist texts from Louis Lehmann, and religious poems from Emily Dickinson. 

Smalts wraps  text with music. They mix genres and use different playing styles.

Smalts allows the music to frame a poem and sometimes to contradict it. "We present the listener an alternative way to experience texts of poets. Poems are no longer  an autonomous artistic expressions, but absorbed in a container they tell a new story together with music. It is like an exhibition in which paintings by great masters can be admired. As individual pieces they have proven their place in art history and have their own message. In an exhibition shown in conjunction with works from other artists, they are part of what the exhibitionmaker wants to tell the viewer"

B and the Measure

Smalts

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