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In Alaskan Wilderness, God Treads On You

An electronic piece (pending mastering) aiming to capture the emotional soundscape surrounding the Apollo 11 moon landing in 1969. Anxiety, adrenaline, wonder, bliss. The title, "Waxing Crescent", emphasizes NASA's choice to land in the first quarter of the lunar cycle to maximize visibility for observation on descent to the lunar surface.

Waxing Crescent

This is a song for a new project I'm working on, It's the first one I've finished so far, but there will be more soon :)

-AvapXia
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Newgrounds: avapxia.newgrounds.com
Soundcloud: https://soundcloud.com/avapxia
bandcamp: avapxiamusic.bandcamp.com/releases
Patreon: www.patreon.com/AvapXia
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Thanks for listening!

XVIII - The Moon

Transition 5 Insecurity

Transition 4 Synchronicity

Transition 3 Reboot

Transition 2 Containing

Transition 1 Conversation

RAW
for chamber ensemble and audience

Allison Damon, trumpet
Derek Easterday, tenor sax
Andrew Tjandra, cello
Rachael Fasano, hammered dulcimer and percussion
Eric Peterson, percussion

Over the course of a decade, Michael Gordon has collaborated with the world-renowned Kronos Quartet on a series of provocative works that have sought to stretch, bend and otherwise reshape the boundaries of modern classical music. Clouded Yellow assembles these works for the first time, perfectly encapsulating the breadth and complexity of this long-standing creative partnership. 

Clouded Yellow features four pieces: the title track (composed in 2010), Exalted (2010), The Sad Park (2006) and Potassium (2000). The title of the first refers to the clouded yellow butterfly, which is known in England for its mass migrations; the word “clouded” is also meant to describe the blurred harmonies and melodies of the piece. 

Potassium is for amplified string quartet and electronics, with a fuzz box used throughout to lend a mysterious distortion to the sound. The Sad Park is accompanied by recordings of children ages 3 to 4 and their responses to the tragic events of 9/11. Exalted, which also features the Young People’s Chorus of New York City conducted by Francisco Núñez, sets the opening of the Jewish Kaddish in Aramaic, connecting the choral voices of mourning to those of the children in The Sad Park.

Clouded Yellow

Michael Gordon & Kronos Quartet – Clouded Yellow

Philippa Thompson, spoons
Mellissa Hughes, soprano
Taylor Levine, ukulele

Transition 2 Containing

rubyfulton

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