EL CHURRO # 1 los hermanos flores

Mi Razón De Ser  <3  Version Bachata

“Holy Spirit Stay With Me” is a bold and uplifting Christian contemporary rock anthem that fuses strong orchestration, powerful choir arrangements, and driving percussion to deliver an emotionally resonant worship experience. With a passionate vocal delivery and lyrics centered on the presence and intercession of the Holy Spirit, the song captures both the intensity and intimacy of a faith-filled journey. Its dynamic composition reinforces themes of righteousness, resurrection, and spiritual renewal, inviting listeners into a deeper connection with God.

📖 Romans 8:26
“In the same way, the Spirit helps us in our weakness. We do not know what we ought to pray for, but the Spirit himself intercedes for us through wordless groans.”

📖 Galatians 5:25
“Since we live by the Spirit, let us keep in step with the Spirit.”

📖 Ephesians 1:13-14
“When you believed, you were marked in him with a seal, the promised Holy Spirit, who is a deposit guaranteeing our inheritance...”

📖 2 Corinthians 3:17
“Now the Lord is the Spirit, and where the Spirit of the Lord is, there is freedom.”

📖 Acts 2:2-4
“Suddenly a sound like the blowing of a violent wind came from heaven and filled the whole house... All of them were filled with the Holy Spirit and began to speak in other tongues as the Spirit enabled them.”

Holy Spirit Stay with Me

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Spotlighting Unsung Black Women in Music History

LOS ANGELES, CA, UNITED STATES, June 4, 2025 /EINPresswire.com/ -- At a pivotal moment for live theater’s post-pandemic resurgence and renewed industry focus on racial equity, 57 Years Of Soul Music Radio announces the premiere of "One More Love Song (We Could Have Been Stars)" – a groundbreaking musical celebrating trailblazing R&B trio Hodges, James & Smith and Motown visionary Mickey Stevenson.

The production debuts as Broadway and regional theaters report a 16% attendance surge in 2024, with biographical musicals dominating recent successes (e.g., MJ: The Musical, Ain’t Too Proud).

Set in the soul era of the 1960s and 70s, the play tackles enduring social issues like the overlooking of Black women's contributions to music, exploitation in the industry, and the power of creative resilience. Its narrative resonates amid today’s #MeToo and DEI movements, echoing recent documentaries like Summer of Soul that redress historical marginalization. The story memorializes Pat Hodges (1947–2025), whose soaring vocals defied an industry that often silenced women of color.


"This isn’t just history – it’s a mirror to today’s fight for representation," says Artistic Director H. Vince Reid-Finlay. "As theaters prioritize diverse storytelling post-2020, we honor Hodges, James & Smith – artists who shaped Motown’s DNA yet were denied stardom. Their struggle reflects ongoing equity gaps in music and theater."

Industry Context:
nostalgic productions and rediscovered narratives.Trend Spotlight: Jukebox musicals comprise 32% of new productions (Playbill 2024), wTheater’s Rebound: Broadway grossed $1.58B in 2023–24 (up 8% YoY), fueled by hile audiences crave live-band experiences over digital streams.Social Relevance: Productions like Soul Train: The Musical (2024) prove demand for Black music histories amid culture-wide reckonings.

Production Highlights:
Live Orchestra & Choreography: A 12-piece band recreates HJS’s harmonies and Stevenson’s hits ("Dancing in the Street")Rare Music: Includes deep cuts from HJS's overlooked discography and unreleased tracks from the 2021 compilation. 20% of proceeds support music programs for underserved youth. Premiering in Spring 2026 in Vancouver, Toronto, and Detroit..


Media Contact:
H. Vince Reid-Finlay, Creative Director
236-483-8642 | president@cheektowaga-omni.com ​
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William “Mickey” Stevenson joined Motown in 1959 as its very first Head of A&R, responsible for building its roster of songwriters, musicians, and artists, writing hit songs, and producing its superstar roster. Notably, Stevenson is responsible for helping develop Marvin Gaye, Stevie Wonder, The Four Tops, and Martha Reeves. He was one of the principal architects of the “Motown Sound,” having personally assembled the “Funk Brothers,” Motown’s famous house band for most of the label’s timeless 1960’s hits. Stevenson also discovered many of Motown’s legendary songwriters, including Ron Miller, George Ivy “Jo” Hunter, Norman Whitfield, and Frederick “Shorty” Long.

https://fox5sandiego.com/business/press-releases/ein-presswire/817891451/new-musical-one-more-love-song-celebrates-rb-pioneers-amid-industrys-diversity-focus-and-post-pandemic-resurgence/

Libre Nunca Nadie Me Cambiara

Rudy La Scala

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