VERSIOON 2 / VERSION II

EST/ENG Magistriõpingute ajal torupillilugusid mängides avastasin, et need koosnevad motiviidest nagu kirivöö kirjad. Kui analüüsisin lugude salvestisi audioprogrammides Tony ning RX11, näitasid spektrogrammid (valguspildid), et need lood koosnevad ka visuaalselt juskui vöökirjadest. Mulle oli avastus, et motiivilisus nii sügaval tasandil muusikas eksisteeris, see oli tõeline heureka-hetk! Niimoodi hakkasin torupillimotiivide jada kutsuma torupillikirjadeks. Sain sellest palju inspiratsiooni, tegelesin heliloominguga ning nüüd on album teie ees. Albumil mängivad koos torupillid, torupill ja viiul või akordion. Kahes loos liitub torupillidega Pärsia raamtrumm daf, mida kasutatakse ka sufi tseremooniatel. Albumil esitavad muusikat: Kadri Allikmäe, Kelly Veinberg, Koidu Ahk, Helery Kõrvemaa, Ulvi Võsa, Merili Kask ja Ziya Tabassian. Head kuulamist!  Albumi väljaandmist toetasid:  Eesti Kultuurkapital, Eesti Autorite Ühing, Hooandja platvormi kaudu 87 hooandjat. Album on salvestatud TÜVKA muusikamajas, Suur aitäh teile!  Erilised tänud / Special thanks: TÜVKA muusikamaja, Diederik Timmermans, Cätlin Mägi, Marko Mägi, Cätlin Mägi & EstPipes, Holger Oidjärv, Maili Pihlak, Juta Linde, Ando Urbas, Tuulike Mänd (Hooandja), Jaan Riikoja (EAÜ), Katrin Rekor, Maarja Möldre, Justin Petrone, Sirje Uusbek, kõik Hooandjad, kõik sõbrad! /  While playing old bagpipe tunes at the beginning of my master's studies, I discovered that, similarly to ethnic belt patterns, the tunes consisted of recurring motifs. When analyzing these recordings in audio analysis programs like Tony or RX11, the resulting spectrograms showed that the tunes also consisted of visual “belt patterns”. Discovering that old bagpipe music consisted of motifs at such a deep level was a real eureka moment for me. So I started to call the chain of musical patterns in bagpipe music “bagpipe patterns”. I got a lot of inspiration from this, created some compositions, and here's the album. On this album, bagpipes, fiddle and accordion play together. In two tunes, a Persian daf (which is also used in Sufi ceremonies) accompanies the Estonian bagpipes. Musicians who play music on this album are: Kadri Allikmäe, Kelly Veinberg, Koidu Ahk, Helery Kõrvemaa, Ulvi Võsa, Merili Kask ja Ziya Tabassian. We hope you enjoy listening to it!  This album was supported by:  The release of the album was supported by: Estonian Cultural Endowment, Estonian Author´s Union, 87 crowdfunders through the platform Hooandja. Thank you so much!

10 "Andres Metsniidu ringitants". Kadri Allikmäe

9. "Elu muster" Kadri Allikmäe, Helery Kõrvemaa, Merili Kask, Ziya Tabassian. VERSION 2

8. "Takistustest läbi". Kadri Allikmäe, Helery Kõrvemaa, Merili Kask & Ziya Tabassian. VERSION 2

7.  "Õigeusu kirikulaul Hristos Anesti". Kadri Allikmäe ja Ulvi Võsa

6. "Rahvakoraal "Ma tahan jätta maha"". Kadri Allikmäe ja Helery Kõrvemaa

5. "Kadri torupilli Jussi lugu". Kadri Allikmäe. VERSION 2

4. "Minoorne labajalg ja Kadri labajalg". Kadri Allikmäe ja Koidu Ahk. VERSION 2

3."Andres Metsniidu polka". Kadri Allikmäe. VERSION 2

2. "Pruudimarss". Kadri Allikmäe ja Kelly Veinberg. VERSION 2

1. "Torupilli Jussi 13., 30. ja 43. loo seade".Kadri Allikmäe,Helery Kõrvemaa,Merili Kask.VERSION 2

Fado e Poema - Amália Rodrigues
Arranjo - Carlos Amarelinho

Banda Filarmónica Ovarense, 08-12-2017
Fadista - Patrícia Costa
Direção - Ascendino Silva

3. - Ó Gente Da Minha Terra - Amália Rodrigues

Rui Bragança Lima is a music composer a.k.a. "primitive composer" (and biologist) turned musician, turned writer, and photographer from Portugal. Originally from Gaia - Porto, studied at the University of Aveiro, now living between Portugal, England and Lithuania. In his creative path he composed music for theater, concert bands arrangements with rock, fado, and samba. In the classical scene he wrote for choir and vocal music, solo piano, chamber music, orchestra, and experimented with electronic sounds; recently focousing on piano, voice and soundscapes. 
There are two sides to Lima's music style: an almost romantic, melodic, and dreamy sound; and a harsh superimposition of elements, ranging from clustered harmony to mixing contradictory soundscapes. These two sides seat on a scale from Romantic to Impressionistic, and from Impressionistic to Primitive. Nonetheless, even with its harshness and primitiveness, his music has become slower and more contemplative.

3. - Ó Gente Da Minha Terra - Amália Rodrigues

rui bragança lima . primitive composer

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