EVERYTHING GOES FAST

Like the short lyrics' meaning "love has no hurry", music makes contrasts on rhythms and textures even inside each part: Main theme starts with fast drums on slow melodies & has a DANCEABLE? 2nd part with lead bass guitar; Central theme makes fast tracks become slow to the left channel and vice-versa, progressing to a POST-ROCK? atmosphere. Meanwhile, two lead guitars and echoing voices complete the contrasting piece. I hope to get your feedback !!!

Image: "Virginal rosebud", photo by Ruizzoidman

Letra / lyrics: No hay prisa. / There is no hurry.

No hace falta darse prisa; / There is no need to hurry up;
todo va rápido. / everything goes fast.

No hay prisa. / There is no hurry.

Lo que ha de suceder / What is to happen
termina por ocurrir. / gets to happen in the end.

No hay prisa. / There is no hurry.

Te quiero, te quiero, … / I love you, I love you, …

Ser impaciente / Being impatient
sólo puede hacerme sufrir. / can only make me suffer.

No hay prisa. / There is no hurry.

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)

No hay prisa (Te quiero)

This is a remix I did using selected guitar licks from those  Roger played in  his  jam session after I sent him the original original version of this song.. I did the original 3years earlier.....,Roger said he did not have this particular song in mind ,but I told him just "jam away" then  send me the the stem , no biggie  :)))........ I edited  Roger blues licks and placed them at specific places within this remix  :)  .. Roger did a very outstanding job  jamming along . .. I also added a lil more  percussive element and, a few guitar licks of my own......  ..Maximum respect to my long time friend Roger Chandelier .. ..Hope you all enjoy..Jam York ......roger's link to his page is https://soundcloud.com/roger-b-train

Quiet Place VER2 Aug 2014 Feat Roger-Btrain selected Blues Licks -- Produced /mixed by Jam York

It's something else when you grow up with friends, and can remember their innocence and your innocence back when you were very young.  Then you get older, and before your eyes you see innocence being broken.  This artwork reminded me of that... It's like Alice, it's like real girls... They were once young and innocent, playing around, chasing rabbits, like Alice would've done...

And then several years later, I see a girl I knew on hard drugs here... A girl I knew becoming a prostitute over there... Girls running away and disappearing.  It's hard reality everywhere... For friends, lovers, parents..... And it always hits everyone like a truck, being driven by the nature of humanity itself.

Taken by the queen of the hearts, her friends smile at me...

Queen Of Wonderland

A Sincere Thanks to Milana Zilnik (@milanazilnik) and Stephan Beneking (@stephan-beneking) for allowing me this opportunity to work with “Petit Reve Bizarre XXIII.”  

I am glad to work with TCM Underground Official (@mrinal-desai) on this project as I’ve utilized his Remix of PRB XXIII as the featured melody for this spoken word project.

Hope you all enjoy this work and sincere thanks to all of you for this great collaboration project!

PACMAN* - Evanesce – Produced by Stephan Beneking, Milana Zilnik & TCM Underground

Cover of Lou Reed's song "Busload Of Faith" on the album "New York".

Why not start off the year with some plain old rocking.

Busload Of Faith

Downloads Enabled
Folks who tore it up with me: 
Boilerman - https://soundcloud.com/boilerman-615719656/no-one-ever-says-by-tainted-icarus-ft-the-boilerman
Thom TWP - https://soundcloud.com/thewelcomeparade/no-one-ever-says-thoms-retort

As I mentioned, last month I broke my leg!  6 weeks in to this I am realizing its going to take a while to get back to normal.  

This track, well more of beat is open for anyone to take and finish.  Originally Jay and I had discussed it being a Beastie Boy type of piece.  Time has gotten away from me...as well as a leg. 

The Welcome Parade has 6 tracks in production and I am behind schedule on everything.  

So hey if you want to take this and do something cool to it.. you have my blessing and just be sure to give me a credit!  

Peace and love my friends and see/hear you soon!

No One Ever Says

No One Ever Says - Open Offer

I have a lot of faith that people can be strong enough to recognize where they have done (or are doing) harm and make sincere amends. I also believe that people have the power to heal and forgive wrong doings. It takes great strength to walk together through the fire of our pains and come out the other end holding hands, recognizing and honoring our differences while acknowledging and celebrating our similarities.  

May everyone get a chance to break bread together, enjoy some wine, and share some laughs. 

Thanks again to Calebass, Jon, and Janine for joining me together on a 3rd track. We make a great team! It was really fantastic to have Chris O and Belial Pelegrim finally join a track on my page. Chris O and Belial are two SoundCloud legends in my opinion. I am so grateful to be making music with all my favorite people. If only I had more time to make music with all of my favorites on the cloud. Who knows, maybe I do!

And massive thanks to Russ and the Chaos Cookhouse for baking my bread in their oven once again. If it wasn’t for them, I would only be serving balls of dough. 

Chris O: Lyrics and Vocals
https://soundcloud.com/chris-okunbor
Belial Pelegrim: Aurals, Outro Drone, and Additional Percussion 
https://soundcloud.com/belial-pelegrim
Calebass: Guitars and Song Art
https://soundcloud.com/calebass
Jon Lock: Bass
https://soundcloud.com/jon-lock-5
Janine Levinson: Lyrics and Vocals
https://soundcloud.com/janinelevinson 
the Couch King: Lyrics, Vocals, and Production
https://musiciselation.bandcamp.com
Russell Sinfield: Mix, Master, and Wind Tamer 
https://soundcloud.com/russell-sinfield
The Chaos Cookhouse: Studio
https://chaoscookhouse.bandcamp.com

Lyrics:

A rising hurricane blowing out the old
I feel it’s heading my way
Yes, a rising hurricane, heading my way
A rising hurricane blowing out the old
I just feel it’s blowing this way

The wind blows wicked by my side of the street

It’s heading my way

You better blow that away

We hunkered down for the storm breaks 
Sat by the heath till our bones ached
Kept those embers burning for what’s at stake 
Canned those apples for a future bake 
When we can walk across the street 
And give a hand shake 
To our neighbors where the wind don’t take 
A life’s time just to make up for
Past time’s big mistakes  

Well rise-up hurricane and blow out the old
Trade them for a mighty dawn

The wind blows wicked by my side of the street

Push aside the night shades to break a deal
Trade them for a mighty dawn

Even though things still ain’t right
We got deep history still within sight
And at times things can be downright 
Enough to incite our outright 
Deepest ugliest version of contrite 
I still cling tight 
To that hope for that bright light 
That one day things will be made right 
But it ain’t gonna be if we just hang tight 
Word 

The wind blows wicked by my side of the street

A rising hurricane blowing out the old
I just feel, it’s a-heading our way
Push aside the night shades
Break another deal
Trade them for a mighty dawn

Chris O, Belial Pelegrim, Janine Levinson, Jon Lock, Calebass, Russ & CKP - Wind Blows Wicked

lyrics:-
Now what you gonna do
With all that freedom
And who're you gonna 
Turn to now
And when it's all revealed
What's the solution
Can anybody tell me how

In 2021
This shall all be done
The prophets and the gurus
Say that we will see the sun
In 2021
Wake up everyone
It's power to the people
And the war is almost won

It's not time to dig your grave
Refuse the distraction
Get up start making waves
Move into action
For all we have is now
Time's an illusion
Get ready to take flight
And just allow

In 2021
This shall all be done
The prophets and the gurus
Say that we will see the sun
In 2021
Wake up everyone
It's power to the people
And the war is almost won

winkandwoo 2021

2021

Fans of nonsense poetry will recognize lines and images from two of Edward Lear's most famous poems: “The Owl and the Pussycat” and “The Jumblies”.
I wrote the song in 2004 and have performed it occassionally as a solo acoustic number without ever really capturing the darkness the lyrics demanded.   Tot's precision percussion, Andrea (Foresto) Martini's freestyle electric guitar and Norbert (N.o.b.S) Meyer's bass guitar technique have provided that darkness.
I have done a number of collaborations with these three excellent musicians and have created a playlist of our combined efforts at:  https://soundcloud.com/kcm069/sets/the-reservoir-dogs
I highly recommend a visit to their respective SC sites if you do not already know them.
Tot.		https://soundcloud.com/tot-beat
Foresto	https://soundcloud.com/user-959329289
N.o.b.S.	https://soundcloud.com/nobsmeyer

	The cover image is by ĐÔ NGUYỄN from Pixabay

Lyrics:
	let’s sail away for a year or a day
	to the shores of our own blue lagoon
	hand in hand at the edge of the sand
	we will dance by the light of the moon
	the moon, we will dance by the light of the moon

	far and few, far and few, are the lands where the pure of heart live
	on a winter’s morn at the height of a storm we’ll go to sea in a sieve

	we are creatures of light, we are creatures of darkness
	‘tis a web of intrigue that we spin
	the passage is dark, the voyage too long
	and our friends all remark it is terribly wrong
	to sail so far for our sin

	far and few, far and few, are the lands where the pure of heart live
	on a winter’s morn at the height of a storm we’ll go to sea in a sieve

	let’s sail away for a year or a day
	to the shores of our own blue lagoon
	hand in hand at the edge of the sand
	we will dance by the light of the moon
	the moon, we will dance by the light of the moon
	we will dance by the light of the moon
        the moon, we will dance by the light of the moon
        the moon
        the moon
        the moon

By the Light of the Moon

By The Light Of The Moon

Taking it back' with a classical approach supporting the amazing vocal and lyrics from IPG1- Ian Greaves, https://soundcloud.com/ipg1

'Taking It Back' Featuring  IPG1 vocals

FINAL DESTINY - Trap Orchestral Fusion 🙏

AMA on Insta: https://www.instagram.com/alexmusicart/
HEARTHIS.AT all AMA Tracks: https://hearthis.at/alexmusicart/
on Twitter: https://mobile.twitter.com/AMAAlexMagicArt
https://www.youtube.com/user/alexmagicartworks/videos

Created Arranged Produced by 
AMA - Alex Music Art - Alex Magic Art Productions 
2021 All rights reserved.

FINAL DESTINY

Freestyle M.C By IPG1, @ipg1
Keyboards By Jamie Rhind, @jamie-rhind
Other Instruments By Martin Reed. https://soundcloud.com/its-tophonicus
Produced By Martin Reed, IPG1 & Jamie Rhind.

Mysteries of the blim groove 110 BPM ....
Collab with Martin Reed

This is a new year —-the outlook is fair
 Start a brand new chapter I killed it last year 
A force to be reckon with ——this much is clear 
Writing futures not histories a real pioneer 
yo ——-it’s IPG1——— I’m still off the chain 
turn up the music ——- this ——-the heat I maintain 

*******for Part 2 ***Freestyle—-not written

OK here we go ——set it off like a boss
I—-Paid the price ——-paid the cost—-there’s —no love loss
Call it what you want ——but ——call it—-pure pleasure 
——skillzzz gained——- from every bar —- every measure 
treasure the moments —the performance—the key
I deliver it right ——-Come on vibe with me 
————it’s an—-emcees delight ——when I lock it down —-
I lock it down tight——-Slamming bars ——like it’s Devine right
authorized to excite—-Sight beyond sight
and I keep it cool ———-like my name was frostbite 

Caught up in the same struggle —-on the daily 
one common interest in mind ——who’s gonna pay me 
——Let’s take some time —-to acknowledge each other
because it’s the same struggle——only change is the weather
different rule —-same game —-we’re all ——in it together
We Position ourselves ——with the things we’ve earned 
And the knowledge ——we’ve collected ——from the lessons learned

my space of existence ———is-in the mix 
Acknowledge—-the persistence ——a hip-hop fix
Real sounds—— real memories—-why resist
so profound ———in harmony ——as I transmit
different vibes —— and melodies —do exist 
But I’m the source—- and the remedy ——you must admit
——worded ——-artistry —as—-I transmit
doing —-what comes naturally——so I just spit

Mysteries Of The Blim Part 3

Thank you for listening!
It has been a pleasure to collaborate with the very talented singers Aida Deturck and Héctor Llauradó.
Check out the great work of Aida: @aidadeturck 
Check out the great work of Héctor: https://youtube.com/channel/UCuU8HPKPCGBw-OXBlYAwAOQ
Vocals; Aida Deturck and Héctor Llauradó.
Cover by Aida Deturck.
Aida´s photo by Julman Studio.
Lyrics; Aida Deturck
Verse
They took everything we had Lying to us with false promises just like gods they play and as fools we believed them but in the shadows we can hear your song asking us why are we so shy

Chorus
Rise up your hearts and don’t let them pass No, Don’t look back no time to lose it's bigger than you… No one can do it better, No one can do it better No one can do it better…than you

Verse
For the first time we learn we can’t wait for salvation Get up, carry all your dreams and come no more crying, we’ll fight together, is now or never

Chorus
Rise up your hearts and don’t let them pass No, Don’t look back no time to lose it's bigger than you… No one can do it better No one can do it better No one can do it better…than you

Bridge
We hear your voice, hear your song, feel your love mother nature we are trying to save you

Chorus
Rise up your hearts, can’t let them pass! It’s Show Time! The end is near, we have no fear, no more
Rise up your hearts you shall not pass Anymore Your Lie ends here, we are bigger than you…

Bridge
Ancient spirits told us deserts, seas and mountains rivers, woods and fountains whispering in the wind We are destroying the world.

Ancient Spirits (Feat. Aida Deturck & Héctor Llauradó)

One of my best friends ended up in a closed psychiatric ward a few years ago after a psychotic episode. He stayed there for a total of eight months. And I visited him there almost every week. 
I met doctors and nurses there who lovingly and empathetically cared for the mentally ill people on the ward. 
Nevertheless, despite all the commitment, the feeling remained that the patients were often separated from the helpers by an invisible wall. That the patients lived in a world which remained to a large extent strange and incomprehensible to the doctors, nurses and also relatives (as it did for me as the best friend). 
This basic feeling gave the impulse for the title of this song and the following lyrics. 

You don‘t know them

They sit under the water tap
The dull madness is reflected in their face

They have been declared insane 
Deflowered and dishonoured

Locked in a darkroom
With the label „Not worth living“

Their language is as a word salad
Banished to the madhouse

And I yell at them:
You commit slander against them
You degrade them to slaughter cattle
And again and again and again I scream:

You don't know them!

They were sent to the desert ice 
Far from the divine circle of life

Even as a child they were abandoned 
In their soul indelibly wounded

Their parents have turned away, 
They have never known this scum

The community sits at the table of gifts 
High shut, doors closed.

And I yell at them:
You commit slander against them
You degrade them to slaughter cattle
And again and again and again I scream
And again and again and again I scream
And again and again and again I scream:
You don't know them!

Einer meiner besten Freunde landete vor einigen Jahren nach einem psychotischen Schub in der geschlossenen Psychiatrie. Insgesamt acht Monate blieb er dort. Und ich besuchte ihn dort fast jede Woche. 
Ich begegnete dort Ärzten und Pflegern, die sich liebevoll und einfühlsam um die psychisch kranken Menschen auf der Station kümmerten. 
Dennoch blieb bei allem Engagement das Gefühl zurück, dass die Patienten häufig eine unsichtbare Wand von den Helfern trennte. Dass die Patienten in einer Welt lebten, die zu einem guten Teil für die Ärzte, Pfleger und auch Angehörigen (wie für mich als bester Freund) fremd und unverstehbar blieb. 
Dieses Grundgefühl gab den Anstoß für den Titel dieses Songs und den darauf basierenden Text.

Ihr kennt sie nicht

Sie sitzen unterm Wasserhahn
Im Gesicht spiegelt sich der dumpfe Wahn

Man hat sie verrückt erklärt, 
Entjungfert und entehrt

In einer Dunkelkammer eingesperrt
Mit dem Etikett nicht lebenswert

Ihre Sprache wird als Wortsalat
In das Irrenreich verbannt

Und ich schrei sie an:
Ihr rufmordet sie 
Ihr degradiert sie zum Schlachtvieh
Und wieder und wieder schrei ich:
Ihr kennt sie nicht!

Man schickte sie ins Wüsteneis 
Weit entfernt vom göttlichen Lebenskreis

Schon als Kind hat man sie ausgesetzt, 
In der Seele unauslöschbar verletzt

Ihre Eltern haben sich abgewandt 
Diesen Abschaum haben sie doch nie gekannt

Die Gemeinschaft sitzt am Gabentisch 
Hochgeschlossen, Türen zu

Und ich schrei sie an:
Ihr rufmordet sie 
Ihr degradiert sie zum Schlachtvieh
Und wieder und wieder schrei ich
und wieder und wieder schrei ich
und wieder und wieder schrei ich:
Ihr kennt sie nicht!

You don`t know them

You Don´t Know Them

Snowfield Poetry

Love Away

BUY IT HERE

@ApproachToSilence2 (9.1.21)

Spotify:
https://open.spotify.com/track/0yP7NuQl4J6l0HFqFEJwk1?si=aMxjzD09RnaM8hgnjVOY-w
Deezer:
https://deezer.page.link/6dtontcPB4GJJ7fP7

ApproachToSilence_2021

Scherzo in A-Major

Release Date: 09 January 2021
Composed, arranged, performed, and produced by Dan

Seed of Love

Original music by : FPMORINSTUDIO/Francois Pierre Morin composer Cover hart by : Suzanne Morin  artist painter

THE MAGIC FOX

New Expedition

New site after E-Ruizzo: https://soundcloud.com/esemanolain-ruizzo

Many thanks to Alex https://soundcloud.com/wouwouandthewormling
and Richal https://soundcloud.com/rickitansky for their fantastic pics !!

EVERYTHING GOES FAST

RUIZZOIDMAN