i come back to this great track; wonderful performance, the voice and guitar made it toppie!

Superb track and collab!!!🎵🔥🎵🔥

Great guitars and atmosphere in this one, dig the vocals Manuel, excellent collaboration!

A fantastic collaboration by all involved. Wonderful!

It's a special honor that my dear friend Michele Ansani asked me if I would like to work on a song he wrote years ago called 'Alla Fine della Fine delle Fini' (To the end of the end of the ends) which is a great track. When I listened to it I said to Michele that I thought the song is already finished and asked what I supposedly could do with it. He said, that he wasn't going to publish it and wanted me to work on the root idea of the song to create something new.  Thank you so much Michele for being so generous to leave the basic song idea to my purposes (all flaws are mine).

Listen to his wonderful music here, you all know him anyway: https://soundcloud.com/michele-ansani

Michele Ansani: Seed idea
Me: Instruments, vocals, lyrics, arrangement.

Photograph from the top of Half Dome, Yosemite NP, CA, USA by A. Besinger  2022

One day I walked the shores of time
Wiping away the footprints left behind

Tossing stones into the sea  
Just to watch the ripples making their way back to me  

What if these dancing rings were just memories
Would they come to life once more to set me free?


Abandoned this place that I called home ￼
and took that boat I was hiding for so long 

Facing the storms, past the sirens song
The love of gods in mind may have led me wrong

Set course to the end of the end of the ends
So when you step off the edge of the world 
Make sure that your wings are spread 

When I stepped through the gates of Plutonion
Caught between Scylla and Charybdis I would be found

Sacrificed the ones to whom I belonged
A wise man would rather be envied than being wronged

Set course to the end of the end of the ends
So when you step off the edge of the world 
Make sure that your wings are spread 

Set course to the end of the end of the ends
So when you step off the edge of the world 
Make sure that your wings are spread

Off the Edge of the World (with Michele Ansani)

See the music video (made in VR):  https://youtu.be/Nnxe3I16FMM

We Are Not Robots

I don't know what she just did to me
I thought she was above such childish things
She said to me my truth will never change
But please don't expect me to act my age

Sometimes I just want to be child
Sometimes I want to get a little bit wild

Because we are not robots
Nah nah nah nah nah

Because we are not robots
Nah nah nah nah nah

She said people don't know me, they just see
My mistakes and eccentricity
When you get to know me you will see
I'm trying to escape reality

Sometimes I just want to be child
Sometimes I want to get a little bit wild

Because we are not robots
Nah nah nah nah nah

Because we are not robots
Nah nah nah nah nah

Nah nah nah nah nah
Because we are not robots
Nah nah nah nah nah

Because we are not robots
Nah nah nah nah nah

Sometimes I just want to be child
Sometimes I want to get a little bit wild

Because we are not robots
Nah nah nah nah nah

Because we are not robots
Nah nah nah nah nah

ISRC:
usx9p2442045

We Are Not Robots

Cast of Characters:
E Ruizzo-- https://soundcloud.com/ruizzoidman21centurions --Manuel-- composition, lyrics, Squier Stratocaster electric guitar, vocals, mix, and production
J.J. Terrell-- @j-j-terrell—JJ-- piano, accordion, and horn
TexMex Shaman– @texmex-shaman –Stephen– Jose Ramirez nylon stringed flamenco style guitar, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – four string Fender Precision Bass bass

This song began all the way back when Manuel was 16 and found love that summer with a girl named Carmen. He remembered her, though, and wrote this song about her all these years later. The title of the song means "Your name has the song," and the lyrics spell out the girl's charms using the letters of her name. Check out the lyrics and the translation below. 
  Using that inspiration, Manuel came up with the song structure and the vocal melodies to a rudimentary drum track with his electric guitar. He then asked Josh if the group would be interested in taking it on. Josh, never being one to refuse a challenging piece of music, and always on the lookout for interesting musicians with whom to collaborate, accepted his kind offer and created a project for the rest of the Eclectic Collecitve to join. He started the whole thing off by adding his bass, to which Ken added his innovative drums, to which Josh redid his bass, as is the typical process in the EC.
  Next up was JJ, who you'd think he'd grown up with Spanish music the way he added the horns, accordion, and piano. Then Stephen stepped in and added his psychedelic and intricate acoustic guitar to the stew. 
  It was all done, except for the mix at this point. Manuel did the honors, and did it very expertly. Stephen mastered it to give it more volume and dynamism, too, as he always does. 
  This was the first, but we hope not the last, time the EC has collaborated with Manuel, although we're all fans of the incredible music on his page. He was a true delight to work with, giving honest, encouraging feedback and helping us shape his song to meet his vision. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by E Ruizzo:

TU NOMBRE TIENE LA CANCIÓN  /  YOUR NAME HAS THE SONG

Qué es una lágrima en el desierto?  /  What is a tear in the desert?
Cae sin ruido, se evapora y se olvida.  /  It falls without noise, evaporates and is forgotten.
No tiene tiempo de brillar, su vida  /  It has no time to shine, its life
es corta y su camino tan incierto…  /  is short and its path so uncertain...

Ce del calor del desierto y su sol,  /  ‘C’ for the heat of the desert and its sun,
a del adiós por el que lloré tanto;  /  ‘a’ for the farewell for which I cried so much;
erre del río que forma mi llanto;  /  ‘r’ for the river formed by my crying;
eme de miedo, de magia y de amor.  /  ‘m’ for fear, for magic and for love.

E de esperanza, de espacio rosado,  /  ‘E’ for hope, for pink space,
de espina clavada, de suelta emoción;  /  for stuck thorn, for loose emotion;
ene de noche de un tiempo pasado.  /  ‘n’ for night of a past time.

Carmen, tu nombre tiene la canción  /  Carmen, your name has the song
de todo aquello que has significado:  /  of all that you have meant:
Carmen de luz, de sonrisa y de adiós.  /  Carmen of light, of smile and of goodbye.

Tu Nombre Tiene La Canción (with The Eclectic Collective)

Funky Flow - By The Numbers - Im Keeping Score
thank you for this collab.. https://soundcloud.com/ipg1 
https://soundcloud.com/ipg1/sets/vocals
https://soundcloud.com/ipg1/by-the-numbers-160-bpm?in=ipg1/sets/vocals
https://soundcloud.com/ipg1/funky-flow-collab-vox-90-bpm?in=ipg1/sets/vocals
https://soundcloud.com/ipg1/im-keeping-score-vocals-92-bpm?in=ipg1/sets/vocals
instrumental version:
https://soundcloud.com/30gradx/planet-x

Planet X W/ IPG1

B side to Good Boy

Bad Bad Boy

Doggie, doggie, ain’t I cute, your little fellow
I’ve got this urge, it happens when I’m bored
You’ve gone out clubbing, this apartment sure is lonely
Solo standing, tail wagging by that open closet door

And there they sit, lined up ready for attention
I slide my tongue up those designer heels
Oh, the fragrance of Italian patent leather
I'm a canine in the candy store with 100 scrumptious meals

Just chew and salivate
Your stilettos taste supreme
All those juicy platform wedges 
I got Guggi in my dreams
Who cares about the colour
Red or blue or black or green
I’ve been a bad, bad boy

Yummy, yummy, your pumps, they sure beat rawhide
Forbidden fruit,  it's like a caviar bone
Your smell it lingers, my snout's inside the toe box
My jaw is thrusting as I grunt and I moan

Then you walk in, home early, unexpected
Pieces of Prada lying everywhere
I hear you screaming, OMG just "F-ing drop it!”
Goodbye, my shoe, my love, I’m running under the chair

Just chew and salivate
I’ve been shaken from this scheme
If I only had more time
I’m in trouble again it seems
I’ll just flash my sad, dark eyes
Turn on my charm machine
I’ve been a bad, bad boy
Bow wow
Bow wow







 







Bad Bad Boy (demo)

Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition 
Llanpsych -- @llanpsych -- Tez – Fender HSS Telecaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass with a plectrum 
 
This song began as one of Joe's, lyrically centered songs, which he wrote and filled in with VST instruments. He came up with the lyrics by sharing ideas with fellow SoundCloud musician Michele Ansani.
   Knowing that Josh is a fan of his work, Joe offered this song to him in hopes that he'd share it with the rest of the band. Of course, Josh jumped at the opportunity to work on his song, and immediately shared it with the rest of the group. 
  Ken went to work first, adding his driving, excting drums. Josh was having a hard time coming up with a good bass line for it, until Ken suggested that he use the power of the 1/8 note to propel it. Tez was up next with his clever fills you hear throughout the first half of the song. Stephen came along right after and matched Tez's energy for the guitar fills in the second half of the song. 
  It was still missing a solo in the designated spot, though, so Mark stepped up with his innovative piano solo you hear in the middle. If it sounds a little mechanical, that's because he's using an arpeggiator to achieve the effect. We thought it sounded good in a song about AI, though. 
  Once all the parts were dialed in, and Joe had gotten all his vocals tuned up, we asked one of our resident pros, Stephen, to mix it for us. He did that and mastered it, too, expertly, as always.
  This is the first song we've ever done with Joe, and don't expect it to be the last. We all really enjoyed putting together, in no small part because Joe is such a competent, receptive, and gracious collaborator. We all hope you enjoy listening to it as much as we enjoyed creating it. 
Original lyrics by Joe Stroffolino (and Michele Ansani):
When I was thirteen I picked up my first guitar
it was my mother's, it only had one nylon string 
I tried to play it like a rock star
I learned to play the Coca-Cola jingle
So I could teach the world to sing
When I was fourteen, I put on six new strings
I learned to play Beatles, I learned a Bob Dylan song
I sounded out of tune but I tried to carry on
At fifteen I wrote my first original tune 
So bad it sounded like it might have been written by a baboon
When I was sixteen, I got a new guitar for my birthday
The metal strings sawed through my fingers 
But I continued to play
And the calluses formed and every day I learned a brand new chord
I was obsessed with that guitar and I never grew bored.
I wrote songs every day and most of them were a mess
But I believed that through hard work, I could achieve success
Malcom Gladwell wrote a book that said it takes ten thousand hours
To become and expert at your craft
But now all it takes is two commands and an enter
And in two minutes you have ten versions of the same damn new song,
You just have to choose the type
folk, rock, rap, pop, metal, jazz, trap or blues.
You don't even need to write the lyrics, 
your push a few buttons let the AI choose.
And people will think your songs are great even though you didn’t write or play a single note.
When I was 20, I did my first concert, it was time
it occurred in a village square
there were four cats all friends of mine
I was still using the plectrum and sometimes I got the chords wrong
at thirty I finally wrote what I thought was a decent song
It had a very well thought out structure
And a catchy vibe and beat
It was overly verbose but when I played it people tapped their feet
In my forties I stopped wasting my time
Work was more fun I was doing just fine

AI Sucks! (Eclectic Collective with Joe Stroffolino)

Recording sessions from 19/05/2024 - 24/09/2024.

***  Nothing to do with a very famous brand!
AUDI in Latin means "listening" and the R "recording"

presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks / Without AI
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork : Pier WILL
- Acknowledgements : Ableton-AKG-Arturia-Audacity-Cantabile-Focusrite
   Korg-M-Audio-MSI-Sony-SoundCloud-Teac-Techniks-Yamaha.
________________________________________________________________________

AUDI-R_112

This song was written after watching a TV series called The way home. 
It is about Using the gateway of a magical pond to time travel back to your family's  history.
TIME TRAVELER " The way home " by Glenny G's one man band. ( Original 2025)
LYRICS
I'm standing in the river fifty feet away from shore
That pond is growing deeper , I'm so far away from home
I need to know  ( Time Traveler ) Where that water goes ( Time Traveler)
Time travels on beyond my home
My family is waiting in another place in time
I visit all their moments growing up they left behind
I need to know " On my way home "
Where that river flows " Where does it go "
So far away to find my way home
Solo (Guitar)
We are the children that are yet to be raised x 3
We are the children
I need to know ( Time traveler ) Where that water goes ( Time traveler)
Time travels on beyond my way home
Time Traveler  ( On my way home )
Time Traveler ( On my way home )
Time traveler ( I'm on my way home )

Time Traveler  "The Way Home" (original with lyrics)

The Smoking Trout usually sticks to sprawling concept albums but this one-off piece kind of just came together. I came up with a beat and melody that I felt was weird enough to share with Jeff (STONERJAZZ @user-911083679). He added the the creative vocal track as well as a cloned reflection of my combined instrumental tracks that added some interesting texture. (Stephen @texmex-shaman) helped us knit everything together with the killer whimsical guitar part through the middle, connecting the two verses. 

Lyrics by STONERJAZZ

Always get a little sentimental
in the middle of the conversation
when i think about all the options offered
during the assimalation

when the level of concern
and the nature of the consternation
for the mundane and the useless
made it difficult to accept or advocate the privilege
and the worship of the lucky landing of the crooked Cowboys

Though sentimental in its nature
its making meditations incomplete
and decisions Faulty
just distractions while we fiddle in the middle of another Crisis
in the simulation
and the monkeys say "Good good Real good yum yum yum yum
now we're gonna get some Yeah"

Assimilation (The Smoking Trout: TRC, STONERJAZZ & TexMex Shaman)

"The Quilcom Trout synthesiser is a tribute to the Trautonium in its many incarnations and versions", Quote Rex Baxterfield, who created this free vst. The Trautonium is the first Synth from 1930, well known from A. Hitchcock's The Birds. Well, I used Trout 5 times in this track + drum and bass vst + flute ! ....  Famous are compositions for Trautonium from Paul Hindemith, German Composer, who accompanied the development of the Trautonium as a university teacher and was a kind of "Bürgerschreck" (musical bogey) at that time, because of his "modernity" ... :-)

Eclectic // 5 x Trout

Give A Little Bit

New site after E-Ruizzo: https://soundcloud.com/esemanolain-ruizzo

Many thanks to Alex https://soundcloud.com/wouwouandthewormling
and Richal https://soundcloud.com/rickitansky for their fantastic pics !!

Tu Nombre Tiene La Canción (with The Eclectic Collective)

RUIZZOIDMAN

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