From the vibrant sounds of the Reunion Island to the pulsations of bass and break music, @mariaddddd takes us on an ambient, percussive, trance-like journey in this new episode of the Audio series!

Resident DJ at @rinse_france and member of @reinventerlanuit, she stands out for her buzzing, multi-influenced sets blending dancehall, shatta, breaks, guetto and techno.

For her, the dancefloor is more than just music - it's the ideal space for passions, communities and desires to come together, and DJing is the medium through which she keeps reshaping the link between bodies and emotion.

Tune in as she keeps experimenting and pushing the boundaries to create immersive, cutting-edge selections.

#QUEST404

Audio Series 16 | Mariad

Meet Berlin-based DJ Hanaby, renowned for her unique fusion of Deconstructed Club, Jersey Club, Gqom, Dancehall, Kuduro, and Bass music. With a deep connection to the spirit of the Diaspora, she crafts a dynamic, multicultural soundscape that pulses with energy and unrelenting rhythms. Now, she’s offering her first-ever twist on a techno mix, bringing a fresh, unforgettable energy to the genre.

TRACKLIST

DJ SWISHA & SURLY - NOBODY BETTA

DJ BABATR - SOUNDMIND (AMOR SATYR REMIX) 

3ASABI - HASSAN ABOU ALAM

SMIFF - TWO MONTH SLUMP 

DUBBIXA - VICTIN

DANNY WABBIT - SENTIMENTAL 

FIREGROUND - GLARE 

JEFF MILLS - OUTSIDERS 

DJ SUN - UH AH 

ALARICØ - SHOOK ONES 

CHISARI - SUMARE SWING

PRINCE PASENSI - KONI 

DJ DOUBLE OH! - TIDAL SKINN 

RESONANCE (IT) - I LIKE IT (ORIGINAL MIX) 

131BPM - F*CK ME UP

SYNTROVERT - GIROSCOPIO 

DJ CHI -C & DJ FLAWLEZ - JUKE DAT 

ARMA - TIME TO 

THE MILLER - TWEAKED

DJ FUNK - WORK DAT BODY  

CONFIDENTIAL RECIPE 
- DANCE - (GENE RICHARDS JR ‚DETROIT CUT’) 
PHIL BERG - MAN’S WORLD 

OUANOUNOU - BURNIN’ 

ESTOC - SHAKEN

AVI LOUD - LATE NIGHT JAZZ

RNR - Hanaby

//> Un viaje sonoro que explora resistencia y euforia en un paisaje postindustrial, equilibrando tensión, esperanza y caos a través de cuatro pistas y dos remixes.

Artist: @dsffctd
Label: @xxiiibeats

Unstuck

Monterrey-born club producer extraordinaire Regal86 presents 'El Sabor de la Ciudad', or 'The Taste of The City' laying out the sounds that have inspired him and his regular guests, past and present. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/regal86/episodes/regal86-4th-january-2025

El Sabor De La Ciudad w/ REGAL86 040125

MONTAGE's crat passes by for a monthly selection of 'stoute muziek', roughly translatable to naughty music. Think of everything between distorted hardcore, post-industrial rave, spiky neo-gabber and icy metallic jungle. One could describe the sound-palette as the weird and the eerie on steroids or a construction site on a broken tapedeck.
Perfect to warm up for the weekend or to irritate the neighbours ᕦ(⨶ロ⨶)ᕥ

Stoute Muziek w/ Laura Conant b2b cratje @ Kiosk Radio 07.01.2025

@ruminaa

www.retreatradio.net/rattle

Listen 24/7 at www.retreatradio.net

Rattle #22 w/ Rumina (15/02/25)

Pour cette emission, restonsflex construit un set éclectique autour de versions rejouées en live des tracks de son nouvel EP "YOU DON'T LOOK COOL TRYNNA ACT TOO COOL" ainsi que des créations originales avec son sampleur et séquenceur DJS-1000

restonsflex : YOU DON'T LOOK COOL TRYNNA ACT TOO COOL - 04 Mars 2025

https://www.instagram.com/zzktzz
https://www.instagram.com/jmocorleone

Grim Corporation with ZZ and jmo corleone @ The Lot Radio 03-01-2025

Revisiting events that altered the composer’s life drastically, C Powers (@cpowers) creates in Unlawful Assembly a swirling introspective space burrowed within the chaos, danger, and noise of a fascist and collapsing Amerikkka.

For over half a decade, Cecilia Powers has been active in anti-displacement organizing. When she moved to LA in 2019, Cecilia joined the Los Angeles Tenants Union, helping working class and undocumented families organize against unethical landlords and gentrification in North Hollywood. Upon moving to Portland a year later, she became a co-founding member of Don’t Evict Portland, a tenant-lead organization that is working to build tenant power and delay, reduce, or eliminate the harm and violence of evictions.

Cecilia has spent years attempting to inform her music with the lessons and experiences she gained from participating in abolition movements and tenant organizing. Her objective as a composer has been to capture or create moments where action and disruption are injected with rhythm, noise, and bodily movement. At times, C Powers has experimented with “injection” by creating compositions specific to direct actions. “Weaponizing” these compositions or “injections” meant tailoring them to be played from amplifiers or systems specific to action plans or conditions (tracks for car stereos and boomboxes at protests utilizing large car caravans, or hacks and modifications for megaphones as examples). Unlawful Assembly is the cumulative result of Cecilia’s efforts to explore the intersection of direct action and music.

While mainly driven by a focus on historical documentation for future movements, Cecilia also created a space of art-self-therapy in re-imagining the soundscapes, pressure, emotional impact and of events she experienced alongside countless others. The works collected in Unlawful send the listener into collision with sonic violence without warning. Throughout the album, Cecilia develops a unique language within her sonic realism and begins to re-animate thematic elements of the real conditions experienced. As scores of innocent bystanders were assaulted by sudden bursts of aggression and projectile fire, the listener is pummeled with noise and field recordings of brutality on tracks like “Munitions”, and “If We Don't Get It (IWDGI)”. 

Cecilia re-animates the War-Drumming and Chanting of multi-hour marches on tracks like “I Will Not Live In A Fascist State”, and the joyous call and response found on “Lombard”. One can feel the panic of evading riot police violence oozing out of the swirling rhythms of “Resignation Dance” and “Failure To Comply.” The infamous “LRAD” sonic suppression device can be heard on the title track and others, as can the howling responses from anti-racist protesters.

The dread of neoliberalism, and the rage it inspires, permeate the entire album while immersing the listener in the atmospheric details of the gritty urban Pacific Northwest. C Powers’ re-capture of so many chaotic nights will demand the listener keep their “head on a swivel” while also offering a space to heal. Perhaps this album has a backward gaze fixed in a time not too long ago—Cecilia hopes it can help those who are ready to regroup in order to move onward.

All source material recorded on stolen Chinook lands (also known as Portland, OR) from May 2020 - Dec 2020. The field recordings in this work were made under extreme conditions in which equipment was sometimes damaged while recording, or the recordist experienced or narrowly escaped bodily harm.

Download/Stream: https://sorry.ffm.to/sr61


Stream/Download

C Powers - Munitions

De Nestor b2b Felx @ Traviesa, Garage Noord 01-03-25 

Artist Profile Felx: @sanders-jelle

De Nestor b2b Felx @ Traviesa, Garage Noord 01-03-25

During the making of this record I was primarily concerned with the anxieties of postmodern existence. Living with constant information connects us but ultimately drives us apart as powerful institutions use information and disinformation to manipulate the public and manufacture consent. As a first generation Chinese immigrant raised in the west, I am interested in the process of sampling from ethnically diverse, "foreign" origins as well as local, familiar sources and seeing how they interplay with each other in startling new ways. Sampling is an old artform, a foundation of electronic music, and we are learning as a new generation how to utilize this tradition under changing ethical standards. Stylistically this record was made with the intention of using a lot of disparate samples from politically-incongruous places: European colonialist films, a white Mormon indie rock band, Japanese kabuki, traditional Chinese hand percussion, Nixon's speeches, vocals from both American and Cantonese pop icons, an experimental record about the Vietnam war, etc., and combine them in ways that are unexpected, non-fetishistic, and nuanced. As post-millennial people, we enjoy greater access to cultural artifacts ("samples") than ever before which can lead to great artistic works if used with respect to context, meaning, and cultural significance. This EP was an attempt to explore that. 
-Ciel (@cl_lit)

Trojan Horse (DJ SWISHA Remix)

R N R
Rumble n The Ramble 
Get Pummeled With Style
For Inquiries: Maxine@rumblentheramble.co

RNR - Hanaby

R N R (Rumble N The Ramble)

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