https://runningbackrecords.bandcamp.com/album/if-you-love-somebody

The notion of house music as a form of uptempo soul music is intrinsic evidence with a record like the one on hand. Professor Supercool’s If You Love Somebody is many things at once: an example of a special brand of British pop music, influenced by US-American soul more or less from the get-go, the Second Summer of Love, the conception of Balearic as a music genre, the cultural interchange of European dance floors and DJs from across the pond and underground music marketing through the vessel of special one-time pressings. The mysterious Professor Supercool is actually a moniker for Dr. Rob of The Blow Monkeys’s fame, who produced the song with a veteran and legendary DJ of the Northern Soul scene „The Real Hector“ – a resident at the famous Wag Club.

Originally a part of the band’s Album Spring Time For The World, it appeared first as a special For-Promotion-Only-12“ in 1989 with limited information as a trial ballon to „avoid preconceptions“. The fear was without reason. Like the band’s other big dance floor record and Balearic fave LA Passionara a year later, it got played and supported by the DJs of its time. Next to Graeme Park at the Hacienda or Paul Oakenfold, it also got picked up by Mastermixer Tony Humphries and became a staple at his radio and club sets for KissFm respectively Club Zanzibar. While the vocal mix found its way on said album, the preferred 12“ instrumental version has never been released anywhere else up until now and made the record go for a substantial amount of Discogs dollars.

Expanded with an edit by the label’s in-house DJ Gerd Janson that is supposed to work as a dub alternative to the vocal mix, the 12-inch and bundle download contain the original plus a faithfully restored and remastered version of the instrumental in demand. If you love this record it is impossible to let it go.

Professor Supercool - If You Love Somebody (RBSSS8)

https://runningbackrecords.bandcamp.com/album/surprise

Big things have small beginnings. Playhouse 001 was such a emergence. Founded as a subsidiary to Klang Elektronik in 1995 by Heiko M/S/O and Ata to give their everlasting love for and influence of original US-American house music a home, a single-sided 12-inch pressed with two tracks and a simple pink label and no additional info was all that one could see or hear. Some copies featured a hand-written claim with silver marker that gave the catalogue number away, but not much else. Mystery triggers interest. One of the oldest parlor tricks in the music industry – and a working one. But you also have to have the content to back it up.

Holy Garage’s Surprise fulfills that demand. The spark that started the fire is a joint venture of Roman Flügel and Jörn-Elling Wuttke alias Acid Jesus with Heiko and Ata joining the recording session as vibe controllers. Taking place during a hot summer day in Wuttke’s grandparents’ garage (hence the name) in a small town between Frankfurt and Darmstadt, and only interrupted by trips to the local swimming-pool, the results still sound magical. In its main mix, Surprise is a classic early nineties house track that heavily nods towards the Big Apple, house music’s disco roots and the power of swinging drum programming, albeit with meticulous production work and engineering. In short, it sounded and sounds as un-German as Germans can. The Holy Bassline Mix on the other hand is already in the shape of things to come. Carried by a Roland TB-303, sprinkled with trance bits and elegiac pads, its in perfect balance.

Others thought so as well. Heavily supported by David Holmes and Andrew Weatherall, it was the manager of the latter who licensed it to Eye-Q Records UK with the addition of the Fake Jazz Mix and ordered remixes by freshmen Isoleé and Losoul who became pillars of Playhouse. The first known for his idiosyncratic and sculptural ways of creating dance music meets the irresistible funk of his peer and both add spice to the already great menu. Here you have the chance to listen and digest Surprise in all its glory and entirety for the first time. Carefully remastered and processed by Lopazz and packaged by Running Back. Remember the good times and get some more.

Liner notes by Gerd Janson

04 Holy Garage - Surprise (Holy Bassline Mix)

01 Holy Garage - Surprise - Original

The notion of house music as a form of uptempo soul music is intrinsic evidence with a record like the one on hand. Professor Supercool’s If You Love Somebody is many things at once: an example of a special brand of British pop music, influenced by US-American soul more or less from the get-go, the Second Summer of Love, the conception of Balearic as a music genre, the cultural interchange of European dance floors and DJs from across the pond and underground music marketing through the vessel of special one-time pressings. The mysterious Professor Supercool is actually a moniker for Dr. Rob of The Blow Monkeys’s fame, who produced the song with a veteran and legendary DJ of the Northern Soul scene „The Real Hector“ – a resident at the famous Wag Club.

Originally a part of the band’s Album Spring Time For The World, it appeared first as a special For-Promotion-Only-12“ in 1989 with limited information as a trial ballon to „avoid preconceptions“. The fear was without reason. Like the band’s other big dance floor record and Balearic fave LA Passionara a year later, it got played and supported by the DJs of its time. Next to Graeme Park at the Hacienda or Paul Oakenfold, it also got picked up by Mastermixer Tony Humphries and became a staple at his radio and club sets for KissFm respectively Club Zanzibar. While the vocal mix found its way on said album, the preferred 12“ instrumental version has never been released anywhere else up until now and made the record go for a substantial amount of Discogs dollars.

Expanded with an edit by the label’s in-house DJ Gerd Janson that is supposed to work as a dub alternative to the vocal mix, the 12-inch and bundle download contain the original plus a faithfully restored and remastered version of the instrumental in demand. If you love this record it is impossible to let it go.

01. Professor Supercool - If You Love Somebody

02. Professor Supercool - If You Love Somebody - Instrumental

03. Professor Supercool - Gerd Janson Edit

https://runningbackrecords.bandcamp.com/album/fly-hi-gimme

Re-issue alert! Whirlpool Productions „Fly Hi/Gimme“ appeared first in late 1992 on the one time and made up label 5th&Madison. The fascination that a young Justis Köhncke had for the then bubbling sounds, strictly rhythms and nu grooves of New York house music sparked the idea to join in the chant with a production of his own. Add his co-producer Fred Heimermann, the aspiring DJ and billionth music journalist Hans Nieswandt and a visitor from San Francisco named Eric D. Clark, the singer Heather Sachs and samples by Mel Tormé to the flamboyant picture and you know why the records sounds like it does: swinging house music through the lenses of a colorful cast or how some German people thought New Jersey‘s Zanzibar would sound. Fly Hi embodies the sophisticated deep and soulful approach, while Gimme satisfies the more hysteric approach. Favoured and championed by DJs like Tony Humphries at the time, officially released by Snap‘s Logic Records and never vacated from Move D‘s record bag, it‘s re-issued in all its glory for the first time on Running Back. Additionally, Move D puts his fingerprint on it with a disco leaning and upbeat remix of „Gimme“. Extensive liner notes by Hans Nieswandt upon request. Life is still in hi-fly!

B2. Whirlpool Productions Gimme- Move D Remix

A1. Whirlpool Productions Ft. Mel Tormé - Fly Hi - Original

Aric - I Love Your Love - Pete Blaker Remix (preview)

Aric - Oh What A Night (preview)

Aric - I Love Your Love - Elado Remix (preview)

Aric - I Love Your Love Gerd Janson Remix (preview)

ARIC - I Love Your Love (preview)

https://marcopassarani.bandcamp.com/album/the-temple

The second chapter on Studiomaster unveils five tracks that showcase the multifaceted dancefloor approach of Marco Passarani. Always aimed at movement yet rich in contrast, the journey begins with the raw, untamed energy of Night Walker, flowing into the intimate, nocturnal vision of The Empty Temple. The twisted, decadent pulse of Rotten Disco echoes with a nostalgic haze, leading seamlessly into the gritty, unsteady groove of Dirty Hands and Cheater’s Smile.


Passarani - The Temple EP Preview

https://runningbackrecords.bandcamp.com/album/a-taste-of-ulysses

"Are You in Heaven?" was famously shouted by Roxy DJ Eddy de Clercq to the crowd at one of the very first legendary house parties in Amsterdam. This phrase not only symbolizes an iconic moment that captured the spirit of the era—it’s also the title of one of the three tracks featured here.

In 1991, inspired by the dance music craze that swept across Europe at the time, Arnoud Winkler and Jochem Peteri (who would later become the one-man supergroup Newworldaquarium) produced music that is equal parts euphoric, emotive, vital, and vibrant—youthful in spirit, naive yet clever. A European translation of a US-American art form, born from pure enthusiasm and concentrated passion for a culture that, to this day, continues to resonate universally.

Originally released on Lower East Side Records, the story told here is full of rave symbolism, after-party joy, and literal can-you-feel-it moments: rattling sub-bass, blissful pads, whispering voices, dub techniques, and subconscious peak-time signals.

Complemented by a new edit of Ulysses Horizon by Gerd Janson (alongside a revised version of the original), alongside Flowerdale Beach, and Are You in Heaven?, the music here hasn’t lost a single inch of its charm or allure.

A taste of Dutch house deluxe.

02. Pallas - Ulysses Horizons - Gerd Janson Extended Edit

01. Pallas - Ulysses Horizons - 2025 Adios Adonis Version

04. Pallas - Are You In Heaven?

02. Pallas - Flowerdale Beach

Two years ago I played at Studio 9 in Vilnius, Lithuania. The following day I missed my flight home and ended up spending an extra day, which gave me a chance to explore the city with my friend Linus, who took me to the Contemporary Art Centre. It was there I spotted a book named ‘Rojus’, that Linus told me translated as ‘Paradise’. The word and striking cover of the book stuck in my mind. A few days after returning home, I turned on to a National Geographic documentary named ‘Designed To Dance’, explaining the courtship rituals of Birds Of Paradise. As I watched, i jokingly began drawing similarities between these birds’ attempts to captivate and impress the opposite sex with dance, and the way strangers try to attract one another in clubs and interact on the dance floor. This gave me the idea of creating a record of functional club music, sequenced as if it were a club night, from doors to closing, using samples of these Birds Of Paradise and their habitat. Thus, Rojus.
 Leon Vynehall 2016

Leon Vynehall - Kiburu's - Running Back

Mutter

Delphi/Marco & Val - Unleased Tapes Vol. 1
T&W Records
RBTW-4
Out:Soon.

1. Delphi - Blue Tuesday
2. Marco & Val - Indiana Tonez Tonez
3. Marco & Val - Indiana Tonez Tonez (Bonus Beat)

Already doing the rounds and the damage for a while, Unleashed Tapes Vol. 1 is finally officially available. A special treat from the Tiger's lair with a different and darker twist, that seeks out the darker and more dodgy discotheques on the side streets and in the backyards, where the trough has no flush and the mirror balls have never been cleaned. Automatic rhythms and electronic dancing sound made years after the future. Make up your own mind!

Delphi / Marco & Val - Unleashed Tapes Vol. 1 - T&W Records

Toot Toot, Beep Beep, out of the way! KiNK's taster for his up-and coming album on Running Back is here.
“Perth” is a prime-example of the Bulgarian producer's unstoppable good times ware. Taken from “Playground”, the three versions here are dripping with grease. Split between the original, a chord mix and a beat version, it’s all you ever wanted from a single. Perfect house music for techno DJs and techno music for disco DJs. We strongly recommend the use of two copies back and forth...fun, fun, fun!

RB068 Perth (Samples)

A1. Perth

You remember that kung fu kid movie, where he had to wash the motorcycles for years and then…whatever, constant dripping wears away the stone. Dublin-Manchester-NYC’S finest Krystal Klear (Cold Tonic, All City, Tooth Pick) has been honing his skills as a dress man for years and also made a name for himself as an expert in all things (electronic) boogie. „The Division“ is his dapper debut EP for Running Back. Custom-made club studies shifting between sound factories, hot haciendas, heavenly lagoons and chrome-plated dance floors: fast, slow, hard and soft.
A love letter to dance music written with pink ink. Oh, and there is „Neutron Dance“ on it as well…yes, the euphoric fun one. once again: dance!"

RB072  A1. Krystal Klear Neutron Dance

Krystal Klear   Neutron Dance (Gerd Janson Birkenstock Remix)

Krystal Klear - Neutron Dance Mano Le Tough Remix RB072RMX

Out 23rd of July...in all the good and great shops of the analogue world and the digital realm. Including extended disco mixes.

Short version: Swedish new school electronic disco music. One side with vocals by Kicki Halmos and a melancholic swing, the other one is slightly Man Parrish-ish and features Viking muscle beats. Both tweaked, edited and mixed by a certain Terje Olsen from another Viking country. Long version: During a long and cold night in Stockholm some moons ago, a mysterious 7″ was given to Running Back’s chief A&R. He liked it so much that he wanted to convince the world of its greatness, got more copies, played them back to back, gave it out to DJs and producers and there a certain Terje Olsen decided that he could prolong the all too short 7″ versions into a 12″. And here we are. Original versions released on DRIFTER STHLM by Samo Forsberg. Do some popping, locking & down-dogging!




RB035 B1 Aksel Friberg & Kicki Halmos - To Be There With You

A3 Feater -  Time Million

How do you go on after a feast like „The Division“ - especially if it included a main course like Neutron Dance? You don’t! And you don’t even have to try. But like with any great meal, one can do magic with the leftovers (see chop suey, stew or goulash for further reference). In any case, Krystal Klear doesn’t need to worry about that. Having cracked the DNA code of „dance music“ on his first EP for Running Back, this double-A-side-follow-up-single feels alive, floats upstream and fires on all cylinders. While Euphoric Dreams is the musical incarnation of an Alexander Shulgin formula (your spine gets tingled all the way including a wonderfully prolonged break down) or the scoring of the proverb that „at the bottom of patience one finds heaven“ and „happiness is just around the bend“. Speaking of which, Miyoki does exactly that to every pair of knees around. A relentless bass line and a deadly snare („yes, you thrill me, when you fill me“*) are enough to force almost any kind of dance floor into submission. 
*Freely adapted from Les Femmes - Yes, You Thrill Me - Kee Wee, 1984

Euphoric Dreams

The music of Genius of Time has always been defined by a certain elegance and grace. Finding new ways into and out of the labyrinth that some people call (deep) house, one the Swedish duo’s inner strength is the uncanny ability to create tension, sustaining and playing with it, before rewarding the listener (or dancer) with a fulminating mirror ball. Same goes for their treatment of percussive elements. 
„Peace Bird“, the opener of GOT’s EP of the same name, is a prime-example of that technique: a tight build-up and an intricate breakdown lead to heavily strings and foolproof floor finesse. Coming along with „Smiling Into Eternity“ that mellows you down easy as well as the club ready  „Rymd01“, the whole thing is a more than worthy successor to GOT’s first EP for Running Back almost five years ago. Niceness unlimited. Nerd facts: most of the elements of these three tracks here were recorded live and then mixed down on a reel to reel. No safety net, no double bottom!  Genius of time and genius of love.

Peace Bird RB075

Peace Bird

Genius Of Time - Peace Bird (RB075)

Gerd Janson: “Sometimes, it's enough to hear a record out loud in a party context to fall in love with it. “Gordon” is such a record. Made one day before Miami's infamous Rakastella party, premiered there on Will Renuart's “The Kiss” stage and being one of the highlights during a shared slot with DJ Tennis, I was secretly hoping for Running Back to get awarded with it. It basically sums up all the qualities of a DJ Tennis set: you get the highs and lows, the loud and quiet parts, it pogoes and it prances and it's basically impossible to resist his shuffle. “Starck” on the other hand, scales it a bit down, but is equally overwhelming as are the atmospheric respectively cinematic versions of both tracks – less imaginative people might call them ambient. Game, set, match! Thank you, Manfredi!”

Gordon

Dj Tennis - Gordon (Edit) (RB078)

Running Back & Dusky proudly present Life Signs Vol. 1. The band that brought you the fabulous remix for KiNk’s „Perth“ lavishly donate a whole EP to Running Back. And it has all the classic trademark sounds we cherish them for: British bass science applied on classic house tropes, breakbeats underpin transcendent melodies, IDM meets UKG. The sounds of Guerilla records, Northern Exposure and the mash-up aesthetics of early Rage parties all echo through the ranks. All of it expertly executed and as much fun to listen to as to play it out. But handing the microphone over to the band themselves: 
„Boris Borrison’s Trip To Morrisons: An Italo inspired bassline meets Belgian rave vibes via a British supermarket chain. Who is Boris Borrison? Perhaps we’ll never know. Some say he’s still wandering around in the freezer aisle to this very day.
Lea Valley is a homage to the area in London along the river Lea, home to a mix of nature reserves and industrial warehouses and wasteland, historically famous for illegal parties. The area was a regular haunt in our teenage raving days. 
Static: A warm wash of melancholic euphoria in which to submerge. Inspired by classic electronica and the melodic techno of early Autechre and Aphex.“

Running Back Records

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