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Front Bench - Adult Disney Superfans
BUY LINK: https://199leeds.bandcamp.com/album/adult-disney-superfans-2
LAbel: 199 (https://soundcloud.com/199leeds)
https://soundcloud.com/frontbench

“Adult Disney Superfans is 199 founder Front Bench’s first EP on the label, and it marks a big left turn for a producer that has made his name on Soundcloud for clubby electro edits. After a long lockdown of studio time, that culminated in a self-release with Tom Jarmey, Front Bench has found his sound, and this EP plays like a celebration of that realisation.”

BUY LINK

PREMIERE : Front Bench - Adult Disney Superfans

Out now, Mother Tongue's 'Message is Love'.

Vinyl: https://www.rushhour.nl/record/vinyl/message-love
Bandcamp: https://rushhourmusic.bandcamp.com/album/message-is-love

The United Kingdom has long been an ardent supporter and consumer of African-American music. Dating back to the electrifying earliest performances of blues artists like Big Bill Broonzy during the early 1950s – an influence on Eric Clapton and John Lennon – right through to the dawn of Chicago house and onwards. In fan clubs, like the Tamla Motown Appreciation Society, started by soul writer Dave Godin, to the numerous fan magazines that have documented dance music culture from Blues & Soul to Mixmag, there has been an extended obsession with black music culture.

This lineage continued into the house era, our generation’s defining dance genre, and one with which British producers were swift to adopt. This record is a prime example of this. Although Mother Tongue was a one-off project, its history is rooted in this long-standing culture stretching back decades. The main man behind Mother Tongue was a drummer and record producer named Richie Stevens. Stevens was steeped in music and the industry, thanks to his father, John Stevens, also a professional drummer. Stevens senior played in numerous jazz ensembles during the 1960s and onwards, including performing with Tubby Hayes, Ronnie Scott, Evan Parker, Derek Bailey and was a session player with John Martyn (among numerous others) during Martyn’s finest period (it’s John’s drumming you can hear on ‘Big Muff’).

His son, Richie, was playing professionally while still a teenager for the Dennis Bovell Dub Band and has subsequently backed everyone from Tina Turner and Simply Red to Hugh Masekela and George Clinton. He is also a long-term collaborator with Boy George. But the story of Mother Tongue begins with a band called Well Red. This group, effectively a studio creation by Richie and his then manager Martin Poole, recruited vocalist Lorenzo Hall, a fixture on the London reggae scene and sold the concept to Virgin Records. Well Red yielded two albums – Motion and Respect Due – but never really got the crossover success their songs perhaps deserved. “Virgin were very supportive of us,” recalls Poole, today. “They gave us a lot of money. They pumped money into it, and it never quite paid off, but we did okay. We recouped and got to make a second album with George Clinton. It was a good move, recording with him. It did us a lot of good here and in America. We did pretty well in the US. We were very well-supported over there.”

This same team, working in a tiny studio near Richie’s house in Wood Green, north London, called The Watershed, produced ‘Message Is Love’. It features the vocals of Syn-Dee (Sindy Finn) and Lovebase (Louise Porter), who co-wrote the track with Richie and Alan Lane, another Stevens collaborator, and Ian ‘Spy’ Austin, who’d previously played in the same reggae band, The Instigators, as Lorenzo Hall from Well Red. “Remember it well,” says Martin Poole. “We were just writing it there and then in the studio. It was me, Richie, Spy, and I think Syn-Dee was there as well. When I got home later, Richie played it to me over the phone and I said, ‘That just sounds brilliant,’ from how we'd started it off, you know?” Thanks to their experience in the studio with Well Red, they managed to produce a song that has the timeless feel of all good music.

Mother Tongue was the opening track on a compilation called On The Loose Volume 1 on their own Furious Fish Records. Every track on the album, despite having different artist credits, was done by Stevens and Poole, often using a rotating cast of characters that had also appeared on ‘Message Of Love’. Although it did not sell especially well at the time, it’s become a collector’s item over the years. This is the first time Mother Tongue has appeared as a 12-inch single, a long overdue (but very welcome) happening.

(Notes by Bill Brewster)

Mother Tongue - Message Is Love

Greek maestro https://soundcloud.com/anatolianweapons returns to our Secret Potions series to unveil a rare version of an old remix for https://soundcloud.com/id_ua .

*the official version was released in September 2020 [PGR029]

Secret Potions

ID UA - Crazy Field (Anatolian Weapons 'Kickfull' Remix)

FREE DOWNLOAD

Secret Potions #031: ID UA - Crazy Field (Anatolian Weapons 'Kickfull' Remix) FREE DOWNLOAD

https://soundcloud.com/pieniumatas
https://soundcloud.com/skalbianke
🛒 https://skalbianke.bandcamp.com/album/chauffeur
🔊 https://youtu.be/kaqzoA71zkU

Pienių Matas is an alter ego for ½ of beloved brothers duo Deserted Island. Refreshing breaks and positive melancholy is what makes this EP so special to release on Skalbiankė. We’re always aiming for quality vibes and Matas manages to deliver on every occasion he gets a chance to.

Chauffeur is his fresh work. It appears as an invitation for a ride where he allows us to listen to his explorations through new sounds and rhythms. Novatory and sentimental, he clashed those two opposites and made it to one superb piece.

Have a great trip! Not only through space, but as well - time.

Tracklist: 

Pienių Matas - Breakfast
Pienių Matas - Lampin'
Pienių Matas - Chauffeur
Pienių Matas - New Way
Pienių Matas - Stress

PREMIERE: Pienių Matas - Chauffeur [Skalbiankė]

Brandi Wells - Watch Out

Welcome to House of Fxrrest — a full-body experience of original house, jungle, and drum & bass crafted by me. This album is a journey through hypnotic rhythms, raw textures, and high-energy frequencies designed to move both body and spirit.
Every track is built from scratch — no samples from others, just pure creation. It’s music for the dancefloor, the late-night drive, the ritual, and the revolution.

⚡ Want to support the movement?
➤ Pay tribute and keep the sound alive:
📲 CashApp: $forrestjob
💸 PayPal: ADivineDestinyLLC@gmail.com
📩 Booking & Collabs: ForrestJob2@gmail.com

Drop a comment & let me know which track hit you hardest.
Repost this album so others can step inside the House.
Follow for future drops — more frequencies are coming.

Be With You

The Midnight Hour (Kai Alce Remix)

A remix of an old French song 'Grain de Café' by Jacques Hélian and his Orchestra (1947). Original track: https://www.youtube.com/watch?v=UGsDopCuwuA

Grain de Café (1947) - Disco Groove Remix

Italiana Vol. 2

It's Your Move (2001 Remaster)

Touch Me (Unsigned)

Support the artist and buy this record! This is a taste of the THE COOL DUST EP. Thank you :)

Dust-e-1 - Hutchin

buy there : https://miras1000000.bandcamp.com/

The debut release on Miras stems from co-honchos and long-time residents Atrice. Their musical work is heavily inspired by the uncanny interplay between the tangibility of digital stimulus satiation and authentic real-life encounters in an increasingly disconnected world. Atrice’s compositions have a strong focus on detail, which originates from their academic formation as sound designers. However, the key to the Zurich-based Duo’s production is their playful approach to established genres resulting in emotive soundscapes and energetic amalgamations.
On the three tracks this approach is perfectly mirrored through a hybrid of sultry House, hard-hitting Breaks and neck-bending Gabber. The EP kicks of with the title track "J.A.-Ris", a contagious homage to early Jungle with tight basses and witty Juke inserts. The deep pads enter like a windy thunderstorm on a humid summer day, momentarily taking the light from the sky. It’s followed by the second composition "Give Me", which moves between Breakbeat and House with a futuristic sound design. It penetrates through the darkened clouds and lets the first sunrays shine on the asphalt. A slight smell of Petrichor underlines the dystopian moment.  Lastly "Demorado" enters with many familiar facets, which however are being completely turned on their heard over the course of the piece, reminiscent of a spellbinding whirlwind. It is characterized by Gabber, IDM and Drum'n'Bass influences with cinematic gestures and complex drum structures.
That's all, hasta abajo !

LISTEN ON YOUTUBE

PREMIERE : Atrice - J.A. - Ris

Since 1997 Rush Hour has cultivated itself into a haven for music lovers worldwide. The reputation Rush Hour has built mainly comes from the fact that first and foremost Rush Hour focuses on music they totally believe in and have a love for. The Rush Hour family has a strong sense of pride in always working with and feeding off that impulse and faith, rather than working for the mighty dollar or bottom line. Rush Hour has always been this way.

Mother Tongue - Message Is Love

Rush Hour Music

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