Rape me - Nirvana

Waiting For Something

With some harmonies and extra pep throughout.

Simple Minds - Don't You (Forget About Me)

Buy the song on itunes: http://bit.ly/169P5L5
Preorder the album on itunes.: http://bit.ly/1Cp4HZn

Whereas last time around, they were all about "vocal harmonies from NYC to Cape Town" and "massive guitars from Portland to Düsseldorf, mixed with clattering beats from Berlin to Detroit" Aloa Input – a Munich-based three-piece that seems to be just as addicted to new input as it's quick and productive when it comes to releasing more genre-smashing, ebullient output – are about to leave planet earth altogether with their sophomore release: Dropping only a year after the band's debut album "Anysome" (with additional remix EP "RMX" released in-between), they return with an album that finds them dashing through the better part of recent music history, to eventually take off for the Red Planet: "MARS ETC." is terrestrial life condensed, an experimental study in hands-on, sonic set theory, both a stunningly wild and unbridled beast of an album and a long-overdue update to 1977's Voyager Golden Records.

Buy on itunes

Aloa Input: Perry

The Pressure/Let Me Burn — Only You's Hit City U.S.A. debut — shows disparate phases to the enchanting Rachel Fannan, a Malibu-native and Angeleno by-way-of San Francisco. On "The Pressure" Fannan howls through an epic Spaghetti Western freak out, battling feelings of confinement, scorning with guttural guitar riffs. Meanwhile, its counterpart "Let Me Burn," is a vulnerable down-tempo ballad set to Los Angeles' dusk pastel pallet, hitting the wax pipe just one more time in hopes of letting go of her lonesomeness in the city. 

Lyrics:

The pressure it's there
I feel it in the air
I'm static inside 
I can't seem to read your mind
Don't let me forget
This moment and the next
I comin' right back
Please tell me one more time...

Came from the smoke rings around your hair
Worn like a crown made of humble despair 

I waiting i'm wrong
I put secrets in my songs
For nothing for you
Please tell me it's not true
I'm living a lie
I can't seem to sleep at night
Stuck under your pride
I'm dying to survive

Came from the smoke rings around your hair
Worn like a crown made of humble despair 
Came from the smoke rings around your hair
Worn like a crown made of humble despair

Only You - The Pressure

Written by Esau Mwamwaya, Johan Hugo, Freddie Cowan
Produced, Mixed & Mastered by Johan Hugo
Engineered by Johan Hugo
Assistant Engineer Christian Kansichi
Bass by Chris Baio
Guitar by Freddie Cowan
Piano by Dan McDougall
Recorded in Podor (Senegal) and M'dala Chikowa (Malawi)

Let Go

The Very Best - Let Go

Bookends live at the Subscription Rooms - www.simonandgarfunkelbybookends.com

Mrs. Robinson

Trombone Shorty and Orleans Avenue stopped by the KDHX studio October 18,2011 for a live performance on the Rhythm Section with host Andy Coco. Audio by Mike Murano and Dan Kinney. Discover more great media at http://kdhx.org

Trombone Shorty and Orleans Avenue "Hurricane Season" Live at KDHX 10/18/11

New single Love'n'Joy - Come About

Collaboration with Uchkosh artist
https://soundcloud.com/uchkosh

Love'n'Joy - Come About

Greenback Boogie - Ima Robot

https://vk.com/yungaquila
https://www.instagram.com/nyarapper
https://t.me/nyapunk23

PAINBOW

Тусуюсь (Prod. by TAKIZAVA)

instagram.com/6hosttown
twitter.com/6hosttown

Official Video: https://www.youtube.com/watch?v=C_Wa8qHKLPs

I don't mind leaving my house
I like it better outside
I do not care
you should try keeping your mouth shut
I don't need your output
you were not there

Who of all knows it more than I do
I am nothing like you
we are not friends
hot flash one thing that I'm not past
living like an outcast
I don't pretend

You were never one for picking fights
I know I am
I was never one for staying here
I know I can't

I need a break from you
I can't escape from you(why)
running my feet hurt
now I think its easier to hide

People used to use me as a lifeline
I would spend a lifetime
keeping you safe
now its hard to keep my fucking phone charged
how'd I make it this far
can't pick up the pace

That's the point of having your own back see
you don't need to ask me 
you'll be just fine
everything is okay and you're happy
I am done unmasking
I don't have time

Listen on Spotify

HIDE [Video in Description]

marc garcia: https://www.youtube.com/channel/UCp6VBa4isGRLD0DiZXbpfqQ

bleeding heart *p. marc garcia*

"bad guy" by Billie Eilish Remashed in the style of blink-182

twitter.com/6hosttown
instagram.com/6hosttown

I wish you’d cave
crumble in place 
I hope you wait
bookmark a page 
read through 
see who needs who 
I hate writing my name down

I think you’ll cave 
crumble in place 
I know you'll wait
bookmark a page 
read through 
see who needs who 
I hate writing my name down

I’m sorry okay
I know say that a lot
I’ve got some nerve
one smirk & Im lost

but I swear I’m patient
I’d never make it quick for you
I haven’t quit I’m just confused
but you’re not

and I don’t have answers
it’s always soon or way too late
it’s hard to move can you relate
& we’re stuck here

can someone chime in
& how much time can we put in
I think it’s fine if I admit
that you’re stuck here  

I wish you’d cave
crumble in place 
I hope you wait
bookmark a page 
read through 
see who needs who 
I hate writing my name down

I think you’ll cave 
crumble in place 
I know you'll wait
bookmark a page 
read through 
see who needs who 
I hate writing my name down

I HOPE YOU CAVE

Omodada and Gee collaboration in Ternopil fields.
Thank Vadim Vozniak for studio!

Omodada & Gee - In Dirt

Ryan Doria & Droozie Lane covering "Horror Business" by the Misfits

Horror Business (Misfits)

Fortunately, three guys hailing from New Weird Bavaria are on a musical mission to fight the ever-advancing forces of entropy and monotony: Calling themselves Aloa Input for a reason – it’s also the band’s collective motto –, Cico Beck (aka Joasihno), Marcus Grassl (formerly part of Missent To Denmark) and Florian Kreier (aka Angela Aux) obviously love all kinds of input; the further apart the sources and inspirations, the better. Always on point when it comes to picking the best bits and pieces of so much input, Anysome, the band’s debut full-length, essentially resembles a huge map that covers most of the musical worlds and sonic landscapes we know. Make no mistake: Borges might claim a map of that size is useless, it’s nevertheless a hell of a ride.
Drawing from a long list of influences all three members agree upon (e.g. Animal Collective, Eno, Beck, Beatles, Morricone, Why?, Can, The Notwist), Aloa Input are well aware of the album’s world-spanning approach, mentioning “guitars from Cape Town to Portland, beats from Berlin to Chicago, and vocals from NYC to Düsseldorf”. And yet there’s more to Anysome: the exotic detours, the band’s willingness to experiment and to go that extra mile for a good hook, the hypnotic singing and electrified horizons, all neatly placed on top of minimalist basslines. Another important skill mastered by Aloa Input: Though certainly not content with doing just one thing, the resulting itinerary never resembles a zigzag line.
With the album’s “Prelude” we enter a world that in fact seems to be coming at us, rolling up like the flickering images of a Laterna Magica: mellow birdsong, paired with hazy strawberry field sounds, at least for now, and we’re already pushed on into “Another Green World”, a place that’s pure exuberance and bliss. That second track alone, stomping ahead, makes it blatantly clear that Aloa Input love to run riot with styles and approaches, and yet they never leave the rails: Diversity or switching gears, for them, is never an invitation to let chaos reign supreme – instead it’s just more fuel for a mind-blowing ride. Some of the stops: world pop in search of greater truths (“Prblms”), burning bushes (and Kraut references) in Africa (“Rubbish”), a mirage reminiscent of cLOUDDEAD (“Clouds So Far”), all kinds of euphoric choruses with melancholy hatches underneath, plus the recurring sense that people get older, we all do, yet the ride can be fun, especially when it has a new soundtrack every four minutes, so it’s all good as long as there’s enough input to have fun with.
The “final trilogy” – that’s how the band refers to the last three tracks –, is basically a prolonged good-bye: “Going Home” (getting up, only to sit down again), “Someday Morning” (spelled “radio-friendly” backwards), and “Zweiklang”, somewhat longer, because it’s just too early to stop. Unpacking and looking back, we realize: Anysome is all over the place.

Cat.no.: MORR125
Format: CD/LP

Release Dates:
Oct 18, 2013 (Worldwide)
Nov 05, 2013 (US) 

Aloa Input : Going Home

Track from first Omodada Gee album - Picnhing Slimbar . Recorded in Vadym Voznyak studio.

RCC

IVIus