wish this playlist was a bit more obvious to find, same with the other dlc osts, because they're so damn good

......

Medievil - The Sleeping Village (Wolf)

9lives experimental axxturel type beat (prod. h4t3r)

UdieNnx - ALUM (SUPER SLOWED)

Soundtrack for Metropolis Revisited: Death to the Machines! Overview.
 https://youtu.be/KoLOIG5JtTc

Death to the Machines (Overview)

The Airship Blackjack (飛空挺ブラックジャック)
Compositor: Nobuo Uematsu
Instrumentalización, edición y masterización: Pedro Castillo
Final Fantasy VI Remastered
Music from the videogame "Final Fantasy VI" (c) 1994 by Square (now Square Enix)

045 The Airship Blackjack (飛空挺ブラックジャック)

Theme Of The Cheetahmen (Action 52) - GaMetal

I'm honored to have won 1st place in the 2017 New Grounds Underdogs' Audio Competition with this track. 

I was inspired by the incredible videos of hummingbirds created by Anand Varma for National Geographic. 
http://www.nationalgeographic.com/photography/proof/2017/06/hummingbirds-slow-motion-flight-videos/

Not only was the information fascinating (of which there is more in the linked article at the bottom of the aforementioned post) but I had an emotional reaction to the videos themselves. His images captured a world very familiar, yet when slowed down, have an otherworldly ethereal beauty.

Harmonically, everything is based on stacked 5ths. The harmony is extended in the bridge.

Most of the sounds came from the acoustic guitar (played with fingers, chopsticks, ebow, allen wrench, and slide). Other sounds for the percussion came from cardboard boxes, a wood block, and simple wave forms (mostly white noise and sine waves). There's an 808 bass drum sample as well.
The prominent melody is voiced primarily by sine waves, then doubled with glockenspiel and vibraphone. I also used a really crappy flute soundfont which was mangled, distorted, and detuned to mimic the feel of a mellotron.

The guitar glitches were painstakingly chopped and hand placed.

The guitar was purposely tuned just a touch flat in the beginning and was distressed using a combination of distortion, eq, heavy compression, and a vinyl plugin. Background noise and tape hiss is purposeful and in some places, added artificially using a combination of pink noise and samples from various fans (air conditioner, kitchen vent, bathroom vent, computer). In general, quirks like hisses pops and subtly (and at times not so subtly) drifting pitch are the name of the game.

I encourage you to listen to this track while scrolling through the videos linked above.

NGUAC Final

Every Photon, 100 Times a Second

Aw yiss, download here: http://corridordigital.bandcamp.com/track/max-payne-blood-bath

Max Payne: Bloodbath

One of the greatest OST's for the Sega Genesis! The audio was rendered from REAL hardware featured on the Mega Blaster created by Aidan Lawrence.

Music by: Toshiharu Yamanishi and Takeshi Yoshida.
Artwork by: RetroKenesis

04 Fighting Back (Stage 1A)

Final Fantasy VII - Advent Children - Materia

This is the one track I was able to actually use more of the tuvan throat singing I learned for this project. I started learning the Morin Khuur from youtube videos about 3 months before this as well. 

This cue represents the alienness of the Borderlands universe and using ethnic instrumentation and techniques in different contexts to emphasize the wildness and harshness of the environments.

Climbing the Ashfall Peaks

Raison Varner

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