This reminds me a little bit of the Greek dance music

Absolutely love this. RVNG any chance of digital purchase on your Bandcamp for this?

I"m digging how you worked the stereo spectrum here

>> MARCH 17 <<

bc015.wav
#8dad95

spotify • sptfy.com/emKc

• facebook.com/barcodea/
• twitter.com/barcodenoun
• instagram.com/barcode_noun/

Why She Is Hiding in the Other Man's Eyes

We Are Reasonable People

Orange Romeda

Artist: KHEMiZtry
Track: grey matter
Written and arranged by: Khalil(GMH) aka KHEMiZtry
Registered with ASCAP

grey matter

FROM MY NUMBER ONE HIGH/TAKE ME DOWN THE DUNES 7" SINGLE OUT JUNE 2016 ON DUNNO RECORDINGS DISTRIBUTED WORLDWIDE BY RUBADUB GLASGOW

'First track sounds like dark twisted fantasy about carnival in some cheap tropical spa. The other one will reach your guts and throw them upside down.' 

COVER PAINTING BY TOMASZ KOWALSKI

MY NUMBER ONE HIGH

Visible Cloaks - Terrazzo (Ft. Motion Graphics)

Learn more at RVNG: http://smarturl.it/rvngnl37-rvng
Add to your collection at Bandcamp: http://smarturl.it/rvngnl37-bcamp
Download + stream everywhere else here: http://smarturl.it/rvngnl37-digi

Video by Brenna Murphy. From Reassemblage
©2016 RVNG Intl. // www.igetrvng.com

Reassemblage

Visible Cloaks - Terrazzo (ft. Motion Graphics)

7FO - Forest of Old Cloth

Learn more at RVNG: smarturl.it/cmmnd002-rvng
Explore at Commend: www.commendnyc.com/
Add to your collection at Bandcamp: smarturl.it/cmmnd002-bcamp

From Water Falls Into A Blank.

©2016 RVNG Intl. // www.igetrvng.com // www.commendnyc.com

Water Falls Into A Blank (CMMND002 - 320)

7FO - Forest of Old Cloth (CMMND002)

Rules - Want Ft. Yayoyanoh

LA VENDICION
TRAKETEO  MS NINA X BEAUTY BRAIN xxxxxx

https://lavendicion.lnk.to/traketeo

Traketeo

Ms Nina - Traketeo (Prod. Beauty Brain)

ARS0001//  WULLFLUW94 - LA 13   @wulffluw94    
 arwork : @latinabeib
DOWNLOAD : 
https://agvarcrds.bandcamp.com/album/wulffluw94-la-13

WULFFLUW XCIV - NECESITO TU AMORRR

@AWRWSW + @GXXOST

https://worldwidewings.bandcamp.com/album/a-g

AHEAD OF THE GAME

"Only Once Away My Son" by Brian Eno with Kevin Shields

Listen to this track and many others at adultswim.com/singles

Adult Swim Singles 2017

Brian Eno with Kevin Shields - Only Once Away My Son

First track from the new Jon Hassell album 'Listening To Pictures (Pentimento Volume One)' - Out now:
http://smarturl.it/listeningtopictures

pen·ti·men·to / noun
Reappearance in a painting of earlier images, forms, or strokes that have been changed and painted over.

Forty years since its creation, Jon Hassell's Fourth World aesthetic remains a powerful influence on modern electronic music. Continuing his lifelong exploration of the possibilities of recombination and musical gene-splicing, fragments of performance are sampled, looped, overdubbed and re-arranged into beguiling unexpected shapes. Hassell applies the painterly technique of ‘pentimento’ to the arrangements, teasing out texture by the overlaying of sound upon sound, or a carefully timed reveal of the delicate bones pinning the frame of a track together.

The release of this new album also sees the launch of Jon’s own label, Ndeya (pronounced “in-day-ya”), which will be a home for new work as well as well as selected archival releases, including re-presses of classic sides and some astonishing unreleased music.

FURTHER READING ON JON HASSELL:

Fourth World in the 21st century: https://www.residentadvisor.net/features/2984
Brian Eno on Jon Hassell: https://www.theguardian.com/music/2007/nov/09/jazz.urban
https://www.jonhassell.com/

Jon Hassell - Dreaming

From the album Anne.  Available November 16, 2018 from Western Vinyl.

Bandcamp https://josephshabason.bandcamp.com/album/anne
iTunes https://itunes.apple.com/us/album/anne/1427808233?ls=1&app=itunes
Spotify https://open.spotify.com/album/19FD6RN5K3xYFThAHM4fGy?si=0hUO0rFVQAigvSPTvJL_4w
WV http://westernvinyl.com/shop/wv182

Joseph Shabason
Twitter https://twitter.com/JosephShabason
Instagram https://www.instagram.com/josephshabason/
Facebook https://www.facebook.com/josephshabason

Anne, the second album By Toronto saxophonist and composer Joseph Shabason, is a tonal essay on degenerative illness. Delicately and compassionately woven with interviews of Shabason’s mother from whom the album takes its name, Anne finds its creator navigating a labyrinth of subtle and tragic emotions arising from his mother's struggle with Parkinson’s disease. Across the nine vivid postcards of jazz-laden ambience that comprise the album, Shabason unwraps these difficult themes with great care and focus revealing the unseen aspects of degenerative diseases that force us to re-examine common notions of self, identity, and mortality. 

Shabason’s uncanny ability to manoeuvre through such microscopic feelings is mirrored by his capacity to execute a similar tightrope-walk through musical genres. His music occupies a specific space that is as palpable as it is difficult to pin labels to. On Anne’s second track “Deep Dark Divide” rays of effected saxophone shine behind clouds of digital synthesizer that echoes the sound of jazz in the late 80s, but with a Jon Hassell-esque depth of sensibility that consciously subverts the stylistic inoffensiveness of that era. There is detail and idiosyncrasy beneath Shabason’s dawn-of-the-CD-era sheen that elevates the album far beyond a mere aesthetic exercise.

Still, the sounds on Anne are not so experimentally opaque as to stand in the way of the album’s through-line of sincerity and emotionality. When dissonance is employed it is punctual and meaningful, like on album-middler “Fred and Lil” where a six-minute cascade of breathy textures builds suddenly to an agitated growl, only to abruptly give way to Anne Shabason speaking intimately about her relationship to her own parents. Snippets of such conversations see her taking on something like a narrator role across Anne while the sound of her voice itself is sometimes effected to become a musical texture entwined into the fabric of the songs without always being present or audible.  The subsequent piece “Toh Koh” then drifts into playful disorientation as a lone female voice echoes the two syllables of the title, recalling the vocal techniques of composer Joan La Barbara, or even the light-hearted mantras of Lucky Dragons. From here the album veers back onto its aesthetic thoroughfare with “November” where Shabason lays muted brass textures atop a wavepool of electric chords provided by none other than the ambient cult-hero Gigi Masin, one of Anne’s many integral collaborators.

The serene tragedy of the album distils itself gracefully into the ironically titled album closer “Treat it Like a Wine Bar” wherein flutters of piano and mournfully whispered woodwinds seem to evaporate particle by delicate particle, leaving the listener with a faint emotional afterglow like a dream upon waking. There is a corollary to be drawn here with what it must be like to feel one’s own mind and body drift away slowly until nothing remains, while the collection of memories and abilities that we use to denote the “self” softens into eternity. On Anne, it is precisely this fragile exchange of tranquillity and anguish that Joseph Shabason has proven his singular ability to articulate.

Anne

Joseph Shabason - "Forest Run"

Masahiro Takahashi - Cloud Bed
5th song on 'Omnipresent Windows'
Find it here: http://www.jjfunhouse.com/catalogue/jj017

Omnipresent Windows

Masahiro Takahashi - Cloud Bed (JJ017) (releasedate: 5.11.2018)

Purchase: bit.ly/35jLaxx
Catalog #: GN63
October 1, 2020
2xCASS+DIGI

The midnight hour crept unto thee with hasty caution, revealing 'A Little Night Music: Aural Apparitions from the Geographic North', our third putrid prowl into Halloween-inspired sounds to torment and tantalize throughout the season. For this bout of distinguished dementia, we culled 31 brand new tracks of haunted hysteria conjured by some of the most alluring ambientists and outer auteurs from around the world. 

Spanning over two hours across two cassettes, 'A Little Night Music…’ unfurls itself in a literary horror structure, appearing and disappearing through a stirring Prologue and Epilogue by London-based cellist Oliver Coates, with each side of the cassettes introducing its Chapter with a chilling dirge courtesy of the inscrutable Geographic North House Band.  

What fills the ensuing pages is a mirthful tale concocted by an assembly exploring a realm all at once mournful and fatalist at its core. Entries from Clarice Jensen, Malibu, and the collaboration of Like a Villain and Christina Vantzou bring about endless glacial landscapes accented by pitch-grey skies. Conversely, transmissions from Michael Valentine West, M. Sage, Gregg Kowalsky, and Austrian ambient stalwart Fennesz explore richly textured mines of foreboding glee. 

Suspicion is the word when considering Zelienople’s eerie horse-carriage clip-clop, Nick Malkin’s neon-lit noir-jazz, or Carmen Villain’s gripping dub excursion. Elsewhere Ki Oni, Takagi Masakatsu, and Mary Lattimore (joined here by Paul Sukeena) provide glimmers of warmth amidst a tortured chill. 

Notable is the resurrection of Lotus Plaza and his solemnly hopeful piano composition, while barren hallucinations courtesy of Alex Zhang Hungtai, Ilyas Ahmed, and Danny Paul Grody set the stage for a third act confrontation from Atlantans Fit of Body and Algiers, providing a one-two serving of sensual unrest and cautionary homily.  

With hope and resolve shimmering through the final moments of our journey, know that all proceeds from the digital and cassette editions go directly toward Feminist Women's Health Center, an Atlanta-based nonprofit providing safe, accessible, and compassionate abortion and gynecological care to all those who need it without judgement.

feministcenter.org

Meitei - "Okue"

digging & reposting whatever sounds good to ma coochie

7FO - Forest of Old Cloth (CMMND002)

RVNG Intl.

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