feels food to listen when  the world is collapsing in 2020

wow.  this song brings me peace.  it sounds like a time lapse

I came across this track as soundcloud autoplayed through the recommended tracks after another piece I was listening to. To say this is beautiful is to do it a disservice - a truly incredible piece of music.

"Collider" is a collaborative track between Christopher Willits, Heathered Pearls, and The Sight Below made using Splice (https://splice.com/) to promote Michael Cina and John Klukas' upcoming show in Minneapolis.

Public Functionary
1400 12th Ave NE
Minneapolis, MN 55413
www.publicfunctionary.org

Opening: Saturday, June 7 / 7pm
Closing: Friday July 13

Closing, Friday July 11

Gallery Hours through Saturday July 12:
Thursday: 12pm-7pm
Friday: 7pm-11pm (PF Takeovers)
Saturday: 12pm-4pm

Michael Cina & John Klukas: She Who Saw The Deep

A stunning intersection of photography and painting amalgamated into something fresh and new, Cina and Klukas present 20 unique and beautiful works resulting in an undefinable medium that can only be described as digitally hand-crafted. She Who Saw The Deep is a collaborative exploration of darkness and light, a seamless combination of the visions of two artists and their personal understanding of what it means to pass through chaos and be reinvented.

Christopher Willits / Heathered Pearls / The Sight Below - Collider

Bing & Ruth - The Towns We Love Is Our Town

Purchase from RVNG: http://smarturl.it/bing-twtga-rvng
Purchase from Bandcamp: http://smarturl.it/bing-twtga-bcamp
Purchase from iTunes: http://smarturl.it/bing-twtga-itunes
Purchase from Amazon: http://smarturl.it/bing-twtga-amzn

From the album Tomorrow Was the Golden Age

© and Ⓟ 2015 RVNG Intl. / www.igetrvng.com

Buy from RVNG

Bing & Ruth - The Towns We Love Is Our Town

Bonus track for the latest EP, available at Bandcamp May 1.

This Is the Road

The Red Blaze Is the Morning

‘Apologues’ will be released by Erased Tapes on September 11, 2015 on LP/CD/DL and can be pre-ordered from www.erasedtapes.com/store/index/ERATP075

Masayoshi Fujita, the Berlin-based Japanese vibraphone player, also known under his alias el fog came to the attention of label founder Robert Raths a few years ago. Not only because the vibraphone is an intriguing instrument, but also the way Masayoshi treats his instrument and draws ethereal and layered sounds, is what truly attracted him to Masayoshi’s work.

Having released more ambient-based/electronic recordings of the vibraphone under el fog, Masa became more interested in the sound of the vibraphone itself. He started to compose acoustic pieces and released the first solo album under his real name, titled ‘Stories’, in early 2013. ‘Apologues’ sees Masayoshi for the first time use an array of instruments besides his lead instrument – such as the violin, cello, flute, clarinet, French horn, accordion, piano and snare drum played by friends, but arranged by Masa himself.

In addition to the mallets, Masayoshi often plays the vibraphone with a violin or cello bow, like on ‘Tears of Unicorn’ and ‘Knight and Spirit of Lake’. He would also place bead strings on the vibraphone bars to create an ambient shimmer that can be heard on songs like ‘Moonlight’ and ‘Swallow Flies High in the May Sky’. The latter was composed to let the clarinet express its characteristics and tell its story, whilst the vibraphone takes a supporting role. “The clarinet sounds very warm and soft and very ‘spring’ to me”, says Masa.

“With this album the main idea was to evoke images, atmospheres, sceneries and stories in the listener, the images that have accumulated in myself. At the same time it was an exploration of the unexplored beauty of the vibraphone, and also a pursuit of the charm of the instrumentation and the music itself. Erased Tapes releases a lot of great stuff and naturally became my favourite label of late. And I thought it would fit well to my music.” – Masayoshi Fujita

OFFICIAL WEBSITES: masayoshifujita.com · erasedtapes.com

Apologues

Tears Of Unicorn

Buy LP/CD/DL

Masayoshi Fujita – Tears of Unicorn

Artist: Eluvium
Title: Fugue State
Album: False Readings On
Release Date: September 2, 2016

Pre-Order: store.temporaryresidence.com/products/trr265

Cognitive dissonance is, at this point, an everyday part of modern society. The difference between belief and reality is blurrier than ever, and there is often sufficient manipulation to both so as to make the distinction intentionally unclear. The source of those manipulations can either be external, or deceptively internal.

False Readings On is the new album from renowned experimental composer, Eluvium. Its creation was originally inspired by themes of cognitive dissonance in modern society. By its conclusion it had become a mirror rather than a magnifying glass, evolving into an hour-long meditation on self-doubt, anxiety, and separation from one's self.

There is an emotional lucidity and melodic ingenuity to Eluvium's music that has made him increasingly stand out from the sea of ambient artists that his earlier albums no doubt helped inspire. Sounding like an orchestra ceaselessly performing even as it sinks beneath an ocean of distortions and tape noise – with the occasional operatic voice piercing the surface – False Readings On is assuredly the most daring, dynamic, and distinct album of his luminous career.

TRACK LISTING
1. Strangeworks
2. Fugue State
3. Drowning Tone
4. Regenerative Being
5. Washer Logistics
6. Movie Night Revisited
7. Beyond The Moon For Someone In Reverse
8. False Readings On
9. Rorschach Pavan
10. Individuation
11. Posturing Through Metaphysical Collapse

© 2016 Temporary Residence Ltd.

False Readings On

Pre-Order Album

Eluvium – Fugue State

Opalescent was recorded in 1999 and originally released in 2001.
It has been re-mastered for its first vinyl release this August 2016.

Cold Out There (2016 Vinyl Remaster)

FOF-  Up Too Early

Stream on Spotify

Eleven

Rayon live at Radialsystem on 20 November, 2016.

Back in November 2016, we've had the great pleasure to celebrate 5 years of UM:LAUT with Markus Acher's project Rayon. With his numerous bands and collaborations (The Notwist, Lali Puna, Tied & Tickled Trio, 13 & God...) Markus Acher has contributed various relevant and exciting chapters to the recent history of music, thereby constantly re-exploring his sound universe and repeatedly widening the horizon of pop music. Within the series of UM:LAUT, Rayon presented the album "A Beat of Silence" (Morr Music) for the first time live and in one of the rare concerts with a full band and an extensive instrumentation.

Special thanks to Markus and the band for the great performance. And cheers to Carlo Grippa for the amazing sound, the recordings and the mastering.

Recorded at Radialsystem, Berlin.
Published with permission of the artist.
Photo: Markus Werner

If you like what you hear, support the artist!
https://alientransistor.com

Visit UM:LAUT on Facebook: www.facebook.com/umlautberlin

Rayon @ UM:LAUT - Any minute now (Live)

Art in the Age of Automation

Endless

Download: https://www.xlr8r.com/mp3/2017/09/jilk-become-the-build/

@jilk
@projectmooncircle

Joy In The End [via XLR8R]

Download

Download: Jilk - Become The Build

Composer, saxophonist and founder of Immix Ensemble, Daniel Thorne,  has announced his invigorating and powerful debut solo album 'Lines of Sight' with the dizzying first track 'From Inside, Looking Out'.

Deeply moving, full of otherworldly beauty and rapture, the album is alive, throbbing like a circulatory system, colourful and glowing. It literally dazzles – effectively capturing what the birth (or death) of a planet might sound like. 

In Daniel’s own words, “Thematically, this music was inspired by birds-eye aerial images and the idea of perspective - how something incredibly complex like a river or the surface of the ocean is reduced to a simple line or shape when viewed from the heavens. The line between natural and man-made becomes increasingly blurred.”

Every strand is fresh, vital and purposeful. The description ‘seamless’ might suggest a smooth, bland fusion, but here elements overlap in intermittent, undulating layers of mesh. Avant-garde, noise, electronics, ecclesiastical, classical and a touch of jazz come together, each occupying their own space while acquiescing with the whole. 

“Several compositions are derived from ratios and processes, and are 
Lines of Sight follows Thorne’s work as artistic director of the acclaimed, collaboration-focussed group Immix Ensemble. Together with experimental electronic artist Vessel, he co-wrote Transition released on Erased Tapes in 2016, described by BBC Radio 6’s Mary Anne Hobbs as “a remarkable new piece of music”. More recently, he worked with acclaimed modular synth wizard Luke Abbott, to create a four-part suite, which was premiered live in June 2017. Immix Ensemble have also performed special live commissions with Kelly Lee Owens, Dialect, Jane Weaver and Bill Ryder-Jones, among others. 

After a first solo performance at Sea Change Festival 2018, the new year will see Daniel tour across Europe, promoting the forthcoming release of Lines of Sight.

European Tour Dates:
13.2. Rotondes — Luxembourg, LU (with Daniel Brandt)
14.2. Melkweg ­— Amsterdam, NL (with Daniel Brandt)
15.2. Doornroosje — Nijmegen, NL (with Daniel Brandt)
16.2. Botanique — Brussels, BE - (with Daniel Brandt)
26.2. Corsica Studios — London, UK (with Daniel Brandt)
10.4. 24 Kitchen Street — Liverpool, UK (with Terry Riley & Gyan Riley)

Bing & Ruth - The Towns We Love Is Our Town

RVNG Intl.

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