Ken Clinger - Hello
(lazza) gio - Bruxelles n’a plus rien d’une fête
Altitude 1000 - Je ne connais pas cette chanson
SKY H1 - With
East Sister - Bluest
East Sister - Undress
Fog Lake - Jitterbug
Blithe Field - Illuminati 
TG Gondard - Avec la nuit
ssaliva - A Few Mistakes
Okay Kaya - Comic Sans
Linda Smith - I’ll Never See You
Saintes feat. Scarlatine - Besoin d’amour
Ouganda - Première Nuit
ASAP Rocky - Purple Swag (Jim-E Stack Bootleg)
TALsounds - I’m Just Around

LYL Mars - L'Hypothèse Grise avec le Syndicat des Scorpions #8

dans les bars (tg gondard cover)

LYL June - L'Hypothèse Grise avec le Syndicat des Scorpions #11

C'est la der des der pour le Syndicat sur LYL. L'Hypothèse Grise s'arrête cette saison. Merci à Lucas, Mika, tous les gens qui font fonctionner la radio et tous les résidents. Merci d'avoir soutenu mon label de cette façon, de m'avoir laissé une place pour m'exprimer et mettre en avant les musiques que j'aime. Et merci à tous les gens qui ont suivi l'émission durant plus de 3 ans. Ce n'est qu'un au revoir.

LYL July - La dernière Hypothèse Grise... See you ! Bisous.

Soft Picnic 1 - Leoni Leoni

We’ve reached book IV in Rupert Clervaux’s series of “Zibaldone” audio diaries, at which point we find him telling a different kind of story. 

“The first three all had very specific themes, while this one feels a little bit looser and doesn’t have just one thematic thrust,” he tells me, which maybe explains why listening feels a bit like annotating. I’m underlining, emphasizing, drawing arrows from here to there, highlighting symbols and noting motifs, realising, questioning, eureka-ing. An impressionistic meaning’s been encoded in and we’re lucky to be given the space to play that most poetic and boundless of all mental games: narrativization. 

There are no wrong answers, but Rupert offers some clues either way. If there’s any cipher here it’s “something like a meditation on the concept of ‘depth’––in all its connotative forms.” Think below the surface, (the) underground, yawning oceans, being ‘down in the dirt’, soil, roots, rootlessness, pulling at the dregs, collapse, profundity, stable and unstable horizons, distance, perspective, intuition, not to mention relative opposites: to be shallow, to be above, to be beyond. 

It’s got me thinking of Bresson’s “Bring things together that have as yet never been brought together and did not seem predisposed to be so.” His: “Dig deep where you are. Don't slip off elsewhere.” Rupert has realized these—two favourite goals of mine!—here. 

This is music that catches you at your own periphery, gives pause, has you offering a little “huh” to, asking “I wonder why” to. Again, it’s got me musing on another mindworm, this time from New York publisher and multi-sensory reading room Dispersed Holdings: “Feeling-making-knowing feedback loop; cartography of feeling; water as text, read to know the land beneath and around it, and body as reader.” 

Is it ok to offer up these other contexts out of context? I think so, because Zibaldone IV articulates a similarly swirly tone. Like, we’ve got Rebecca Solnit talking through Kropotkin’s “Mutual Aid” and later calling out to Michael Ruppert a ways away, and “Easy Rider” is playing in the wings. We’ve got Susan Sontag magically contextualizing Mariah Carey with poet Thylias Moss triangulating in order to sketch out (Rupert again) “something a little more interesting than wilful eclecticism or that laboured and patronising kind of pop-savvy.” 

Are we following? Whether yes or no Vanessa Bedoret follows on with a performance of a performance of Moss’s 'Water Road’: to be once or twice removed, via strange transitions, purposeful confusions, and, suddenly, seagulls. We’re on a boat with Ingeborg Bachmann—and how I wish I could actually be! But maybe thanks to this music I can as literature, films, friends, lethargy, coincidences, little mental links, eternal wormholes, lingering notions come together to imagine something better. 

Text by Natalia Panzer 
npanzer.com 

Artwork by Coline Cornélis 

Music by Rupert Clervaux 

with 
Vanessa Bedoret: voice and violin on Thylias Moss #2 
Eben Bull: trumpet and electronics on Mutual Aid and Departure from England 
Isis O’Regan; voice on Departure from England 
Nick Taylor: electronics on Chthonic ’97 
Ben Vince: saxophone and electronics on Chatsworth ’17 

Artwork by Coline Cornélis 

Warm thanks to James Marrs, as always, and Natalia Panzer 

Vanessa recreates and reads an excerpt from ‘Water Road’ by Thylias Moss. Isis reads ‘Departure from England’ by Ingeborg Bachmann (translated by Peter Filkins). This record is dedicated to both poets––with great respect and deep admiration.

02. Simple Food For Our Simple Taste

Energy Field

Ambient electronic soundscapes exploring current thought and theories of space and time. Relax, chillout and enjoy.

SFS - QUANTUM WEIRDNESS

Tunes For Solitary Spots EP

In The Field

Flagalova - In The Field

Colin Self - "Emblem"

Taken from the album, Siblings, out on RVNG Intl. November 2, 2018

https://smarturl.it/rvngnl42

©2018 RVNG Intl. // www.igetrvng.com

Siblings (RVNGNL42 - 320 - Promo)

Colin Self - Emblem

Official video for the single 'I Feel Like Giving You Things' by ML Buch
Released on In Real Life and Anyines May 1st 2019

Pre-order at: anyines.bandcamp.com/album/skinned
Stream: http://hyperurl.co/e53889

Written by ML Buch
Produced by ML Buch & Oliver Møller Nehammer 
Mixed by ML Buch, Oliver Møller Nehammer and Jacob Brøndlund
Mastered by Emil Thomsen at ET Mastering

Watch video: https://youtu.be/51uFDSLPA8o
Video by ML Buch & Oliver Møller Nehammer 

Follow at: 
Instagram: https://www.instagram.com/mlbuch_/
Soundcloud: https://soundcloud.com/mlbuch
Facebook: https://www.facebook.com/mlbuchmlbuch

Colin Self - Emblem

RVNG Intl.

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