ELECTRO PROGRESSIVE

PYE CORNER AUDIO/NOT WAVING Intercepts split LP

Release date: 28.07.14

'Protect The Revolution' taken from 'Intercepts', a split album between Pye Corner Audio and Not Waving. 

Taking inspiration from the world of espionage, most specifically spy rings, both artists provide four tracks each, creating a thrilling musical call and response between these kindred producers.

Some of the world’s greatest espionage stories involve Spy Rings. From the Rosenbergs to the Cambridge Five and the Duquesne case, these are stories that haunt the annals of the covert world and remain shrouded in mystery and fascination to this day.

Clandestine spirits permeate these eight tracks of dreamlike industrial techno, impressionist synth burbles, fragmented post-modern ambient and cosmic sci-fi adventure.

PCA tracks composed by Martin Jenkins. 
Recorded and produced  by The Head Technician at Black Mill with assistance from Martin Jenkins.

NW tracks written, produced and recorded by Alessio Natalizia in London 2013-2014. 

PYE CORNER AUDIO (20:50)
1 Perfect Secrecy Forever 05:30
2 Twisted Wire Pair 05:33
3 Shared Secret Key 04:19
4 One Time Pad 05:28

NOT WAVING (20:02)
1 Protect The Revolution 08:26 
2 Two-Way Mirror 02:58
3 Enemies Of The People 04:28 
4 Like Shooting A Fish In A Barrel 04:10 

BUY SPECIAL EDITION!

Not Waving - Protect The Revolution

From the album Palimpsests (Shelter Press, 2021) 
https://andrewpekler.bandcamp.com/album/palimpsests

Buy on Bandcamp

Andrew Pekler & Giuseppe Ielasi – Ravenna

This is an excerpt from 20min length song "LOOP for A.M. SHOW WINDOW3". People who buy A.M. works will get this full length CD during "A.M.SHOW WINDOW" exhibition at PULP Osaka, 4th June ~ 8th 2014 and at KATA Tokyo from 1st July ~ 5th 2014. edition 300.

"LOOP for A.M. SHOW WINDOW3"からの抜粋です。オリジナルは20分の作品です。2014.6月4日〜8日の期間にPULP Osaka, 2014.7月1日〜８日にKATA Tokyoで開催される "A.M.SHOW WINDOW"にてA.M.作品をご購入いただいた方にCDをプレゼント。限定300枚。是非遊びにいらしてください。

http://pulpspace.org/post/85200763364
http://www.kata-gallery.net/events/am3/

mastered by Yoshinori Sunahara

LOOP for A.M. SHOW WINDOW3 _ excerpt

Craig Leon - Nommo

Purchase from RVNG: http://smarturl.it/cleon-aifmv1-rvng
Purchase from Bandcamp: http://smarturl.it/cleon-aifmv1-bcamp
Purchase from iTunes: http://smarturl.it/cleon-aifmv1-itunes

Taken from Anthology of Interplanetary Folk Music Vol. 1: Nommos / Visiting.


Buy 

Craig Leon - Nommo

In the wet heat of a Japanese summer, legendary musician Ryuichi Sakamoto was joined on stage by Taylor Deupree and the duo of Corey Fuller and Tomoyoshi Date, known as Illuha. The Yamaguchi Center for Arts and Media hosted the event as part of their 10 year anniversary which also included a captivating installation by Sakamoto called Forest Symphony. The days surrounding the concert brought the artists together for food, talk and exploration. Informal but meaningful moods that prepared them for performing together.

The performance, an improvised set for piano, guitar, pump organ, and synthesizers, ended up affecting the artists in a deep way. The four, having never played all together before, were taken aback by the level of listening and restraint that flowed between them. The audience sat in a breathless silence, the music offering a respite from the thick July air. As the last hushed note faded into blackness the artists knew right away it had been a deep journey.

It is a fortunate event when a moment like this is captured, as this concert was ( recorded in high quality DSD). Perpetual, named for the eternal and ageless quality of the music, is presented in three movements that traverse from soft layers of synthesizer and processed guitar, to open, airy sections of prepared piano and silence, to finally coming to rest in a most hauntingly delicate lullaby of lonely piano, crackling found objects and field recordings and tones suspended like mists.

Perpetual not only surrounds us and stretches through time but collects that expanse into a single memory, a record of a brief moment where time stood still and four musicians merged into one.

Perpetual

Movement, 3

Artist: BITCHIN BAJAS
Album: Transporteur

Cat #: HITD 024
LP – 600 copies on black vinyl
CS – 100 copies
Release date: 4th May 2015

Cooper Crain, Daniel Quinlivan et Rob Frye : orgue électrique, synthétiseurs analogique, synthétiseur modulaire, basse électrique, flûte, clarinette basse et percussions

Artwork by Nick Ciontea
Mastering by Rashad Becker

Label, orders: www.handsinthedarkrecords.com

BITCHIN BAJAS - Marimba

from the album Charles Cohen - "Brother I Prove You Wrong" out on Morphine Records 2015 - doser026LP

Composer, improviser, and Buchla Music Easel master Charles Cohen returns to Morphine with a suite of new material. In keeping with the timbre spectrum of his semi-modular system, Brother I Prove You Wrong is built around pointillist analog tones—Cohen's cosmic "beeps and boops"—that swarm and scatter in mesmeric patterns across four sides. Moving through surrealistic textural overlays and industrial miasma, the album's nine tracks reveal a more introspective and personal side of the artist, following from a retrospective LP trilogy released via Morphine in 2013. Those assembled works, dating back to the late '70s, quickly became essential listening and brought Cohen—at the time largely unknown outside Philadelphia's experimental circuit—to critical renown. 

Brother I Prove You Wrong was recorded in Berlin in September 2014 using the Buchla Music Easel, with production help and support from Rabih Beaini. Mastered by Neel and curated and designed by TankBoys; cover art by Nathalie du Pasquier.

Charles Cohen - The Boy and the Snake Dance

Music from the forthcoming EP by Luke Abbott and Jack Wyllie of Portico. 

Released via Buffalo Temple (BFFT003) on 25th September available on 12" vinyl and digitally.

Xantako

🎬 Epic, emotional film score with cinematic pads, deep basses, and dramatic orchestral elements!
This is a demo from Episode #352 of our Live Electronic Music Tutorials, showcasing dramatic film score composition inspired by legendary composer Hans Zimmer. Perfect for composers wanting to create powerful, emotional soundtracks for film and media.
🎓 FREE TUTORIAL AVAILABLE:
Watch the complete step-by-step tutorial showing the real-time creative process—from chord progressions to layered orchestration! Professional templates available for Logic Pro X, Ableton Live, and FL Studio, plus sample pack included.
👉 WATCH FREE TUTORIAL & GET TEMPLATES:
https://www.wemakedancemusic.com/en/dramatic-film-score-template-for-logic-ableton-fl-studio-lemt352
🔑 What You'll Learn (Free Tutorial):
✅ Using free chord progressions as your foundation
✅ Layering cinematic pads into the mix
✅ Adding deep bass layers for impact
✅ Incorporating bell-like arpeggiators
✅ Recording deep piano leads
✅ Adding keys with dramatic music box feel
✅ Mixing cinematic elements together
✅ Creating dramatic growling brass sounds
✅ Adding background beats for rhythm
✅ Exploring new orchestral elements
✅ Building compelling film score introductions
✅ Hans Zimmer-inspired composition techniques
🎹 Templates Available For:
Logic Pro X | Ableton Live | FL Studio
📦 Package Includes:

100% production templates for all DAWs
Free chord progression included
Cinematic pad layers
Deep bass & piano elements
Bell-like arpeggiators
Dramatic brass sounds
Background beat programming
Complete film score arrangement
Samples + MIDI Pack
Professional mastering chain
Free YouTube tutorial included

#Tags:
#FilmScore #HansZimmer #CinematicMusic #Soundtrack #DramaticScore #LogicProX #AbletonLive #FLStudio #FilmComposer #OrchestralMusic #CinematicProduction #MovieScore #EpicMusic #MusicProducer #ScoreComposition

Get Template

Dramatic Film Score Demo – Hans Zimmer Style | Cinematic Orchestration | Templates for Logic, Ableton & FL Studio

All tracks written & produced by Infuso Giallo
Mastered by Steffen Baldo

Preorder EP: itzonlykamehouse.bandcamp.com

Ode To Sansevieria EP

A1 Ode To Sansevieria

Experimental cinema sonics, electroacoustic research practice and shadowy wind instruments come together to form this unique interpretation of the mythical city of gold. Utilising rare, half forgotten Soviet era synthesisers Vladimir Karpov creates immersive soundscapes under the name XYR. The Formanta mini keytar and the Alisa 1377 lend Karpov’s music strange, seldom heard atmospheres which the St. Petersburg native then combines with field recordings, toy percussion and wood flute to further build upon his utopian narratives.

Part concept album, part nod to Popol Vuh, his attempt to channel the thematics of the ancient tale of the Muisca people through his modest home studio left a lasting impression on us here at 12th Isle and we’re proud to present a selection of the tracks on vinyl for the very first time. Originally confined to just 25 cassette tapes, for this edition we have assembled some of the most inspiring tracks from the sessions as well as the bonus closing piece ‘Aguirre Song’. Immediately engaging, sincerely heartfelt and strikingly original, these are recordings we have returned to time and time again.

Limited edition LP comes housed in screenprinted sleeve. ‘El Dorado’ recorded April – August 2014, originally released via Illuminated Paths (March 2015).

https://12thisle.bandcamp.com/album/x-y-r-el-dorado

ISLE003

XYR - El Dorado LP (ISLE003)

Lucrecia Dalt - Tar (Jan Jelinek Remix)

with RV8, the osaka-based producer and musician AOKI takamasa continues his long- term project that focuses on the modulation of rhythms and grooves. it began with his first ep ‚rhythm variations‘ in 2009, released as part three of the unun-series. besides his collaboration with raster-noton, he released records on several labels like commmons, progressive form and op.disc, produced remixes for well-known musicians like ryuichi sakamoto or yoshihiro hanno and played performances at, for example, elektra/montreal and club transmediale/ berlin, all in all making him a renowned producer in japan and beyond.

starting with a firework of bleeps and bops, already the very first minutes of his new record reveal aoki‘s preference for vibrating beats and likewise his playful approach to music, generating a sound that is aiming at the dance floor.

like the first ones, almost all tracks of the record are characterized by a constant modulation of chords and lines that sometimes appears somehow hyperactive, but nevertheless results in a natural flow that perfectly reflects AOKI‘s laid-back attitude combined with his will to produce danceable and funky music.

the fluent arrangement is only interrupted by the third track which forms a caesura by being more reduced and slower. in contrast to this, the following tracks present a faster tempo and an increased intensity; and whereas the first tracks reflect downbeat and r‘n‘b influences due to their broken beats and chunky sound, the later songs are characterized by a more sleek and technoid style, incorporating dribbling basses, clappy sounding snares and modulated voice snippets.

although all of the musical components are constantly broken down, modulated, and rearranged, the overall sound of the record is dense and compact, featuring a groove made up of numerous elements that are complexly intertwined. the eight tracks of the record fit seamlessly together and create a composition that nearly functions like a dj set.

the album was mastered by yoshinori sunahara. needless to say that RV8 will be released as cd and lp.

Craig Leon - Nommo

RVNG Intl.

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