fertile void

I would like to start this year with this album.

I have been making music alone for almost 20 years now. I would like to thank everyone who has ever purchased or listened to my music, my subscribers, my collaborators, everyone who has criticized as well as praised me, the equipment and electricity I have used to make music, my room, my time, my friends, my family, everything. Thank you so much.

As a token of my appreciation, I would like to release this album for free. Please enjoy it.

I have only one request. For once, for about 40 minutes listening to this album, please do nothing and think about nothing and just be in a daze. We are too busy. We need time to intentionally give our heads and hearts a rest. Once you get into that habit, you will inevitably feel yourself becoming energized again.

I wish you all a very happy new year.

1. Hogaraka (朗らか) - Cheerful
2. Ajiwai (味わい) - Flavor
3. Utakata (泡沫) - Ephemeral
4. Mizumaki (水撒き) - Watering
5. Neiro (音色) - Tone Color
6. Mederu (愛でる) - Celebrate
7. Otsukimi (お月見) - Moon Viewing
8. Oboroge (朧げ) - Faint

Richness of the Heart

Ajiwai

Free DL

From the album Certain Limitations, available July 12, 2024 on Western Vinyl
Pre-Order / Pre-Save https://lnk.to/certainlimitations

Certain Limitations

Luke Temple and The Cascading Moms - "I Can Dream"

INHALT DER VORLESUNG

I. Einführung, Spazieren und Fokussieren 
0:00 - 14.09

II. Wiederholung zu den Methoden der Gegenwartsberührungsforschung
14.09 - 26.50

III. Die Ausstattung des Mediums der Gegenwart
26.50 - 38.40

IV. Gegenwart entspannt berühren und realisieren
38.40 - 47.00	 

V. Die Aufgabe der Woche
47.30 - 50.00

Beats On Boat: Hazy Year

EIN MEDIUM DER GEGENWART SEIN (Vorlesung 06)

Glacis is the musical alias for Euan Alexander Millar-McMeeken, an artist originally hailing from Dundee but now residing in Hastings, on the south coast of England. He began composing music in the late 2000s but it was in 2010, following the dissolution of his band, that his work as glacis truly took shape. Left alone with just his piano, this project became a conduit for his creativity during a solitary period. Over the years, glacis’ music has been released through several esteemed labels including Fluid Audio, Tavern Eightieth, Oscarson, and Lost Tribe Sound. Beyond his work as Glacis, he has also been involved in numerous collaborative duos, such as Gallowglas, Civic Hall, and The Dead Bell, constantly exploring different facets of his musical identity. Not to mention his work alongside the likes of Satomimagae, Adrian Lane and soon, Polaroid Notes.

Glacis' music is deeply personal and often born from immediacy—a necessity when creating amidst the constant presence of his children. However, since the summer of last year, he’s been able to dedicate more time to his craft, allowing for a more deliberate creative process, whether at the piano or his laptop. His influences are eclectic, with his listening habits varying depending on the nature of his current work.
‘This Darkness From Which We Cannot Run’ encapsulates a unique moment in Euan’s life, where the serenity of a peaceful week in Tighnabruaich contrasted with the darkness of the broader period in which it was created. Characterised by themes of sea, silence, and regret, this album diverges from his earlier work by stepping away from his trusty piano. Except for one track, the compositions were developed using software, originating from sketches made at a kitchen table during the holiday and later refined upon his return to London.

The creation of this album was deeply influenced by the calmness and isolation of Tighnabruaich, a place where Euan found solace amidst the surrounding sea and silence. The memories of watching gannets dive and experiencing a rare tranquility with his family permeate the music, providing a stark contrast to the underlying darkness he was experiencing at the time. Although there is no explicit concept driving the album, it is inherently tied to that week and the feelings it evoked. Notably, ‘This Darkness From Which We Cannot Run’ marks a significant shift in Glacis' approach, focusing on creating soundscapes rather than relying on his piano, a method that will continue to evolve in his future work

Credits:
Written and produced by Euan Alexander Millar-McMeeken
Mastered by James Edward Armstrong
Photography by George Korunov
Art and design by Andrew Heath

This Darkness From Which We Cannot Run

wlr171 Glacis - This Darkness From Which We Cannot Run

playing the my new Obsession Project live with hy sequencer, synth, reverb - delay fx rack, controller, bitwig cv out eurorack, analog mixer, analog eq,...

digitali - obsession LIVE 11-08-25

Explore the moons of our Solar System with Moon Voyager. Explorative and atmospheric deep space ambient music. soundscapes and drones by Nairb One.

Recorded August 2025
© 2025 Aeon Records
℗ 2025 Ditto Music LTD

Website

Callisto

Bandcamp: ochre.bandcamp.com/album/beyond-the-outer-loop
Spotify: open.spotify.com/album/6gOkTOsw1ax9UYZ5zVghOu
Apple: itunes.apple.com/us/album/id1203813166
http://ochremusic.com

Beyond the Outer Loop

Anaphora

Bandcamp

Purchase from RVNG: http://smarturl.it/bb-rvng
Purchase from Bandcamp: http://smarturl.it/bb-bcamp

Taken from The Enlightening Beam of Bobby Brown (RVNGNL35C)

© and Ⓟ 2015 RVNG Intl. / www.igetrvng.com

The Enlightening Beam of Bobby

Kaitlyn Aurelia Smith - Bobbing Beams Of Light

This remix has been made using exclusively a Prophet 08 and the music recorded by Ochre.

Ochre - Paper Unicorn (Marc Melià Remix)

'Moon Phase' is a collection of lush and melancholic ambient pieces by our long time favorite artist, SineRider. Presented in a beautiful 4-panel CDr.

Written and Produced by Devin Powers.
Mastering by Rob Small.
Photography by Alexander Kopatz www.go70north.com 
Archives28 // ArchivesCD009
Archives / 2016

Buy CD/Digital

SineRider - Take This Moment

A new track, "Within" which will be featured on the upcoming benefit compilation "Disquiet" featuring Eluvium, Ryuichi Sakamoto, Olafur Arnalds & Nils Frahm, The Album Leaf, Loscil and more...learn about the compilation here: https://www.facebook.com/heliosmusic/photos/a.128839957182974.24793.122941591106144/1246216768778615/?type=3

www.unseen-music.com
©2017 All rights reserved

Helios - Within

https://www.youtube.com/watch?v=CCrUnYUqgLg&feature=share

Silent Forest

Taken from my forthcoming record "Coral Angel" out December 1st on @color-station

Preorder the 12" vinyl: smarturl.it/coral.angel

Spotify

Cycle

Freedom

Time

Arpeggios#4

Two years after the release of his acclaimed Erased Tapes debut, ‘The Transition’, Californian singer, songwriter and multi-instrumentalist David Allred returns with a solo piano perspective on the album, aptly titled Felt The Transition — out December 18.

"Felt The Transition is a new minimalist solo piano perspective on my experimental chamber folk album previously released in 2018, called The Transition. This music is reinterpreted on my 114 year old upright piano which was very kindly donated to me by my friend Adam Selzer who previously ran a recording studio in Portland called Type Foundry. This piano is very sentimental to me as it was used by a handful of my favorite musicians on their albums over the past 20 years, namely Peter Broderick’s ‘How They Are‘ and ‘Two Balloons’.” — David Allred

Kaitlyn Aurelia Smith - Bobbing Beams Of Light

RVNG Intl.

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