this is more than a bomb it's a mythic remix of a mythic track in a mythic vinyl !! COLLECTOR !!!!

T E C H N O   # 13

Fermented Grooves Volume One

The Patchouli Brothers - Ay, Suplado (Edit)

* Subscribe for more premieres: https://bit.ly/2igyosu
* Read more: https://boltingbits.com/moomin-for-willow-oath/
* Watch on YouTube: https://youtu.be/c1A0_sPoKw4
* Pre-order: https://oathcreations.bandcamp.com/album/the-snoofer

For their second release, Oath welcomes Berlin–based producer Moomin; who brings forward a three-track EP entitled ‘The Snoofer’. Alongside three original tracks, UK producer Seb Wildblood also provides a remix for ‘For Willow'.

The title track, ‘The Snoofer’, wades through squelching percussion and deep swinging grooves as underlying synth-lines remain marching alongside locked kicks and fluctuating bass.

Arriving at ‘For Willow’, Moomin delivers a hazy, serene Hang Drum melody that tumbles and fades away, opening space for wispy pads and steady drum furrows.

Multiple label head and mainstay UK producer, Seb Wildblood, known for his distinct house style; offers up a soothing remix for ‘For Willow’. Steeped in warmth, the track sways back and forth from the blanket of pads to the syncopated rhythms of the instrumentation.

For ‘Breathe’, we see Moomin layering arpeggios and live drum cadences that seem to melt and mould together, floating and falling yet unwavering and firm.
crédits

PREMIERE: Moomin - For Willow

Exclusive: Tee Mango - Last Dance

UK-music ambassador Tee Mango delivers his altogether fourth EP, Last Dance, on Will Saul's Aus Music and delves into new territory on the EP as he lends his vocals to each of the three tracks. Combined with the rather deep and melodic vibe T's vocals add an irresistable note to each of the cuts – a beautiful melancholy that one is dying to listen to over and over again. The Millionhands label head provides a bass line in the beat of a heart for the EP opener and name giving track Last Dance. Luring the listener into its vibe with an almost two minute built-up before his echoing vocals set in and please the pads to then softly and reaptingly ask 'Will you stay for one more dance, my love? Will you stay with me?“, it's difficult to deny the wish. However, with vocals and a synth-line as sweet as this it's impossible to give the track a wide berth. 

Tee Mango's EP Last Dance will be released on Aus Music soon.

Buy here: https://phonicarecords.com/product/view/176469

Artist & label information
Tee Mango: https://facebook.com/TeeMangoMusic // @millionhands-1 // https://instagram.com/teemango_
Aus Music: https://facebook.com/ausmusicuk // @ausmusic // https://instagram.com/aus_music

Visit & follow Torture the Artist at:
https://torturetheartist.net
https://facebook.com/torturetheartist
https://instagram.com/torture_the_artist
https://twitter.com/TorturingArt
https://youtube.com/torturetheartist

EXCLUSIVE: Tee Mango - Last Dance [Aus Music]

The KLF Last Train To Transcentral (The Iron Horse)(1)

112 KBPS FILES - DON'T BE A DUNCE!

Stream & Buy - https://razor-n-tape.fanlink.to/RedAxesRemix

Israeli producer Nenor delivers a 4-tracker of impeccably produced dancefloor weapons for his second outing on Razor-N-Tape. Since releasing on Moodyman’s legendary Mahogani label a few years back and as part of duo Rabo & Snob, Nenor has been honing his craft in the studio, and now puts his skills on full display on an EP that ranges from the poppy disco house of “How Can I Be Free” to the deep Larry Heard-esque textures of “Do You Remember,” and the gritty underground bangers of  the title track and “Work That.”  He did indeed take his time on this beautifully crafted record, and the result is something quite special.

‘Do You Remember’ now gets a rerub from Tel Aviv’s Dori Sadovnik and Niv Arzi aka the mighty Red Axes. Warm Italo House chords play with occasional Loons on what could almost be a paradise house cut!

--

http://www.razor-n-tape.com​
http://www.razor-n-tape.bandcamp.com

Stream & Buy

Nenor - Do You Remember (Red Axes Remix)

Inspired by an iconic science fiction film, The Question blends cinematic atmospheres and trippy vocals with a progressive melodic techno groove at 124 BPM, built for peak-time energy. Hybrid textures, tension, and a dancefloor-ready punch. Produced in a hybrid setup, it blends the warmth of analog synthesizers with the precision of digital production.

The question (Original Mix)

bend towards the sun

Find a bruva on Facebook: www.facebook.com/nilescooper

Niles Cooper - Don't U Know

Pépe joins the Lobster fam after a stunning, twinkling EP of miniature electro & house for Renascence. Taking aim at wider sonic territory, Lemon Fanta showcases the Valencia producers multi-floral sound palette across three shifting times and moodscapes.

Rainfall (Pts I & II) is the long and winding A-side. Sounding like a mid-noughties extended piano house number that could have landed squarely on Running Back, this is a reality-squeezing, rainstick-baiting slab of late eve euphoria. Hand-slapped congos pop under timba, claps and a translucent drum machine bedrock. A warm vibes closer and emotionally charged night ended.

Title track Lemon Fanta ups the zest with an ante-kicked 'n' stepped whizz through stomping drum machine programming and overdriven square-wave basslines, all preceded by enveloping filter-chords and a chatter Spanish lilt.

Benzine Electronics rounds out the release, taking a stop start approach to song structure, hemmed to rhythmically hypnotic underlay of gentle synths, sparkling & stuttering arps, and a soft bed of 808.

Check out the artist >> @pepmanpepe

Lemon Fanta

Buy Release

LT046 // Pépe - Lemon Fanta

In  just  a  year  of  existence,  Chloé’s  Lumière  Noire  has  brought  emerging  artists  and  promising  newcomers  together  –  and  this  first  compilation  of  13  brand  new  tracks  expands  the  roster,  exposing  the  label’s  eclectic  vision  in  full  daylight.  When  Chloé  talks  about  her  label,  she  puts  forward  the  fundamental  values  that  informed  her  own  musical  journey,  her  trust  in  her  own  musical  taste  –  and,  of  course,  the  predominance  of  human  relationships:  “I  followed  my  bliss  and  only  commissioned  tracks  from  artists  that  I  respect  and  whose  music  I  love.  That  to  me  is  Lumière  Noire’s  musical  palette.”With  this  13-track,  unmixed  compilation,  Chloé  makes  a  case  for  a  label  aesthetic  that  is  based  in  open-mindedness.  Familiar,  elemental  Lumière  Noire  artists  are  represented,  as  are  new  faces,  producing  a  kind  of  group  photo  presaging  what’s  next  for  the  fledgling  label.  Lyon’s  Markus  Gibb  leads  the  track  listing  with  Kuru  with  a  deep  chiaroscuro  matching  the  label’s  ethos,  followed  by  other  mainstays  Il  Est  Vilaine’s  Farenheit  451,  which  evokes  Ray  Bradbury’s  retro-dystopic  angst  with  the  band’s  usual  electro-pop  elegance.  Sutja  Gutierrez,  who  released  in  debut  EP,  The  Legend  of  Time  on  Lumière  Noire  in  April,  pursues  his  electro-Shamanism  with  the  ceremonial  Allodoxaphobia,  while  Iñigo  Vontier  (whose  EP  Aluxes  came  out  on  the  label  in  late  2017)  brings  his  Contra  project  online  with  track  Taurus,  a  further  development  in  voodoo  house.  Elsewhere,  Suuns  lead  singer  Ben  Shemie,  who  lent  his  fascinating  art-rock  croon  to  Recall,  a  single  from  Chloé’s  Endless  Revisions  LP,  contributes  A  Million  Kinds,  a  synthy,  psych-pop  debut  that  is  as  brilliant  as  it  is  surprising.  On  to  the  freshman  class:  Dutch  producer  Drvg  Cvltvre  (who  gets  personal  kudos  from  Chloé  with  each  new  12”)  brings  the  uncompromising  dark  electro  of  his  hypnotic  and  claustrophobic  Last  Rites.  Jonathan  Fitoussi’s  airy,  minimalistic  Cercles  Polaires  brings  the  respite  of  his  recent  Versatile  Espaces  Timbrés  LP  (a  collaboration  with  Clemens  Hourrières):  “I  met  him  at  Xavier  Veilhan’s  Studio  Venezia  at  the  Venice  Biennale.  He’s  a  great  guy,  and  his  universe  is  unique,”  says  Chloé.  Benedikt  Frey’s  deep  techno  track  Iaon,  is  on  par  with  his  smash  2017  album,  Artificial,  out  on  ESP  Institute.    First-timers  are  also  part  of  the  recruits:  Bajram  Bili  with  the  ten  cerebral  minutes  of  Restart,  Théo  Muller  with  the  ultra-deep  Douce  Transe,  and  Lumi,  a  Basque  band  that  fuses  electronic  sounds  with  acoustic  instruments,  brings  the  compilation  to  a  close  with  a  track  commissioned  by  Chloé,  who  met  them  at  a  festival.  These  audacious  choices  are  anchored  down  with  the  likes  of  Permanent  Vacation  pioneer  Lauer’s  hooky,  80s-infused  Pythor  (“Just  like  him,  I  was  a  resident  of  the  Robert  Johnson,  and  he  was  a  guest  of  mine  at  one  of  my  Lumière  Noire  nights  at  the  Rex.  He  is  one  of  these  people  whose  music  I  highly  appreciate);  Aergeworc  &  Franck  Agrario,  half  of  English  duo  Swayzak  David  Brown’s  project,  weaves  an  ethno*  mood  into  Grace’s  techno.  Bringing  together  different  generations,  genres,  and  styles?  That  may  not  necessarily  be  Chloé’s  MO.  She  invokes  a  more  arbitrary,  personal  logic:  “I  like  to  mix  of-the-moment  tracks  and  more  timeless  one,  but  the  rule  is  above  all  ‘do  I  love  this  or  not?’.  That  was  my  ethos  when  I  started  Lumière  Noire.”  In  that  way,  the  label  is  definitely  in  keeping  with  its  time...

VARIOUS ARTISTS LUMIERE NOIRE

Lauer - Pythor

https://soundcloud.com/seven-davis-jr is a man who needs little introduction. He cuts a smooth line through melody and tonality, and this power can be seen, clear as day in his masterful remix of 'They Sleep We Love'. Cosmic stuff, and incredibly difficult not to start head nodding/ foot tapping along to.

Purchase here: https://mff.lnk.to/TheySleepWeLove


www.fourheadsmusic.com

PREMIERE: Dave Aju & Thatmanmonkz- They Sleep We Love (Seven Davis Jnr's Bay Area Remix)

Psychic Ills - Mantis (Juan Atkins Remix)

The greatest band that never existed!
Bill Drummond & Jim Cauty.

For any pedestrians that aren't aware, these 2 guys influenced whatever electronic music you are listening to. For those in the dark, immediately invest your time, and with the next click of your mouse, start reading whatever you can online . Here's a little teaser...

'Kylie said Trance' is the B-side of 'When Kylie said to Jason'. It was released in 1989 and is regarded by many as the birth of Trance music. Also the best thing that Kylie Minogue or Jason Donovan ever had their name on.
In 1990 The KLF released the album 'Chill Out'. I'll presume no more needs to be said about that.
In 1991 they were the biggest selling band in the world, with 4 top ten singles and 'The White Room' album.
On 12 February 1992, they opened the BRIT Awards in London with a thrash version of '3a.m. Eternal', accompanied by punk band Extreme Noise Terror. The performance ended with Bill Drummond firing blanks from a machine gun over the heads of the crowd, and their promoter Scott Piering announcing over the PA that "The KLF have now left the music business".
They were subsequently kicked out of the ceremony and unable to receive their award for  "Best British Group'.  Later that night, on the red carpet of the official after-party, they dumped a dead sheep and 8 gallons of blood, along with the message "I DIED FOR EWE - BON APETIT" tied around its body.
After the show they had a motorcycle courier collect the BRIT Award statuette. It was finally found years later, buried in a field near Stonehenge and then returned to the duo. It hasn't been seen again.
Following months of media speculations, on the 14th May 1992, The KLF deleted their entire back music catalogue and destroyed all their merchandise. An action made possible because, in the true DIY spirit of punk, they owned their own record label. This action was to prove that their break-up was serious and not a stunt to sell more records.

To mark 2 months until http://soundcloud.com/groups/world-techno-day 2010, this track was dumped here by YFY to educate and enjoy.

'Intellectual Property laws were created by lawyers not artists.' J.Cauty, 2003.

Justified!

Psychic Ills - Mantis (Juan Atkins Remix)

RVNG Intl.

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BLVK MAGIK II.

infinite colours

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