reggae


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Pressure Busspipe - The Rain (Songbird Riddim 2013)

Lutan Fyah - Life Of  A King [2013]

a timeless parable of reap what is sown by the U.K.'s top reggae singer songwriter

What You Sow

"The first single off of Pressure's upcoming album on I Grade Records.  Produced by Zion I Kings". 

info@pressusrebusspipe.com
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Buy on iTunes

Pressure Busspipe - Run Away

title track from Lloyd Brown's ROOTICAL featuring Pressure Busspipe + Zion I KIngs

Rootical feat. Pressure

One Atonement - Yahadanai

Light - Yahadanai

Rise - Yahadanai

This song came through in a dream, I awoke and wrote it down in about 30 min. The night before, I was speaking to a close friend about profound loss and reflecting on my own families recovery after a motorcycle accident that nearly claimed my woman's life earlier in the year. It was also veterans day

Arjanine

Best in Life

VI Roots Reggae Brand New Track By Junyah P Off his new Album entitle In these Times

In These Times

The first single off of the new Midnite - I Grade album called "Beauty for Ashes" coming in early 2014. "Same I Ah One" features Pressure Buss Pipe.  Two other huge collaborations songs from the album with Lutan Fyah and Ras Batch are included on the Same I Ah One EP.  Also included are I Grade Dub mix of "Same I Ah One" and remixes by Digital Ancient, DJ Liondub and Nic the Graduate.  "Same I Ah One" was produced by Zion I Kings.  

Credits:
Drums: Wilburn "Squidley" Cole
Bass, Pick Guitar & Kette: David "JAH David" Goldfine
Keyboards, Melodica & Percussion: Laurent "Tippy I" Alfred
Rhythm Guitar: Andrew "Moon" Bain
Guitar: Padraic Coursey
Trombone & Horn Arrangements: Balboa Becker
Saxophone: Garrett Kobsef
Produced by: Zion I Kings
Recorded at: Tuff Gong Studio (JA) & Aqua Sounds Studio (STX)
Mixed & Mastered by: Laurent "TIppy I" Alfred (Aqua Sounds Studio)

Same I Ah One - Midnite feat. Pressure

Iration http://irationmusic.com

This is an EP with four songs that displayed the direction of Iration music for the years 2008/0.  Falling was a great success for us but each of the songs found it's own success.  Recorded, mixed and mastered over a three week period the album displays the diversity of style and musicality of the band.

Falling

Wiseman

"Lady in White” from the album, Peace of Mind. Get this album and more in the Rebelution web store: http://bit.ly/rb-store

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Lady in White

"So High” from the album, Peace of Mind. Get this album and more in the Rebelution web store: http://bit.ly/rb-store

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So High

"Calling Me Out” from the album, Peace of Mind. Get this album and more in the Rebelution web store: http://bit.ly/rb-store

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Calling Me Out

http://irationmusic.com

You’ve seen her at a party, she’s doing her rounds 
She likes to get it started, she likes to get loud 
She’s poppin that champagne, she’s taking shots down 
She’s living for the moment, 

She’s a time bomb, trying to take you out, 
The ticking of her heart is the only sound 
She’s a time bomb, about to detonate 
You try to cut her wires but you’re way too late 

Whisky stain on her dress now, she’s wearing it proud 
And there’s nothing you can tell her, cuz she’s starting to shout 
Now she’s spraying that champagne, all over the crowd 
She’s living for the moment 


She’s a time bomb, trying to take you out, 
The ticking of her heart is the only sound 
She’s a time bomb, about to detonate 
You try to cut her wires but you’re way too late

Time Bomb

Beautiful Mysterious

The Archives began when Thievery Corporation’s Eric Hilton began a quest to explore the roots of reggae music. He asked keyboard ace Darryl “D-Trane” Burke to put together a cover band that would introduce club goers to the rock steady hits and obscurities of the pre-reggae era. When the group began writing original material, Burke contacted players he knew that could bring a progressive vibe to the music. “Everyone in the band has recorded and toured internationally with acts like Eek-A-Mouse, Culture, Gregory Isaacs and The Abyssinians,” Burke explains. “We weave together the best of foundation roots, rock steady, early dub and dancehall influences with arrangements that use funky throwbacks such as jazz flute, melodica and organ to create a classic, yet fresh and conscious sound.”
The band landed a two-year residency at the DC club Patty Boom Boom. Nightlong sets that often saw them playing 60 tunes or more allowed them to hone their sound and win an audience of dedicated fans. “It takes time to create new flavors,” Burke explains. “Playing weekly allowed us to simmer this stew and unify our sound. Now we’re comfortable in any situation and confident that we can step up and take it to the next level.”
The Archives feature vocalists Ras Puma, the charismatic singer on Thievery Corporation’s Culture of Fear, and Lenny Kurlou (S.T.O.R.M.). Mateo Monk (Sankofa Blackstar) plays guitar, flute and melodica; Burke (Moja Nya, Eek- A-Mouse, Gregory Isaacs) is on keyboards and drummer Leslie “Black Seed” James Jr. (Culture, Eek-A-Mouse) and bass player Justin “Relentless” Parrott (Claudius Linton) round out the lineup. The songs were composed collectively and all band members contributed to the arrangements.
With Eric Hilton behind the board and Thievery Corporation’s head engineer, Chris Stone, adding his magic to the mix, the band laid down 13 tracks full of smoking soul and sufferation. Burke’s funky clavinet and James’s one drop drumming introduce “Ghetto Gone Uptown.” Puma and Kurlou alternate lead vocals and add smooth harmonies to the chorus of this lover’s rock jam. The vibe is mellow, but the lyrics are a serious examination of the country’s economic woes. Legendary dance hall DJ, producer and Thievery Corporation vocalist Sleepy Wonder sings lead on “Music Is My Prayer,” an ode to the healing powers of music. His scat-infused vocal on this sweet, laid-back track owes a debt to the work of Black Uhuru’s Michael Rose.
Desi Hyson, singer and main songwriter of Al Anderson’s Original Wailers takes lead vocals on “Crime,” a melodic romp that calls for the legalization of ganja with a ska-like bounce in its rhythm. “More To Life” is a Black Uhuru style roots rocker with inventive drumming from James and a passionate vocal from Puma, calling for worldwide responsibility and compassion as an antidote for the planet’s anguish. Subtle dub effects set off Monk’s wicked guitar solo.
The band shows off its diversity on “Melodica Funk,” a rock steady instrumental that blends melodica, Monk’s Latin-flavored jazz flute and Burke’s Jackie Mittoo-style organ solos and “Why Can’t We Live Together,” a funky disco/reggae cover of the Timmy Thomas standard. They also shine on “Who’s Correct,” a bubbly rock steady groove featuring Parrott’s militant Augustus Pablo-style bass line and a serious message of religious tolerance and a dub heavy take on the Clash/Mikey Dread tune “One More Time.”
“Dali once said he learned to paint like the masters before embarking on his visionary quest,” Monk says. “We strive to play like the masters in our field, but we’re part of our generation. Modern sensibilities have developed since the golden era of reggae: better gear, more awareness of studio techniques, new approaches to improvisation, new paradigms for the concert experience and greater social consciousness. We are not a retro band. We’re a 21st century band with really deep roots and we want to contribute to reggae’s evolution. Same tree, new leaves.”

More To Life

good music and good vibes is what i base my life on. the out doors is where i'm happiest. i would rather be by myself then around a bunch of fake ass people. i think you dont need anyone else to be happy, happiness comes from inside!

reggae

Ryan Phillips 39