Lost Inside (for ThePurpleSacramentan)

Cosmos

Purr 001 - MightyKat

Track written and produced by Marie Wilhelmine Anders (2018/19)
Lyrics by Robert Louis Stevenson
Cover: Polaroid by Thomas Lutz

"Looking-Glass River" by Robert Louis Stevenson (1850-1894)

Smooth it glides upon its travel,
Here a wimple, there a gleam ¬–
Oh the clean gravel!
Oh the smooth stream!

Sailing blossoms, silver fishes,
Paven pools as clear as air –
How a child wishes
To live down there!

We can see our coloured faces
Floating on the shaken pool
Down in cool places,
Dim an very cool;

Till a wind or water wrinkle,
Dipping marten, plumping trout,
Spreads in a twinkle
And blots all out.

See the rings pursue each other;
All below grows black as night,
Just as if mother
Had blown out the light!

Patience, children, just a minute –
See the spreading circels die;
The stream and all in it
Will clear by and by.

Andersworld

Support/Download

Looking-Glass River

April 2020, locked in with my vinyls...let's share

Tim Paris Avril 2020 Mix C

GK Podcast 50 / Trinidad
https://soundcloud.com/trinidad

GK Podcast 50 / Trinidad

Jessica Saves - Higher Dimensions

A little something mixed together for KitchenSync Records.

Are You Flexible?

Low Down & Dirty - Live mix

Debut album from Cesar Merveille and I.  2012?

VQLP001 09 The Day You Left

For lovers of peace and quiet.

https://jaydenklight.bandcamp.com/album/music-for-doing-things

Music for Doing Things

Jayden Klight - Music for Doing Things [Full Album]

A Motor City, Berlin, London hybrid, Ryan Crosson is a complex artistic creature. Equal parts energetic, down to earth Detroit native and ultra-refined, musical aesthete, Ryan has one ear to the club and one ear far, far beyond. Known the world over for shape shifting, shoulder shaking tracks on groundbreaking labels including M_nus, Supplement Facts, Spectral, Wagon Repair, and his own Visionquest, Ryan’s production and sampling practices depart from the worlds of house or techno by referencing musique concrète, Downtown New York funk, and East African jazz. Born and raised on a steady diet of post-apocalyptic landscapes, dark warehouses, and the sounds of Plastikman, Matthew Dear, Magda, and Villalobos, Ryan’s DJ sets aim to expand the horizon of possibility without sacrificing dance music’s core element of sweaty, hedonistic fun. His unique musical vocabulary and tireless dedication insure him a place in the dynasty of forward-thinking techno transplants.

Alongside Lee Curtiss and Shaun Reeves, Ryan is responsible for the day-to-day running of Visionquest, one of dance music’s most cherished and eclectic imprints. Ryan and his partners in Visionquest have honed a whole new landscape of lush, organic techno and esoteric leftfield electronica. In 2014, Ryan oversaw the construction of Visionquest’s newest venture—their digital arm and sub-label Brachtune. Full of off-kilter, loopy and positively circus vibes, the tracks showcased on Brachtune will remind long-time friends and fans of Ryan’s early morning sets in the notorious “Tesh Club” basement.

In addition to his work with Visionquest, 2014 was Ryan’s most prolific production career yet, with a staggering number of releases on labels such as Darkroom Dubs, Mobilee, and . Highlights include Bricolage, Ryan’s hotly anticipated first EP for Visionquest, especially the labyrinthine, twisted “Club Chimes,” a heady collaboration with long-time friend and fellow Visionquest artist Cesar Merveille. The year also saw Don’t Be Left Out, a mix CD with another fellow traveler Matt Tolfrey, which has been described as “deep, diverse, and exciting all the way through.”

VQLP001 09 The Day You Left

ryan_crosson

Related tracks