wonderful stuff!! I cannot find anywhere - too slow ;(

Aphelion Vol.2

Josefin Öhrn + The Liberation - Rainbow Lollipop (Cherrystones Remix)

HVN 29              
Saint Etienne     	            
“Hobart Paving”/“Who Do You Think You Are”     
      	          	          	            
1. Hobart Paving - single mix
2. Your Head,My Voice (Aphex Twin Mix
3. Who Do You Think You Are - single mix
4. Who Do You Think You Are - Aphex Twin mix

12”/7” tracks 1 and 3/CD tracks 1/3/2/4

http://www.youtube.com/watch?v=RjriWGxk7Ps

73) Saint Etienne 'Your Head My Voice' (Voix Revirement - Aphex Twin mix)

Hello everyone, now after a long time once a recording of my music. Thanks Lasse (Soundcloud: lazzlow) for the invitation to the Niller Records radioshow. If you are interested in a collaboration, please send a message with the corresponding song title/description! 

with love Michel :3

Niller Records Radioshow 01/04/2022 @Querfunk 104.8

New Single Out now 

-F-
First, I heard colors.
Including Pye Corner Audio remix.

Artwork : The Designers Republic

 "First, I Heard Colors" unfolds an electronic ritournelle that could be the end title of your supernatural summer soundtrack. As a specialist of early 80s horror synth soundtracks himself, sound sorcerer Pye Corner Audio transforms the piece into an haunted acid beauty & beast.

New album 
"ABCDEFGHIJKLMNOPQRSTUVWXYZ"
Out this Fall.

First, I Heard Colors

The two versatile record labels Banlieue and Peur Bleue (@thisispeurbleue) are joining forces for a very special occasion: PSYOP, the outstanding debut album by WATCHING AIRPLANES, a production duo breaking through in 2018.

PSYOP opens up an alternate reality where dance music is freed from the yoke of genre-based distinctions and is no longer tied to any dancefloor norms. By exploring different moods with smooth sailing and rough patches, It is an intense journey in the murky world of psychological mass conspiracy. This LP could very well be the soundtrack for an cutting-edge Orwellian sci-fi movie or an imagined futuristic venue where music and dance of a new kind are performed. Forward-thinking dance music from the future seems like the most accurate description for this album devoid of any tropes or nostalgia.


Catalogue number: BRPBR01
Format: 2 x 12"
Distribution: Chez Émile

Psyop

BRPBR01 - Snippet - Watching Airplanes - Psyop 2xLP (out in March 2018)

Recorded and mixed by Jan Tomson in Tallinn, 2018.
Additional mix and mastering by Sam Irl.

Album out soon on Wake Dream and soundcloud.com/wakedream.

(WADR002)

Palav aed

READ > https://inverted-audio.com/premiere-melly-shrubbery

After a successful detour under the moniker of DJ Après Ski over a year ago, Dublin-based producer @melkeane returns to @majorproblems in his main guise with 'The Beds' - a richly hued slice of soothing electronic hoodoo that'll have you regaled from start to finish.

Melly - Shrubbery [Major Problems]

Available via bandcamp here: https://deathcommando.bandcamp.com/album/pattern-nightmares

Recorded by Jason Letkiewicz in Chicago, IL in 2017
LP limited to 300 hand-numbered copies.
©2018 Going Home Records
Mastered by Wouter at Brandenburg Mastering

Death Commando - Pattern Nightmares LP *PREVIEW*

Vinyl & Digital:
https://superutu.bandcamp.com/album/pantene

Pantene was a live performance art-pop group that existed in Berlin, Germany in 2015. Its four band members: Marijn Degenaar, Molly Dyson, Olle Holmberg, and Rahel Tierbach took a DIY approach to instrumentation and arrangement, where intergenerational low-fidelity samples collide with subversive and pithy lyrics. Using laptops, MIDI, samplers and effects units to deliver re-contextualised pieces of music, Pantene explored issues surrounding cultural constructions of power, identity and sexuality with effortless aplomb.

This collection of 4 songs has been, for the past few years, sitting on Soundcloud slowly collecting plays, likes and no doubt intrigue from its listeners, as it seems since the time of upload Pantene have gone silent. Super Utu will be reissuing this remastered digi-relic on 10” polyvinyl chloride for the very first time. On side A is Don’t Touch Me I’m Dancing, a piercing retribution to seedy characters who lurk in dark corners of nightclubs. Molly and Rahel’s disaffected vocals pan “It’s a quest for satisfaction. A finger in every hole.” As if the nightclub is the playing field for some sort of sadistic sexual sport. Just Business, dejectedly examines our autonomy as individuals existing in an increasingly monotonous world controlled by capitalists. It’s the kind of work Barbara Kruger might have written if she decided to make music instead of visual art. Olle reflects “…cos everywhere you go there is another IKEA store to stock up your new life.” It’s a witty remark that would feel as much at home in a dole-wave jangle as a David Foster Wallace novel. At once extremely familiar, yet totally mentally isolating.

On the flip we hear Near To The Wild Heart. A legato, time-warped sample breathes deep and heavy beneath the reverb drenched vocals which sing “I am calm, I am cool, I wait for you. Take me all the way down, stretch it to the limit.” The lyrics float around in the back of your mind, in the exact same way the thought does that the attractive other from across the room, who’s been making eyes at you all night, might go home with you. On My Knees 2 Pray also does not falter in it’s sexually implicit/explicit vocal tango. The hapax legomenon of sultry deutsche sprache translates to “Virgin Mary, I know you see me. My knees only suffer for you.” 

While public discourse on sampling is contentious, it definitely pays to look beyond the technicalities and understand the context and contention of the creator(s). Pantene’s use of samples trounce any blatant pastiche. They re-appropriate decades old night club hits into breath-of-fresh-air political-pop songs. Perhaps you could even call them protest songs. At least we’re confident in knowing that they’ll be broadcast in institutions which were once symbols of anti-establishment, freedom and expression. Maybe they’re still like that. or Maybe not.

Words by Raudie McLeod
http://atelierutu.tumblr.com

SUPER UTU 2 - PANTENE - SNIPPETS

Valentina Magaletti and Julian Sartorius maintain a dialogue of irregular tempos and off-kilter percussion on their first collaborative record titled Sulla Pelle. 

Valentina is a force in the world of electronic and experimental music - working with Tom Relleen under Tomaga, jazz/pop band Vanishing Twin, the collective ‘UUUU’ with a couple of releases on Editions Mego, as well as various collaborations with the likes of Nicholas Jaar and Raime/Moin to name a couple. 

Julian Sartorius is a denizen in and of the beat – he's collaborated with artists such as Matthew Herbert, Shahzad Ismaily, Sylvie Courvoisier, as well as touring worldwide and widely through Europe with his solo show on the bill with the likes of Deerhoof, Faust, and Jaki Liebezeit. It’s apparent that time is not perceived in an ordinary manner by Julian – he's released a “Beat Diary” consisting of 365 beats and, on a daily basis, adds an element to his collage and modifies an 8-second audioloop under the project called Morph. More recently, he played percussion on the track ‘Firesmoke‘ on Kate Tempest‘s new record ‘The Book of Traps and Lessons‘. 

Sulla Pelle chisels away at your headspace at varying velocities with a harmonious flow - at times gently carving out channels that dramatically flood with syncopated kick drums and shifting propulsive beats. It’s as much about monotonous playing as it is about those moments where it seems as though every vertebra branches into tentacles and antennas ricocheting hits in foreign symbiosis.  

Rasping prepared drums that traverse the body into all sorts of ceremonial throttles, hedonistic arm flails, primal cheer at every incipient dynamic accent. This raw and sparse drumming and percussion record sees Valentina and Julian cueing each other in on interlocked ratchets and clanks with different mallets and metalwork from Malcom Catto’s studio on top of modular tinkering and occasional distant subdued ramblings.  

Sulla Pelle will be released end of August digitally and on vinyl with artwork by Benjamin Kilchhofer.

Death Commando - Pattern Nightmares LP PREVIEW

Ryan M Todd

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